1/18 – 1/18
Director of Photography (DP) (RED Scarlet W - 5K)
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Celia
Film (Short) Details
1/18 – 1/18
I was the head of camera and light/grip crew that I hired for the film. I was responsible for designing the shots based on the script and shortlist I got from the director/screenwriter.
12/17 – 12/17
Director of Photography (DP) (Sony F5 / Sony A7sII)
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Neste Truck Wrapping
Corporate — For the Fame Details
12/17 – 12/17
I chose the camera's and film timelapse, stills and video of a truck being wrapped. I edited and colored the final video.
11/17 – 11/17
TV Details
11/17 – 11/17
I was responsible of the visual look of the documentary. I chose the gear and lights. I directed the host and blocked the scenes with the guests. I would shoot the interviews with two cameras. Otherwise the shoot was mostly handheld run & gun. We filmed in several locations in Zambia, Africa for Plan International about child marriages. We interviewed 12-19 year old girls who are currently or used to be married as a child. Most of them were traumatized so we had to be very considerate.
10/17 – 10/17
Netflix — TV Details
10/17 – 10/17
I was responsible of the visual look of the documentary. I chose the gear and lights. I directed the host and blocked the scenes with the guests. I would shoot the interviews with two cameras. Otherwise the shoot was handheld run & gun. We filmed in several locations in Japan.
8/17 – 8/17
Director of Photography (DP) (Sony F5)
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TBWA
Neste — Advertising — For the Fame
8/17 – 8/17
7/17 – 8/17
Director of Photography (DP) (RED Scarlet W - 5K)
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Resessive Fire
Film (Short) — Goodfellow films Details
7/17 – 8/17
As a director of photography I was the head of the camera and electric crew. I chose the equipment we used to match the budget and cold conditions we faced. I helped the director create the visual world and the light to support the mood of the script.
6/17 – 6/17
Director of Photography (DP) (Sony F5)
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TBWA
Fortum — Advertising
6/17 – 6/17
2/17 – 6/17
Director of Photography (DP) (Sony F5)
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Sudden
TV — Stalefish Film Productions / YLE Details
2/17 – 6/17
As the Director of photography I was responsible of designing the visual style of the documentary with the director. I chose the camera and lights and coloured the footage.
3/17 – 3/17
Director of Photography (DP) (RED Scarlet W - 5K)
Mission Workshop — Advertising Details
3/17 – 3/17
Designing the shots and the visual style with the director. Working with the camera and light crew in a tight space and short time to bring a visually interesting result. Colouring the final film.
1/17 – 1/17
Director of Photography (DP) (Sony F5)
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YLE - Pioneer
Corporate — Stalefish Film Productions
1/17 – 1/17
9/16 – 9/16
Director of Photography (DP) (Sony F5)
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Tekir
Yara — Advertising — Stalefish Film Productions
9/16 – 9/16
6/16 – 6/16
Director of Photography (DP) (Sony F5 / Sony FS5)
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Stalefish Film Company
KAVI — Advertising — Stalefish Film Company
6/16 – 6/16
5/16 – 5/16
TV — Aito Media Oy
5/16 – 5/16
5/16 – 5/16
Director of Photography (DP) (Black Magic Pocket Cinema Camera)
Advertising — Stalefish Film Productions
5/16 – 5/16
4/16 – 4/16
TV — Aito Media Oy
4/16 – 4/16
12/15 – 1/16
TV — Banijay
12/15 – 1/16
12/15 – 12/15
Director of Photography (DP) (Sony F5)
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TBWA
Nissan — Advertising — Stalefish Film Productions
12/15 – 12/15
12/15 – 12/15
Director of Photography (DP) (Sony F5)
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KLOK
Taideyliopisto (Art University) — Advertising — Stalefish Film Productions
12/15 – 12/15
9/15 – 9/15
TV — Banijay
9/15 – 9/15
9/15 – 9/15
Onar — Advertising — Stalefish Film Productions
9/15 – 9/15
4/15 – 8/15
Director of Photography (DP) (Sony F5)
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Sisujengi
TV — Banijay Details
4/15 – 8/15
As a director of photography I was responsible of the visual look of the show, I chose the the camera and lights we used and operated the a-camera. We did a lot of interviews during the 45 days of shooting but mostly it was run & gun documentary work but I managed to do lighting in every interior we shot and in interviews. We filmed mentally handicapped athletes who were getting ready for the Special Olympics. We were told before hand that sometimes filming might be a bit challenging but we quickly learned that friendly smiles and hugs went long way and the shoot went really smoothly. We filmed on location different cities in Finland and at the Special Olympics in Los Angeles.
