Joshua Finn

Oversaw the development phase of independent film projects, collaborating closely with writers, directors, and other key stakeholders to shape compelling narratives. My responsibilities encompassed identifying promising scripts, providing constructive feedback to enhance storytelling elements, and strategically guiding projects through their early production stages.

Involved in all pre-production such as permits, budgeting, contracts, location scouting, and hiring crew. As well as producer responsibilities during production. Executive Producer Emilie Ullerup, Director Kyle Cassie

Responsible for researching, interviewing guests, and writing shooting scripts for segments. Also created string-outs for entire episodes.

As supervising producer, I oversaw all of the aspects of production and post teams, creating over 300 digital video lessons. All were shot in NYC and edited remotely in Los Angeles and NYC.

Hidden camera reality TV series. Celebrity Hosts Tamar Braxton and hairstylist to first lady Michelle Obama, Johnny White hunt down and bust bad beauticians, helping to right the hair wrongs of their clients. Responsibilities included managing notes and story continuity in the field, writing VO/OTF scripts, creating concise AVID string-outs, managing editors as well as addressing network notes.

One hour reality TV/docu special. Survivalist and Host Bear Grylls faces off against the ocean's most powerful predators, sharks! By pushing the limits beyond anything ever seen before on Shark Week, Bear attempts to prove that sharks and humans can exist together. Responsibilities included writing VO/OTF scripts, researching historic stock footage, creating concise AVID string-outs, Managing editors and addressing network notes.

Reality TV series following a treasure hunter and his crew of misfits attempting to rewrite history by locating the missing confederate gold of Jefferson Davis. Responsibilities included creating original story ideas, researching historical and incorporating information, writing VO/OTF scripts, creating concise AVID string-outs for episodes. Managing editors on tight deadlines as well as addressing network notes.