Summary

I'm looking for an opportunity to get into a TV production office or work as a producer's assistant. I have professional experience in production and post production and a passion for all areas of TV. I am working to become a producer.

Credits

12/15 – 3/16

Visual Effects Coordinator Clown

Film (Feature-length) — Dragonfly Entertainment
12/15 – 3/16
10/13 – 1/14

Visual Effects Coordinator In the Blood

Film (Feature-length) — Movie Package Company
10/13 – 1/14
9/13 – 12/13

Visual Effects Coordinator Divergent

Film (Feature-length) — Red Wagon Entertainment
9/13 – 12/13
2/13 – 6/13

Visual Effects Coordinator Percy Jackson: Sea of Monsters

Film (Feature-length) Details
2/13 – 6/13

As a vfx coordinator, I handle phones and scheduling as well as facilitate communication between our team of up to fifty artists, supervisors, and the directors, supervisors, and studio executives who are our clients. I run review sessions, maintain our shot database, and send all files to the client.

2/13 – 5/13

Visual Effects Coordinator Percy Jackson: Sea of Monsters

Film (Feature-length) — Sunswept Entertainment
2/13 – 5/13
4/13 – 4/13

Visual Effects Coordinator (VFX Coordinator) Iron Man 3

Film (Feature-length) — DMG Details
4/13 – 4/13

As a vfx coordinator, I handle phones and scheduling as well as facilitate communication between our team of up to fifty artists, supervisors, and the directors, supervisors, and studio executives who are our clients. I run review sessions, maintain our shot database, and send all files to the client.

1/13 – 3/13

Visual Effects Coordinator The Purge

Film (Feature-length) — Blumhouse Productions Details
1/13 – 3/13

As a vfx coordinator, I handle phones and scheduling as well as facilitate communication between our team of up to fifty artists, supervisors, and the directors, supervisors, and studio executives who are our clients. I run review sessions, maintain our shot database, and send all files to the client.

11/12 – 3/13

Visual Effects Coordinator Oz: The Great and Powerful

Film (Feature-length) Details
11/12 – 3/13

As a vfx coordinator, I handle phones and scheduling as well as facilitate communication between our team of up to fifty artists, supervisors, and the directors, supervisors, and studio executives who are our clients. I run review sessions, maintain our shot database, and send all files to the client.

Recos

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Education

Class of '11

Azusa Pacific University

BFA in Cinematic Arts