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Jonatan Sandoval Leyva

Austin, TX

http://staffmeup.com/profile/jonsl

Media Education Recommendations Gear/Skills

Summary

Message

Motivated and hard working Cam OP and AC. Willing to travel.

Credits

11/19 – 11/21

Director of Photography (DP) (C300 M2) – Proctor and Gable

Corporate

11/19 – 11/21

2/20 – 11/20

Camera Operator (Sony FS7) – The Fieldhouse (Season 1)

Magnolia — TV — Texas Crew Productions

2/20 – 11/20

Assistant Camera (AC) (FS7) – The Fieldhouse (Season 1)

Magnolia — TV — Texas Crew Productions

2/20 – 11/20

10/20 – 10/20

Assistant Camera (AC) (Sony FX9) – Untitled Doc (Season 1)

Netflix — TV — Half Yard Productions

10/20 – 10/20

5/20 – 6/20

Assistant Camera (AC) (5D (remote)) – Twisted Sisters

Investigation Discovery — TV — 44 Blue Productions

5/20 – 6/20

4/20 – 4/20

Camera Operator (Arri Alexa Mini, Bolex Super8) – Rather

Hulu — Film (Feature-length)

4/20 – 4/20

2/20 – 2/20

Assistant Camera (AC) (C300 mkii) – Real Vision

Digital — TV — Real Vision

2/20 – 2/20

Assistant Camera (AC) (FS7) – Formula 1 Social

NBCSN — Digital

2/20 – 2/20

1/20 – 1/20

Assistant Camera (AC) (C300 Mk2) – Building Bizzare (Pilot)

HGTV — TV

1/20 – 1/20

11/19 – 11/19

Assistant Camera (AC) (FS7) – In Pursuit With John Walsh (Season 2)

Investigation Discovery — TV — Zero Point Zero Production, Inc

11/19 – 11/19

Swing (AC/Gaffer) – Texas Equality Doc

Digital — TV — Enfranchisement Productions

11/19 – 11/19

10/19 – 11/19

Assistant Camera (AC) (FS7) – Whip It Up

Food Network — TV — ITV Studios America

10/19 – 11/19

10/19 – 10/19

Assistant Camera (AC) (Panasonic Varicam LT) – Jane Goodall: The Hope

National Geographic — TV — Lucky 8

10/19 – 10/19

Director of Photography (DP) (C300 mk2) – Los Mejores Secretor Viven en la Oscuridad

Film (Short) — Madgirl Films

10/19 – 10/19

9/19 – 10/19

Director of Photography (DP) (C300 mk2) – Proctor And Gamble

Corporate — Rollcrew Media LLC

9/19 – 10/19

3/19 – 6/19

Assistant Camera (AC) (FS7ii) – Cash Pad (Season 1)

CNBC — TV — Electus

3/19 – 6/19

4/19 – 4/19

Assistant Camera (AC) – Zoomari Films

In Touch — Advertising — Zoomari Films

4/19 – 4/19

3/19 – 3/19

Assistant Camera (AC) (Sony FS7) – Vice Live

Viceland — TV — VICE Media

3/19 – 3/19

Camera Operator – VICE Live

Viceland — TV — VICE Media

3/19 – 3/19

1/19 – 3/19

Director of Photography (DP) – Scott Collins - Something Different Here

Music Video — Chickenrun Studios

1/19 – 3/19

2/19 – 2/19

Assistant Camera (AC) (Sony FS7) – BBQ Brawl: Flay v. Symon (Season 1)

Food Network — TV — Rock Shrimp Productions Details

2/19 – 2/19

Managed 12 cameras for a live style cooking show. Set up junctions, cable runs, and wireless multicam setups.

1/19 – 1/19

Camera Operator – Teenage Badass

Film (Feature-length) — Common Wall Media

1/19 – 1/19

12/18 – 12/18

Assistant Camera (AC) (C300 MkII) – Untitled Showtime Doc (Season 1)

Showtime — TV — Motto Pictures

12/18 – 12/18

11/18 – 11/18

First Assistant Camera – Outside the Box (Pilot)

TV — Auffant FIlms

11/18 – 11/18

Director of Photography (DP) (C300 Mk2) – Canon USA

Corporate — Rollcrew Media LLC

11/18 – 11/18

10/18 – 11/18

Director of Photography (DP) (Ursa Mini) – Lotus Contemporary Dance

Digital

10/18 – 11/18

10/18 – 10/18

First Assistant Camera – Fast Travel (Season 1)

IGN — Digital — IGN Entertainment Details

10/18 – 10/18

Pull focus on moving car shots. Assist operators.

