Kyle Olson

International World Tour - Europe & United States

Duties and management included, but were not limited to: • Arranging for Cast & Crew travel (domestic and international) • Logistical planning for last minute moves • Creating Call Sheets & Production Reports • Managing Budget • Overseeing Production Coordinator and PA's

Worked closely with Producers and Crew. Strong Field Presence. Responsibilities included, but were not limited to: preparing call sheets and daily production reports, overseeing field, managing PA's, organizing all travel (domestic and international) for cast and crew, processing payroll, petty cash and purchase orders.

In charge of facilitating production logistics galore while working with crews across the nation. Jobs also included: Organizing travel logistics for cast and crew, handling PO's, getting equipment / rentals, booking crew, managing petty, managing PAs, getting location and likeness releases, and much more!

In charge of facilitating production logistics galore while working with crews across the nation. Jobs also included: Organizing travel logistics for cast and crew, handling PO's, getting equipment / rentals, booking crew, managing petty, managing PAs, getting location and likeness releases, and much more!

In charge of facilitating production logistics galore while working with crews in THE most remote locations across the globe. Jobs also included: Organizing travel logistics for cast and crew, handling PO's, getting equipment / rentals, booking crew, managing petty, managing PAs, getting location and likeness releases, and much more!

Jobs included: handling PO's, getting equipment / rentals, booking crew, managing petty, managing PAs, getting location and likeness releases, setting up post production studios, and much more!

Domestic APOC. Worked primarily on location at the Cast House and managed the build, shoot, and wrap out of that location. Jobs included: handling PO's, getting equipment, booking crew, managing petty, managing PAs, getting location and likeness releases.

Not the Production Coordinator for the show, but rather THE point of contact at the dance rehearsal studio for Dancing with the Stars. Managed pre-production, production, and wrap at the rehearsal studio. Worked directly with celebrities and professional dancers.

Coordinated numerous DORITOS commercial projects over one month's time. Jobs included: handling PO's, getting equipment, booking crew, managing petty, managing PAs, getting location and likeness releases.

Field Coordinator. Jobs included (but not limited to): handling PO's, getting equipment, booking crew, managing petty, managing PAs, getting location and likeness releases.

Key PA - Field Team

Not the Production Coordinator for the show, but rather THE point of contact at the dance rehearsal studio for Dancing with the Stars. Managed pre-production, production, and wrap at the rehearsal studio. Worked directly with celebrities and professional dancers.

At the beginning of the cycle, I served as the Key House PA. By the end, I was serving as APOC. Managed the shoot and wrap out of Cast House. Jobs included: handling PO's, getting equipment, booking crew, managing petty, managing PAs, getting location and likeness releases.

On the Production Team, I worked with a huge crew to help ensure live shows went off without a hitch. I also assisted the Talent Team where I worked directly with high profile celebrities on a daily basis - making sure their needs were met, schedules were followed, etc...

Production Coordinator in Milwaukee, WI. Jobs included: booking travel, managing PO's, getting equipment, booking crew, managing petty, getting location and likeness releases, managing local PAs, and much more.

I served as the Key House PA, which means I served as the active Production Coordinator on days the coordinator was off, sick, or out of the office. I was able to use initiative to multi-task effectively and make solid decisions while under pressure in a fast-paced production environment.

Emily Manyard's season of "The Bachelorette".