7/15 – 7/15
Film (Short) — Stalefish Film Productions Details
7/15 – 7/15
I helped the director create the feel, light and visual world to support the story. I colored the final film.
7/15 – 7/15
Director of Photography (DP) (Sony F5)
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TBWA
Neste — Advertising — Stalefish Film Productions
7/15 – 7/15
6/15 – 6/15
TV — YLE
6/15 – 6/15
6/15 – 6/15
Director of Photography (DP) (Sony F5)
Advertising
6/15 – 6/15
6/15 – 6/15
Director of Photography (DP) (Sony F5)
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TBWA
Nissan — Advertising — Stalefish Film Productions
6/15 – 6/15
6/15 – 6/15
Director of Photography (DP) (Sony F5)
–
TBWA
Neste — Advertising — Stalefish Film Productions
6/15 – 6/15
5/15 – 5/15
Corporate — Redneck
5/15 – 5/15
5/15 – 5/15
Director of Photography (DP) (Sony F5)
–
TBWA
Nissan — Advertising — Stalefish Film Productions
5/15 – 5/15
5/15 – 5/15
Director of Photography (DP) (Sony F5)
–
TBWA
Neste — Advertising — Stalefish Film Productions
5/15 – 5/15
5/15 – 5/15
Helsinki Olympic Stadium — Advertising — Stalefish Film Productions
5/15 – 5/15
2/15 – 5/15
TV — Franck Media
2/15 – 5/15
3/15 – 3/15
Corporate — Decomedia
3/15 – 3/15
10/14 – 3/15
TV — Moskito Films
10/14 – 3/15
2/15 – 2/15
Director of Photography (DP) (Sony F5)
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Valve Media
MTV3 — Advertising — Stalefish Film Productions
2/15 – 2/15
1/15 – 1/15
TV
1/15 – 1/15
1/15 – 1/15
Director of Photography (DP) (Sony F5)
Advertising — Werne
1/15 – 1/15
12/14 – 12/14
Director of Photography (DP) (Sony F5)
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TBWA
Sponda — Advertising — Stalefish Film Productions
12/14 – 12/14
12/14 – 12/14
Director of Photography (DP) (Sony F5)
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Miltton
Microsoft — Advertising — Stalefish Film Productions
12/14 – 12/14
11/14 – 11/14
Director of Photography (DP) (Sony F5)
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Miltton
Medanets — Advertising — Stalefish Film Productions
11/14 – 11/14
11/13 – 11/14
Director of Photography (DP) (RED Scarlet)
Advertising — Stalefish Film Productions
11/13 – 11/14
10/14 – 10/14
Director of Photography (DP) (Sony F5)
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Miltton
Carmex — Advertising — Redneck
10/14 – 10/14
9/14 – 9/14
Film (Short) — Johanna Lecklin Details
9/14 – 9/14
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script.
9/14 – 9/14
Director of Photography (DP) (Sony F5)
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Miltton
RFSU — Advertising — Redneck
9/14 – 9/14
9/13 – 9/14
Director of Photography (DP) (RED Scarlet)
Advertising — Stalefish Film Productions
9/13 – 9/14
8/14 – 8/14
Director of Photography (DP) (Sony F5)
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KLOK
Uusi Lasten Sairaala (New Children's Hospital) — Advertising — ITV Studios America
8/14 – 8/14
8/14 – 8/14
Director of Photography (DP) (Sony F5)
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Lemeon
MTV3 — Advertising — Stalefish Film Productions
8/14 – 8/14
4/11 – 8/14
Director of Photography (DP) (Sony F5 / Canon 5DmkII / Go Pro)
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Summeri
TV — YLE
4/11 – 8/14
7/14 – 7/14
Director of Photography (DP) (Sony F5)
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Miltton
Microsoft — Advertising — Redneck
7/14 – 7/14
7/14 – 7/14
Director of Photography (DP) (Sony F5)
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Miltton
BMW — Advertising — Redneck
7/14 – 7/14
7/14 – 7/14
Director of Photography (DP) (Sony F5)
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Takauma
Black Island — Advertising — Stalefish Film Productions
7/14 – 7/14
6/14 – 7/14
TV — YLE
6/14 – 7/14
6/14 – 6/14
Director of Photography (DP) (Sony FS700)
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Heimo
Film (Short) — Kiasma Modern Art Museum Details
6/14 – 6/14
I helped the director create the visual world and the light to support the mood of the idea she had. This was a film for show in a Art Museums.