10/18 – 10/18

Assistant Camera (AC) (Sony F55) – Miz & Mrs. (Season 1)

USA Network — TV — Bunim/Murray Productions

10/18 – 10/18

8/18 – 8/18

Camera Operator (Blackmagic) – Not from around here (Season 1)

Digital

8/18 – 8/18

7/18 – 7/18

Assistant Camera (AC) (C300 MK2) – Finding Home

Facebook — Digital — Attn: Details

7/18 – 7/18

Pull focus on various gimbal shots. Assist operators.

7/18 – 7/18

Camera Operator (Arri Amira) – The Manson Family: The Lost Tapes

Fox — TV — Naked Entertainment

7/18 – 7/18

4/18 – 6/18

Camera Operator (C300 Mk2) – Nightwatch (Season 3)

A&E — TV — 44 Blue Productions

4/18 – 6/18

Assistant Camera (AC) (C300 Mk2, Blackmagic Micro) – Nightwatch (Season 3)

A&E — TV — 44 Blue Productions

4/18 – 6/18

5/18 – 5/18

Second Assistant Camera – Deforming Stillness

Film (Short)

5/18 – 5/18

3/18 – 3/18

Assistant Camera (AC) (Sony F5) – Untitled (Season 1)

HBO — TV — 495 Productions

3/18 – 3/18

Assistant Camera (AC) (Sony FS5) – Luck Reunion

Internet — Live/Special Event — New Spacesuit

3/18 – 3/18

6/17 – 2/18

Assistant Camera (AC) (Sony FS7) – The Little Couple (Season 9)

TLC — TV — LMNO Productions

6/17 – 2/18

9/17 – 1/18

Camera Operator (Panasonic 270) – My 600-lb Life

TLC — TV — Megalomedia

9/17 – 1/18

10/17 – 11/17

Camera Operator (C300 and Ursa Mini) – Pool Kings (Season 2)

DIY Network — TV — Juma Entertainment

10/17 – 11/17

10/17 – 10/17

Assistant Camera (AC) (Sony F55 and Sony FS7) – Big Red: The Original Outlaw Racer (Season 2)

NBCSN — TV — Handcrafted Entertainment, Inc.

10/17 – 10/17

7/17 – 7/17

Assistant Camera (AC) (C300) – Untitled

HBO — TV — 495 Productions

7/17 – 7/17

4/17 – 4/17

Assistant Camera (AC) (C300) – You Can't Turn That Into A House (Season 1)

DIY Network — TV — Red Arrow Industries

4/17 – 4/17

Camera Operator (Ursa Mini) – Ode to Joy

Film (Short) — Koshkinland

4/17 – 4/17

2/17 – 4/17

Camera Operator – Pool Kings (Season 1)

HGTV — TV — Juma Entertainment Details

2/17 – 4/17

Shoot reality scenes, light and shoot interviews.

4/16 – 11/16

Camera Operator (Canon FX305, HDX900) – House Hunters Renovation (Season 10)

HGTV — TV — Pie Town Productions Details

4/16 – 11/16

B Camera Operator and Assistant Camera. Set up and shoot interviews.

2/16 – 11/16

Camera Operator (Canon FX305, HDX900) – House Hunters Renovation (Season 9)

HGTV — TV — Pie Town Productions Details

2/16 – 11/16

B Camera Operator and Assistant Camera. Set up and shoot interviews.

9/16 – 9/16

Assistant Camera (AC) (Canon C300) – Millionaire Madres (Pilot)

E! Entertainment — TV — Evolution Media Details

9/16 – 9/16

Assist DP, manage media, swap and maintain lenses, and organize equipment.

9/16 – 9/16

Assistant Camera (AC) (RED EPIC) – Engineering the Perfect Season

CBS — TV — Market Road Films Details

9/16 – 9/16

Assist DP, manage media, swap and maintain lenses, and organize equipment.

8/16 – 8/16

Camera Operator (Sony A7SII, Black Magic Ursa Mni) – Pennyfest

Live/Special Event — Independent Details

8/16 – 8/16

Multi camera shoot of music festival. Manage media and equipment.

10/15 – 2/16

Camera Operator (Canon FX305, HDX900) – House Hunters Renovation (Season 8)

HGTV — TV — Pie Town Productions Details

10/15 – 2/16

B Camera Operator and Assistant Camera

7/15 – 8/15

Production Assistant (Special Effects) – Voyage of Time

Film (Feature-length) — Buckeye Pictures LLC

7/15 – 8/15

7/15 – 7/15

Camera Production Assistant

Advertising — VIMBY Details

7/15 – 7/15

Assist Filmmaker with camera equipment, including Ronin DJI and drone.

