Kenneth Jones

Edited all sound components in preparation for the sound mixer's final pass. Cleaned up dialogue, music, and SFX, using Izotope RX, and classic editing techniques.

Edited all sound components in preparation for the sound mixer's final pass. Cleaned up dialogue, music, and SFX, using Izotope RX, and classic editing techniques.

Edited Dialogue of live-action segments of Tab Time.

Edited all sound components in preparation for the sound mixer's final pass.

Edited all sound components in preparation for the sound mixer's final pass.

Edit and pre-mix in Pro Tools the full 45-minute podcast consisting of 2 hosts and up to 2 guests.

Coordinate and assign projects to sound editors, designers, mixers; Manage calendar by updating due dates, new assignments, and project milestones; Track progress across multiple Google Sheets; Generate multiple daily update reports and distribute to team.

Story development: write outlines; Evaluate, call, and book interviewees; Manage State & Federal agency relationships & records; Cross-functional collaboration

Ed and Lorraine Warren battled demons, devils and poltergeists for over 50 years, influencing today's ghost hunters and spawning a blockbuster movie franchise Developed shows from initial pitch phase; Archive research & development; Footage licensing; Music licensing; Interview & reenactment shoot coordinating; Manage crew employment documents; Call sheet drafting & distribution; Budget tracking & distribution; Clearance

Archive research & development; Footage licensing; Music licensing; Interview & reenactment shoot coordinating; Manage crew employment documents; Call sheet drafting & distribution; Budget tracking & distribution; Clearance. In 1977, "The Amityville Horror" book was published and caused a sensation. The subsequent 1979 film adaptation was a surprise box office hit. It was a film that changed everything. It terrified audiences and became a film and story that people continue to return to. Today, it is the quintessential American horror story based on TRUE events. This is the story of the all-American family that moves into their dream house in the all-American town and experiences the most terrifying demonic haunting imaginable. Demon possession, demon attacks, a portal to hell. A situation so dire, even the church couldn't help them. Through archival footage and recreations, the special, produced by 1895 Films, presents the harrowing true story of Robert Defeo, who murdered his entire family in the Amityville house, and the 28 terror-filled days the Lutz family lived in the house.

National Geographic Series, In Their Own Words - 2019 Smithsonian Channel series, 'The Lost Tapes' - 2018

Professor Neil Gemmell uses cutting-edge environmental DNA science to unravel the centuries-old mystery of the Loch Ness monster. Two-hour special; Archive research; Manage research team; International footage and audio licensing; Clearance.

One-hour Biography of Economic Philosopher, Thomas Sowell; Archive Licensing; Support clearance

I had the pleasure of working directly with the lead DEA agents in the hunt for Pablo Escobar, Javier Peña & Steve Murphy, to bring never-before-seen video and never-before-heard audio to their first-person narrative. This is the true story of Narcos. I managed our footage archive, coordinated and executed archive footage licensing, and worked directly with National Geographic to fulfill their broadcast needs.

I worked directly with veterans of the Deepwater Horizon rig, victim's families, and friends, to tell this story through archival audio & video they provided. This required heavy research, and immense trust, to uncover never-before-seen or heard video & audio. I coordinated footage gathering and licensing processes, worked directly with editors to shape the story, and pull all media together, meeting the high standards of a National Geographic broadcast program. I coordinated travel of our crew to Alabama, shooting two nights at a firefighter training facility. With the help of my talented team I also had the pleasure of producing a shoot in a large water tank, artistically re-creating the night of the Deepwater Horizon incident.

Research, review, and purchase archival material to appear in one-hour docuseries; Coordinate with EP & Supervising Producers on creative narrative development; Clearance

Research, review, and purchase archival material to appear in Emmy-winning one-hour docuseries; Coordinate with EP & Supervising Producers on creative narrative development; Clearance

I directly produced 6 of the 13 episodes of this series. Researched this stories from beginning of season, carrying them through all aspects of shooting, editing, and mastering. I worked directly with investigators & victim's families, scheduled and organized interviews, coordinated travel, and worked with editors to meet the creative standards or the company. I was also responsible for writing episode outlines, editing scripts, and writing on-the-fly with editors daily.

AD - Team PA Work directly with AD to wrangle talent, get them through wardrobe, hair and makeup, and on camera asap. Included 10 minors, and 15 background, 4 actors.

Call Sheet and project info distribution Establish relationships with rental companies + supervisors to acquire equipment for month of shooting Draft PO system/log Create day files and production files up to date (daily filing) Manage crew list and vendor list Resolve crew issues Large crew - 50-65

Shoot included large union crew and travel to San Diego. I worked with producer in casting sessions, and production team in pre, shooting, and wrap weeks. Taking orders from production coordinator and production manager to run all errands for Production. Set PA, and heavy office organization.

Pre-Pro with Prop Houses / Camera, G+E, and Production Supply Rental companies / Locations / Permits / Meals. Location Management on the day, as well as Wrap Book organization and creation.

Receive marks, sign them in, and get them to their marks for the First AD. Organize set workflow

Coordinate consecutive shoot days, draft call sheets, organize 30 actors / their paperwork, while managing team of PA's daily.

Set-up and Break-down sets. Assist any department. Truck rental, gear pickups, production runs.

Studio On-Set PA

Van/Walky pickups/returns. On-set PA duties.

Oversee team of PA's to coordinate ride-sharing, van and personnel pickups/dropoff, food, etc.

•Complete Pre/Post-Production Script Edits • Purchase Third Party Affiliate Materials • Fact-check Scripts •Compose Episode Titles • Work directly with Show Runner on Creative Content for Recreations • Secure Access By Telephone, With Law Enforcement Officials

•Key PA for 6 Departments on 5-day shoots • On-set Correspondence •Second Unit, Assistant Camera • Runner • Location Scout

• Compose Casting/Audition Sides • Research & Acquire Interviewees • Acquire Third Party News Footage • Research Cases for Episodes • Compose Character Descriptions • Locate/Order 9-1-1 phone calls • Pitch Recreation Scenes • Research Themes/Items for Recreations