6/14 – 6/14
Director of Photography (DP) (Sony F5)
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Miltton
Microsoft — Advertising — Redneck
6/14 – 6/14
6/14 – 6/14
Director of Photography (DP) (Sony F5)
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Miltton
BMW — Advertising — Redneck
6/14 – 6/14
5/14 – 5/14
TV — Banijay
5/14 – 5/14
5/14 – 5/14
TV — Banijay
5/14 – 5/14
5/14 – 5/14
Director of Photography (DP) (Sony F5)
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Lemeon
MTV3 — Advertising — Stalefish Film Productions
5/14 – 5/14
4/14 – 4/14
Director of Photography (DP) (Sony F5)
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Miltton
Pharmacy Union — Advertising — Redneck
4/14 – 4/14
3/14 – 3/14
Director of Photography (DP) (Sony F5)
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TBWA
Neste — Advertising — Stalefish Film Productions
3/14 – 3/14
3/14 – 3/14
Director of Photography (DP) (Canon 5DmkII)
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TBWA
Veikkaus — Advertising — Stalefish Film Productions
3/14 – 3/14
2/14 – 2/14
Director of Photography (DP) (Sony F5)
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TBWA
Neste — Advertising — Stalefish Film Productions
2/14 – 2/14
1/14 – 1/14
TV
1/14 – 1/14
1/14 – 1/14
Director of Photography (DP) (Sony F5)
Advertising — Stalefish Film Productions
1/14 – 1/14
1/14 – 1/14
Director of Photography (DP) (Sony FS700)
Advertising — Stalefish Film Productions
1/14 – 1/14
1/14 – 1/14
Director of Photography (DP) (Sony F5)
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Yellow Films
MTV3 — Advertising — Stalefish Film Productions
1/14 – 1/14
1/14 – 1/14
Camera Operator (Panasonic HPX3700)
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Grilli Films
Elisa — Advertising — Werne
1/14 – 1/14
12/13 – 12/13
Director of Photography (DP) (RED Scarlet)
Advertising — Stalefish Film Productions
12/13 – 12/13
11/13 – 11/13
Director of Photography (DP) (Sony F5)
Advertising — Stalefish Film Productions
11/13 – 11/13
11/13 – 11/13
Film (Short) Details
11/13 – 11/13
I helped the director create the visual world and the light to support the mood of the idea she had. I helped to choose the super 8 cameras and how to get the film printed right. This was a film to show in a Art Museums.
9/13 – 9/13
Director of Photography (DP) (Canon 5DmkII)
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TBWA
Readers Digest — Advertising — Stalefish Film Productions
9/13 – 9/13
9/13 – 9/13
Director of Photography (DP) (Canon 5DmkII)
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TBWA
University of Helsinki — Advertising — Stalefish Film Productions
9/13 – 9/13
9/13 – 9/13
Director of Photography (DP) (Canon 5DmkII)
–
TBWA
Veikkaus — Advertising — Stalefish Film Productions
9/13 – 9/13
9/13 – 9/13
Director of Photography (DP) (Sony F5)
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Pablo Films
nokia — Advertising — Stalefish Film Productions
9/13 – 9/13
3/13 – 9/13
TV
3/13 – 9/13
8/13 – 8/13
Director of Photography (DP) (Sony FS700)
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Skyld
Film (Short) Details
8/13 – 8/13
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script.