3/15 – 3/15

Gaffer – JOB'S Plot

Film (Short) — Good Chemistry

3/15 – 3/15

Utility – Universal Music Group Experience

Live/Special Event — Universal Music Group

3/15 – 3/15

Lighting Designer – Terminaator - Sea of Silence

Music Video — produced by Glen Kelp

3/15 – 3/15

5/14 – 5/14

Camera Operator – Untitled AZ Gunners Documentary

Internet — TV — Independent Film

5/14 – 5/14

3/14 – 3/14

Gaffer – Cri de Guerre

Film (Short) — Independent Film Details

3/14 – 3/14

Managed a G&E crew in order to light sets and scenes to add to the vision of the Director and Cinematographer.

3/14 – 3/14

Director of Photography (DP) (7D) – Two States

Film (Short) — Independent Film Details

3/14 – 3/14

Designed and executed the visual style of this experimental indie short.

2/14 – 2/14

Assistant Camera (AC) (Black Magic Cinema Camera) – The Cleaner

Film (Short) — Independent Film Details

2/14 – 2/14

Assisted the camera operator throughout work day. Set up camera rigs, maintained equipment, lens changes, and pulled focus.

2/14 – 2/14

Director of Photography (DP) (RED Scarlet) – The Devil's Toll

Film (Short) — Independent Film Details

2/14 – 2/14

Designed and executed the visual style of this short supernatural western.

2/14 – 2/14

Camera Operator (5D Mark II) – Mr. Bleubird's

Film (Short) — Independent Film Details

2/14 – 2/14

Worked with Director of Photography in order to capture the type and quality of image they designed.

2/14 – 2/14

Director of Photography (DP) (Panasonic HVX) – Inside Quincy Lionheart

Film (Short) — Independent Film Details

2/14 – 2/14

Designed and executed the visual style of this short mockumentary.

1/14 – 1/14

Director – The Pitch

Film (Short) — Independent Film Details

1/14 – 1/14

Wrote, directed and produced this comedy sitcom pilot. Was able to bring a crew together and successfully push this project through from conception to completion.

12/13 – 12/13

Director of Photography (DP) (Black Magic Cinema Camera) – Soiled Doves

Film (Short) — Independent Short Film Details

12/13 – 12/13

Designed and executed the visual style of this short horror film.

11/13 – 11/13

Camera Operator (5D Mark II) – <Dear M>

Film (Short) — Independent Film Details

11/13 – 11/13

Worked with Director of Photography in order to capture the type and quality of image they designed.

3/13 – 3/13

Director – Let's Rob the Bank

Film (Short) — ASU Film Details

3/13 – 3/13

Wrote, directed and edited this comedy short. Was able to bring a crew together and successfully push this short through from conception to completion.

2/13 – 2/13

Director of Photography (DP) (5D Mark II) – Bordello

Film (Feature-length) — ASU Film Details

2/13 – 2/13

Designed and executed the visual look of this short drama.

2/13 – 2/13

Director of Photography (DP) (5D Mark II) – Post-dormital

Film (Feature-length) — ASU Film Details

2/13 – 2/13

Designed and executed the visual look of this short drama.

11/12 – 11/12

Director (Writer, Producer) – Hugh

Film (Short) — independent short Details

11/12 – 11/12

Wrote, directed and edited this comedy short. Was able to bring a crew together and successfully push this short through from conception to completion.

10/12 – 10/12

First Assistant Director – Running Still

Film (Short) — ASU Capstone Project/Independent Film Details

10/12 – 10/12

Worked with the director. Made sure that the set ran efficiently and on time. Scheduled shots, locations and talent in an effective manner.

10/12 – 10/12

Best Boy Electric – The Low

Film (Short) — ASU Capstone Project/Independent Film Details

10/12 – 10/12

Worked with the Gaffer in order to make sure that lighting was safe and set to specifications.

10/12 – 10/12

Second Assistant Director – The Man from the Sky

Film (Short) — ASU Capstone Project/Independent Film Details

10/12 – 10/12

Worked with assistant director to make sure talent was taken care of. Also assisted with crew and equipment.

9/12 – 9/12

Director (And Editor) – The Low Road

Film (Short) — ASU Film Details

9/12 – 9/12

Worked with Director of photography and producers to make sure an engaging and entertaining short was made. Pushed the project through post production.

2/12 – 2/12

Dolly Grip – Late

Film (Feature-length) — ASU Capstone Project/Independent Film Details

2/12 – 2/12

Rigged, moved, and maintained the dolly for the duration of the 5 day shoot.

2/12 – 2/12

Gaffer – Pure Bliss

Film (Short) — Neck Bear Productions Details

2/12 – 2/12

Managed a G&E crew in order to light sets and scenes to add to the vision of the Directors and Cinematographer.

