Kristin Turo

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to A and B cam, jam synced timecode, provided comteks to producers, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded production dialogue, PFX and room tone. Operated the boom, Mic’d talent, sent audio hop to camera and distributed Comteks. Created sound report and handed off media at wrap.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap, set up and distributed comtek units to the director and producers, jam synced timecode via "lock-it" boxes.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, jam synced timecode, mic'ed talent, managed audio assets, created sound report, transferred files at wrap.

Oversees all aspects of the film's dialogue: Works closely with director from pre-production all the way through the dialogue premix, provides all equipment, facilities and professionals that are required for the capturing, editing and mixing of the film's dialogue. Maintains contact with Sound Mixer throughout production and manages sound assets and reports, ensures that files are properly named and slated and that necessary room tone, wild lines and PFX are being captured on set. Oversees the dialogue edit, schedules and spots ADR and oversees ADR recording and editing sessions. Finally, performs dialogue premix and sends all assets to audio post-production facility.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap, set up and distributed comtek units to the director and producers, jam synced timecode via "lock-it" boxes.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded audio via field recorder, wireless lav microphones and a boom, operated the boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Oversees the entire aspect of the film's audio post-production which includes the spotting sessions, the dialogue edit, ADR recording/editing, Foley recording/editing, sound design and the final mix.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap, set up and distributed comtek units to the director and producers, jam synced timecode via "lock-it" boxes.

Recorded and edited sound effects and foley.

Oversees the entire aspect of the film's audio post-production which includes the spotting sessions, the dialogue edit, ADR recording/editing, Foley recording/editing, sound design and the final mix.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap, set up and distributed comtek units to the director and producers.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Operated the boom, assisted the sound mixer.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded audio via field recorder, wireless lav microphones and a boom, operated the boom, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded audio via field recorder, wireless lav microphones and a boom, operated the boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap, performed dialogue edit, sound design and final mix in post.

Recorded audio via field recorder, wireless lav microphones and a boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap.

Recorded audio via field recorder as well as operated the camera (on sticks with only one setup), wireless lav microphones and a boom, mic'ed talent, managed audio assets, transferred files at wrap, synced picture and audio, performed dialogue edit and final mix in post.

Recorded audio via field recorder, wireless lav microphones and a boom, operated the boom, sent reference audio to the camera, mic'ed talent, managed audio assets, transferred files at wrap, set up and distributed comtek units to the director and producers.

Recorded audio via field recorder, wireless lav microphones and a boom, operated the boom, mic'ed talent, managed audio assets, transferred files at wrap.

Spotted, scheduled, recorded and edited the film's ADR.