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Levi Mlinar

Atlanta, GA

http://staffmeup.com/profile/levimlinar

Media Recommendations

Summary

Message

I am a freelance Cinematographer and Local 600 2nd AC based in Atlanta, GA with over 10 years of experience in the camera department. I am knowledgeable in a variety of camera systems including ARRI, Panavision, RED, Sony, and Canon.

Credits

5/22 – 6/22

Second Assistant Camera (B Camera - 2nd Unit) – Citadel (Season 1)

Prime Video — TV — Amazon Studios, Picrow Inc.

5/22 – 6/22

2/22 – 4/22

Second Assistant Camera (C Camera) – Monarch (Season 1)

Hulu — TV — Fox Television Studios

2/22 – 4/22

12/21 – 2/22

Second Assistant Camera (C Camera) – Candy (Season 1)

Hulu — TV — Universal Content Productions LLC

12/21 – 2/22

9/21 – 11/21

Second Assistant Camera (C Camera) – Strays

Universal Studios — Film (Feature-length) — Bone Appetite Productions LLC

9/21 – 11/21

6/21 – 6/21

Second Assistant Camera (C Camera) – Bandit

Prime Video — Film (Feature-length) — Yale Productions

6/21 – 6/21

3/21 – 6/21

Director of Photography (DP) – The Audition

Drama — Film (Short) — Drama, Inc.

3/21 – 6/21

9/20 – 12/20

Second Assistant Camera – The Warrant

Imagicomm Entertainment — Film (Feature-length) — Sydney Productions

9/20 – 12/20

3/20 – 6/20

First Assistant Camera – Harami

Germ Collective — Film (Feature-length) — Germ Collective

3/20 – 6/20

1/20 – 4/20

Media Manager – We are the Champions (Season 1)

Netflix — TV — Dirty Robber

1/20 – 4/20

Second Assistant Camera – Blue Ridge

Imagicomm Entertainment — Film (Feature-length) — INSP Films

1/20 – 4/20

11/19 – 2/20

Second Assistant Camera – Pizza Time

Denton Film — Film (Short) — Denton Film

11/19 – 2/20

Director of Photography (DP) – Orange Morning

Duckpeck Productions — Film (Short) — Duckpeck Productions

11/19 – 2/20

10/19 – 1/20

Second Assistant Camera – Summer Night

Samuel Goldwyn Films — Film (Feature-length) — Moving Image Productions

10/19 – 1/20

Second Assistant Camera – Christmas on the Range

Imagicomm Entertainment — Film (Feature-length) — Sydney Productions

10/19 – 1/20

8/19 – 11/19

Second Assistant Camera – There Comes a Knocking

Triune Films — Film (Short) — Triune Films

8/19 – 11/19

7/19 – 10/19

Second Assistant Camera – Guest of Honor

Triune Films — Film (Short) — J-Rob Productions

7/19 – 10/19

6/19 – 9/19

Second Assistant Camera – The Journeyman

The Hawk Swoops Productions — Film (Short) — The Hawk Swoops Productions

6/19 – 9/19

Second Assistant Camera – The Legend of 5 Mile Cave

Imagicomm Entertainment — Film (Feature-length) — INSP Films

6/19 – 9/19

1/19 – 4/19

Second Assistant Camera – When We Last Spoke

Giant Pictures — Film (Feature-length) — Reelworks Studios

1/19 – 4/19

9/18 – 12/18

Second Assistant Camera – The Habitation

Beyond Casual Media — Film (Short) — Beyond Casual Media

9/18 – 12/18

8/18 – 11/18

Second Assistant Camera – Orthus (Season 1)

Sony Interactive Entertainment — TV — Ideas United

8/18 – 11/18

Second Assistant Camera – Hyperreal (Season 1)

