Set up Canon 5D Mark III camera and motion control equipment for stop-motion film. Including swapping lenses,setting the interocular distance for 3D, connecting equipment with Dragonframe software to Mac workstations. Arranged, set up and shot timelapses. Shot behind-the-scenes photographs for publication and promotional purposes. Maintained camera and equipment inventory.
Summary
I have experience working on multiple films, ranging from live studio productions to animated feature films. My extensive background in production has allowed me to develop advanced skills, and I am very comfortable on a film set.
Credits
5/23 – 12/23
Assistant Camera (AC) (Canon R) – Brim Broome Boulevard
Film (Short) — HouseSpecial
5/23 – 12/23
5/22 – 8/22
Assistant Camera (AC) – Guillermo Del Toro’s Pinocchio
Netflix — Film (Feature-length) — Shadow Machine
5/22 – 8/22
10/20 – 5/22
Assistant Camera (AC) – Wendell and Wild
Netflix — Film (Feature-length) — Netflix
10/20 – 5/22
4/18 – 4/18
Assistant Camera (AC) – The Shivering Truth (Season 1)
Cartoon Network — TV — PFFR
4/18 – 4/18
4/16 – 3/18
Assistant Camera (AC) – Missing Link
Film (Feature-length) — Laika Inc.
4/16 – 3/18
6/14 – 4/16
Camera Assistant Trainee – Kubo and the Two Strings
Film (Feature-length) — Laika
6/14 – 4/16
3/12 – 3/14
Camera Assistant Trainee – The Boxtrolls
Film (Feature-length) — Laika Details
3/12 – 3/14
1/11 – 2/12
Rapid Prototype Assistant – Paranorman
Film (Feature-length) — Laika Details
1/11 – 2/12
Worked on stop motion 3D printed replacement faces. Which included unloading and cleaning the printer, baking, de-powdering, sanding, reinforcing, dipping, crystal clearing, and dulling thousands of faces before being sent to animators.
Recos
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Education
University of Southern California
B.A. Cinema & Television
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