8/13 – 8/13
Director of Photography (DP) (Canon 5DmkII)
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TBWA
Fazer — Advertising — Stalefish Film Productions
8/13 – 8/13
4/13 – 8/13
TV — ITV Studios Finland
4/13 – 8/13
5/13 – 7/13
TV — ITV Studios Finland
5/13 – 7/13
6/13 – 6/13
Director of Photography (DP) (Sony FS700)
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Tsehov 3:13
Film (Short) — Stalefish Film Productions Details
6/13 – 6/13
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script. I also Graded the final film.
6/13 – 6/13
Film (Short) — Johanna Lecklin Details
6/13 – 6/13
I helped the director create the visual world and the light to support the mood of the idea she had. We needed to align three Sony FS700s to create a seamless panorama. This was a film to show in a Art Museums.
3/13 – 6/13
Film (Feature-length) — Stalefish Film Productions
3/13 – 6/13
2/13 – 2/13
Film (Short) Details
2/13 – 2/13
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script.
1/13 – 1/13
Director of Photography (DP) (RED Scarlett)
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Juoksijat (Runners)
Film (Short) — Stalefish Film Productions Details
1/13 – 1/13
As a director of photography I was the head of the camera and electric crew. I chose the equipment we used to match the budget and cold conditions we faced. I helped the director create the visual world and the light to support the mood of the script.
7/12 – 11/12
TV — Aito Media Oy
7/12 – 11/12
6/12 – 11/12
TV — Pablo Films
6/12 – 11/12
8/12 – 8/12
Music Video — Stalefish Film Productions
8/12 – 8/12
3/12 – 3/12
Music Video — Stalefish Film Productions
3/12 – 3/12
2/12 – 2/12
Corporate — Stalefish Film Productions
2/12 – 2/12
1/12 – 1/12
Director of Photography (DP) (Canon 5DmkII)
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Musta Joutsen - Jää
Music Video — Stalefish Film Productions
1/12 – 1/12
9/11 – 9/11
Director of Photography (DP) (Canon 5DmkII)
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SOK - eJollas
Corporate — Stalefish Film Productions
9/11 – 9/11
6/11 – 7/11
TV — Nordisk Film
6/11 – 7/11
5/11 – 7/11
TV
5/11 – 7/11
6/11 – 6/11
Director of Photography (DP) (Sony PXW200)
–
Galaxy (Season 1)
TV — YLE
6/11 – 6/11
5/11 – 5/11
Director of Photography (DP) (Sony PXW200)
–
Sherlock (Season 1)
TV — YLE
5/11 – 5/11
5/11 – 5/11
Director of Photography (DP) (Canon 5DmkII)
Advertising — Stalefish Film Productions
5/11 – 5/11
2/11 – 5/11
TV — Nordisk Film
2/11 – 5/11
9/10 – 10/10
TV
9/10 – 10/10
2/09 – 4/10
Director of Photography (DP) (Panasonic HVX100 + Mini35)
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Hyvä työ (The Good Deed)
Film (Short) — Stadia Details
2/09 – 4/10
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script.
1/10 – 1/10
TV
1/10 – 1/10
1/10 – 1/10
TV
1/10 – 1/10
1/10 – 1/10
Director of Photography (DP) (Panasonic HVX100)
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Askel (Step)
Film (Short) Details
1/10 – 1/10
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script.
10/08 – 10/08
Director of Photography (DP) (Panasonic HVX100)
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La Mancha
Film (Short) Details
10/08 – 10/08
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script.
3/08 – 3/08
Music Video
3/08 – 3/08
8/07 – 8/07
Music Video
8/07 – 8/07
2/07 – 2/07
Director of Photography (DP) (Aaton A-Minima S16mm)
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Lämpö (Warmth)
Film (Short) Details
2/07 – 2/07
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script.
10/06 – 10/06
Director of Photography (DP) (Pansonic DVX100)
Advertising
10/06 – 10/06
9/06 – 9/06
Director of Photography (DP) (Arri 435 S35mm)
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Downtown
Film (Short) Details
9/06 – 9/06
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script.
2/06 – 2/06
Film (Short) Details
2/06 – 2/06
I was responsible of the camera and electric crew. I helped the director create the visual world and the light to support the mood of the script.
3/05 – 3/05
Film (Short)
3/05 – 3/05
2/05 – 2/05
Director of Photography (DP) (Sony Beta SP)
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Walter
Film (Short)
2/05 – 2/05
