Summary

I have but 3 loves in life, Food, Film, and Lighting. I have an actors perspective as well as a crew perspective, and i'm always willing to lend my talent or gear to make art happen.

Credits

2/24 – 2/24

Swing (Snow, Night) Low Midnight

Film (Short) — Low Midnight Productions Details
2/24 – 2/24

Set up and tear down, Rigging with a focus on safety, as well as setting up and maintaining generators for power everywhere. Charging all battery operated lights/walkies.

2/24 – 2/24

Gaffer Sara and The Devil - Oh So Quiet

Music Video Details
2/24 – 2/24

Based off the DP's shot, figuring out the proper light placement; selecting and managing the electrical equipment and lighting instruments for each shot

1/24 – 1/24

Swing The Philharmonik - What's it all mean

Music Video Details
1/24 – 1/24

Set up lighting and rigging equipment, including the electrics, following a diagram sent a few days prior.

1/24 – 1/24

Swing Eureka Law Firm Videos

Corporate Details
1/24 – 1/24

Set up minimal lighting and electric, and assist camera with anything they need.

11/23 – 12/23

Grip Farming Documentary

Film (Short) — Center for Land Based Learning Details
11/23 – 12/23

Rig dramatic lighting set ups safely in a small spaces, and when outdoors hollywood a bounce for different subjects

11/23 – 11/23

First Assistant Camera inHUMANE

Film (Feature-length) — Eyeopened Media Details
11/23 – 11/23

Assist the DP with lens swaps / cleaning, Pulling focus, and assist the lighting team on a low budget indie.

11/23 – 11/23

Production Assistant Department of Public Health

Corporate — Picturelab Details
11/23 – 11/23

Assist in load in and load out, general production runner inquiries

11/23 – 11/23

Gaffer City of Altars

Film (Short) — Latino Center of Arts and Culture Details
11/23 – 11/23

Provide dramatic lighting set ups for a documentary focused around Day of the Dead.

Recos

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Nick Anderson
Director
Josh is amazing. He always maintains a great attitude and isn’t just a grip but has extensive knowledge about camera, lighting and audio too and of course he’s best in front of camera. But if you have a production and Josh isn’t in it best of l ...MORE...
Nick Marchuk
Editor
Josh Fesler consistently stands out as an extraordinary presence on set. His dedication and willingness to exceed expectations in any role is admirable. His enthusiasm for facilitating efficiency and smooth operations is evident. Having observed Josh ...MORE...

My Gear

  • Blackmagic Pocket Cinema Camera 6K
  • Aputure B7c 8 Kit
  • Aputure MC 12 Kit
  • Amaran 300c
  • Aputure 300d2 Pro
  • Aputure 120d2

Skills

  • Final Cut Pro
  • Cinematography
  • Lighting
  • grip
  • Electric