2/12 – 2/12

Key Grip – The Shooting of Dan McGrew

Film (Short) — ASU Capstone Project/Independent Film Details

2/12 – 2/12

Worked closely with gaffer to ensure that all lighting was set to specifications and safely operated.

2/12 – 2/12

Director (Writer) – The Carrot and the Stick

Film (Short) — PokePals Productions Details

2/12 – 2/12

Wrote a short independent film. Worked with Director of photography and producers to make sure an engaging and entertaining short was made.

12/11 – 12/11

First Assistant Camera – Dots

Film (Feature-length) — ASU Capstone Project/Independent Film Details

12/11 – 12/11

Assisted the camera operator throughout work day. Set up camera rigs, maintained equipment, lens changes, and pulled focus.

11/11 – 11/11

Dolly Grip – The Scavengers

Film (Feature-length) — ASU Film Details

11/11 – 11/11

Operated the Fisher 10 Dolly. Rigged, moved, and maintained the dolly for the duration of the 4 day shoot.

11/11 – 11/11

Director of Photography (DP) (Canon 7D) – The Ballad of Fatty Arbuckle and Virginia Rappe

Film (Feature-length) — Independent Film Details

11/11 – 11/11

Designed and executed the visual look of this short comedy.

11/11 – 11/11

Gaffer – Best Idea

Film (Feature-length) — ASU Film Details

11/11 – 11/11

Managed a G&E crew in order to light sets and scenes to add to the vision of the Directors and Cinematographer.

10/11 – 10/11

Key Grip – The Neighbor

Film (Feature-length) — Independent Film Details

10/11 – 10/11

Worked closely with gaffer to ensure that all lighting was set to specifications and safely operated.

9/11 – 9/11

Key Grip – Girls Just Want to Have Fun

Film (Feature-length) — ASU Capstone Project/Independent Film Details

9/11 – 9/11

Worked closely with gaffer to ensure that all lighting was set to specifications and safely operated.

8/11 – 8/11

Best Boy – The Understudy

Film (Feature-length) — ASU Capstone Project/Independent Film Details

8/11 – 8/11

Worked with Gaffer in order to ensure G&E operated smoothly and effectively.

7/11 – 7/11

Gaffer – Strings

Film (Feature-length) — ASU Film Details

7/11 – 7/11

Managed a G&E crew in order to light sets and scenes to add to the vision of the Directors and Cinematographer.

5/11 – 6/11

Production Assistant – The Coalition

Film (Feature-length) — Team Sizzle Productions Details

5/11 – 6/11

Ran errands, stayed on fire watch and lock downs. Was in charge of keeping track and disbursing walkies every day during our 5 week shooting schedule

3/11 – 3/11

Key Grip – Gumshoe

Film (Feature-length) — ASU Capstone Project/Independent Film Details

3/11 – 3/11

Worked closely with gaffer to ensure that all lighting was set to specifications and safely operated.

3/11 – 3/11

Key Grip – Garbage Man

Film (Feature-length) — ASU Film Details

3/11 – 3/11

Worked closely with gaffer to ensure that all lighting was set to specifications and safely operated.

1/11 – 1/11

Key Grip – The Lieutenant

Film (Feature-length) — ASU Film Details

1/11 – 1/11

Worked closely with gaffer to ensure that all lighting was set to specifications and safely operated.

1/11 – 1/11

Key Grip – The Innovation

Film (Feature-length) — ASU Capstone Project/Independent Film Details

1/11 – 1/11

Worked closely with gaffer to ensure that all lighting was set to specifications and safely operated.

12/10 – 12/10

Script Supervisor – El Cu Cuy

Film (Feature-length) — Formatted Pictures Details

12/10 – 12/10

On hand every take to make sure there was continuity throughout the film.

11/10 – 11/10

Set Production Assistant – House of Holes

Film (Feature-length) — Formatted Pictures Details

11/10 – 11/10

Ran errands, stayed on fire watch and lock downs. Made sure equipment was packed and accounted for after wrap everyday.

7/10 – 7/10

Set Production Assistant – The Handoff

Film (Feature-length) — PokePals Productions Details

7/10 – 7/10

Ran errands, stayed on fire watch and lock downs. Due to extreme heat, I was also on stand by making sure everyone had water and was hydrated.

View 85 More Credits

Media

Jonatan Sandoval Leyva - Director of Photography Reel

Recos

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Education

Class of '14

Arizona State University

Bachelor of Arts (B.A.)/Cinematography and Film/Video Production

My Gear

Blackmagic URSA

Skills

Video Production
Directing
Editing
Creative Direction
Film
Final Cut Pro
Writing
Camera
Director of Photography
Cinematography
Post-Production
Lighting
Adobe Photoshop
Adobe After Effects
DSLR
grip
Feature Film
Short Film
gaffing
Adobe Premiere

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