Logan Combest-Friedman

* Co-founded and managed the Colombian branch of DDC International. Led the creative team and on-site logistics. * Story Producer collaborating directly with clients and directors to bring their stories to life. * Post-Production Supervisor managing post-production teams around the world. Implemented remote and in-house post-production systems as well as team workflows. Responsible for scheduling, task management, budgets, deadlines and deliverables. * Producer, Director, and Cinematographer traveling across the globe to film, direct, and produce films in remote communities and major cities. Responsible for all aspects of field production and client management. * Archival Research and Management uncovering un-released material as well as managing and training teams of archivists to find, organize, and clear archival footage. * Trained over 10 full and part-time staff members and numerous international teams in all aspects of pre-production, production and post-production.

* Worked along side the Post-Production Supervisor to manage the post team, schedules, and deliverables to meet internal and client deadlines. * Built story interview bites and assisted the story producers to find crucial archival and interview content. * Managed the graphics and credits processes. A key liaison with the graphics vendors to ensure deliverables and proper execution of the director's and producer's directives and revisions. * Collaborated with the archival team to find, organize, and track archival materials. * Supported the production team by working closely with the film's producer on field to post workflows, file management, and project organization. * Designed the early stages of the project's post-production workflows.

* Worked closely with the director from initiation of the project through delivery to ensure her vision was fully accomplished. * Supervised the post-production team. 

* Supervised the post-production team.  * Researched, gathered and helped license archival material used in the film.

* Produced all shoots for the film in multiple locations across the United States. Booked locations, gear, crew and ran on-location logistics. * Managed the production's budget, shoot and crew schedules, on-location file management and field to post workflows. * Supervised all aspects of the post-production process, including creating and managing team schedules, workflows, tasks, and deliverables. * Collaborated with the directors and lead editor to build the story and rework story content.  * Found and negotiated un-released archival material. Created and supervised the archival workflow.

* Collaborated with the director and client to shape the vision of the series. Helped narrow down global characters and organizations to fit the desired profile. * Managed the production teams remotely. Recruited and hired international crews; coordinated gear acquisition, trip schedules, and interview questions; and worked with the teams to ensure filming style and standards were met.  * Filmed and produced on-location shoots in Colombia. Coordinated with characters and crew to capture all content; gathered archival materials.  * Supervised post-production from start to finish across the three episodes

* Crafted the film's story. * Directed the production and post-production teams. * Conducted interviews with high profile players and basketball icons. * Produced the vignette productions. Coordinated with Atlantic Coast Conference (ACC) team's press officials to plan and carry out production. * Researched and selected the characters for the film. Created story outlines for the five player vignettes. * Managed the graphics team in creation of the film's graphics package. * Co-wrote and supervised the film's narration. * Led the archival gathering and licensing processes.

* Co-managed the post-production team for all episodes. Created post schedules, task management, and handled deliverables. * Collaborated with the director, producer, and editors to ensure notes were tracked and executed correctly. * Assisted with trip logistics and field to post coordination across continents (North America, South America, Europe). * Researched, gathered, and aided in license archival material. * Helped manage production releases, series wrapbook, and clearance paperwork.