Sony Interactive Entertainment — TV — Ideas United

8/18 – 11/18

Second Assistant Camera – The Break-In

Beyond Casual Media — Film (Short) — Beyond Casual Media

8/18 – 11/18

6/18 – 9/18

Cinematographer – Outside the Perimeter: The John Rocker Incident

Peach Creek Productions — Film (Feature-length) — Peach Creek Productions

6/18 – 9/18

2/18 – 5/18

Second Assistant Camera – Christmas on the Coast (Season 1)

Imagicomm Entertainment — TV — INSP Films

2/18 – 5/18

Camera Operator – Outside the Perimeter: The John Rocker Incident (Season 1)

Peach Creek Productions — TV — Peach Creek Productions

2/18 – 5/18

1/18 – 4/18

Second Assistant Camera – Two Roads (Season 1)

Sony Interactive Entertainment — TV — Ideas United

1/18 – 4/18

Second Assistant Camera – Banned in Boise (Season 1)

Sony Interactive Entertainment — TV — Ideas United

1/18 – 4/18

Second Assistant Camera – The Many Lives of Ayn Winters (Season 1)

Sony Interactive Entertainment — TV — Ideas United

1/18 – 4/18

9/17 – 12/17

Camera Operator – Return to Roanoke: Search for the Seven (Season 1)

History — TV — Triple Horse Studios

9/17 – 12/17

4/17 – 7/17

Key Set Production Assistant – The Case For Christ

GEM Entertainment — Film (Feature-length) — Triple Horse Studios

4/17 – 7/17

3/17 – 6/17

Key Set Production Assistant – The Book

Triple Horse Studios — Film (Short) — Triple Horse Studios

3/17 – 6/17

10/16 – 10/16

Director of Photography (DP) (RED Raven) – Three

Film (Short) — Winter Forge Films

10/16 – 10/16

8/16 – 8/16

Camera Operator (RED Epic) – Roanoke: Search for the Lost Colony Part 2

History — TV — Whitestone Motion Pictures

8/16 – 8/16

7/16 – 7/16

Director of Photography (DP) (RED Epic) – Cartoon Network

Ice Age 5 — Advertising — Spyplane Films

7/16 – 7/16

6/16 – 6/16

First Assistant Camera (RED Epic) – A Journey

Primerica — Digital — Spitfire Studios Details

6/16 – 6/16

Responsibilities included assisting DP Pete Wages with camera setup, lighting setup, camera operating, and loading/unloading gear.

3/16 – 6/16

Assistant Camera (AC) – Americana

Devil Cat Studios — Film (Short) — Devil Cat Studios

3/16 – 6/16

4/16 – 4/16

Director of Photography (DP) (Blackmagic Cinema Camera) – Gentleman's Table: Made in Atlanta

gentlemanstable.com — Digital — ARTICAL

4/16 – 4/16

Director of Photography (DP) (Canon C300) – Emmanuel and Phillip Hudson - Down in the DM's

Music Video — Dapper Gentleman Productions

4/16 – 4/16

3/16 – 3/16

Director of Photography (DP) (Blackmagic Cinema Camera)

Advertising — ARTICAL

3/16 – 3/16

2/16 – 2/16

Director of Photography (DP) (Sony FS7) – Birdsong

Film (Short) — Derrick Williams Films Details

2/16 – 2/16

Responsible for achieving the desired look and feel of the film, according to the Director. In charge of lighting and camera teams, choosing lighting, lenses, and camera.

11/15 – 2/16

Production Assistant – Roanoke: Search for the Lost Colony (Season 1)

Left/Right — TV — Left/Right

11/15 – 2/16

1/16 – 1/16

Director of Photography (DP) (Canon C300) – Money2Go Pawn (Pilot)

TV — Power Within Films Details

1/16 – 1/16

I was responsible for the look of the project. I was in charge of lighting, choosing lenses, camera angles, and operating camera. I worked with the director to achieve proper look and capture performances.

12/15 – 12/15

Electrician

Advertising — Spyplane Films Details

12/15 – 12/15

I was responsible for the movement and set up of various pieces of lighting equipment, as directed by the Gaffer.

9/15 – 9/15

Production Assistant

Advertising — Nfinity Athletic Details

9/15 – 9/15

I was responsible for the maintenance and upkeep of all camera equipment and accessories, such as lenses, filters, batteries, etc., and for configuring the camera and its accessories in multiple ways for different setups.

8/15 – 8/15

Production Assistant – Roanoke: Search for the Lost Colony

History — TV — Spyplane Films Details

8/15 – 8/15

I was responsible for echoing "rolls" and "cuts", locking up, wrangling talent and background, facilitating communication between departments, distributing paperwork and radios, and related tasks as mandated by the Assistant Director.

5/15 – 8/15

Cinematographer – The Agency

Kelly Productions — Film (Feature-length) — Kelly Productions

5/15 – 8/15

4/15 – 7/15

Cinematographer – Extinction of Another Kind

Kelly Productions — Film (Feature-length) — Kelly Productions

4/15 – 7/15

6/15 – 6/15

Director of Photography (DP) (Canon C300) – Escaping Bitterness

Film (Short) — Power Within Details

6/15 – 6/15

I was responsible for the look of the film. I was in charge of lighting, choosing lenses, camera angles, and operating camera. I worked with the director to achieve proper look and capture performances. I also worked alongside the Colorist to grade the film accordingly, and oversaw the editing process.

3/15 – 6/15

First Assistant Camera – Reunited: A Southern Touch

Fisher Films — Film (Feature-length) — Fisher Films

3/15 – 6/15

2/15 – 5/15

Cinematographer – Breakfast with Clark

Kelly Productions — Film (Feature-length) — Kelly Productions

2/15 – 5/15

1/15 – 4/15

Editor – Breakfast with Clark

Kelly Productions — Film (Feature-length) — Kelly Productions

1/15 – 4/15

1/15 – 1/15

Director of Photography (DP) (Blackmagic Cinema Camera) – To Whom It May Concern

Film (Short) — Kelly Productions Details

1/15 – 1/15

Director of Photography (DP) (Blackmagic Cinema Camera) – Author - Live at The Music Room

Internet — Live/Special Event — Kelly Productions Details

1/15 – 1/15

I was responsible for the look of the project. I was in charge of lighting, choosing lenses, camera angles, and operating. I oversaw 3 other camera operators, and chose cameras accordingly. I worked with the director and band to achieve proper look and capture performances. I also oversaw the editing process.

10/14 – 1/15

Cinematographer – Redemptive Suffering

Kelly Productions — Film (Feature-length) — Kelly Productions

10/14 – 1/15

12/14 – 12/14

Best Boy Grip – JEEP Commercial

Internet — TV — MC2 Inc Details

12/14 – 12/14

I was responsible for equipment setup, specifically green screen and lighting. I worked closely with the Grip Head, G&E Department, and Camera Department to execute fast and effective setup of lighting setup, dolly tracks, and green screen backgrounds.

9/14 – 12/14

Editor – Redemptive Suffering

Kelly Productions — Film (Feature-length) — Kelly Productions

9/14 – 12/14

8/14 – 11/14

Cinematographer – Back to the Basics

Kelly Productions — Film (Feature-length) — Kelly Productions

8/14 – 11/14

7/14 – 10/14

Editor – The Mark of Love

Kelly Productions — Film (Feature-length) — Kelly Productions

7/14 – 10/14

9/14 – 9/14

Director of Photography (DP) (Blackmagic Cinema Camera) – Charming

Film (Short) — Artificial Renaissance Details

9/14 – 9/14

8/14 – 8/14

Director of Photography (DP) (Blackmagic Cinema Camera) – The Mark of Love

Film (Short) — Kelly Productions Details

8/14 – 8/14

Responsible for the look of the film. I was in charge of lighting, choosing lenses, camera angles and movement, and operating camera. Worked with director to achieve proper look and capture actor performances.

7/14 – 7/14

Director of Photography (DP) (Canon 5D Mark II) – The Agency

Film (Short) — Kelly Productions Details

7/14 – 7/14

Responsible for the look of the film. In charge of lighting, choosing lenses, camera angles, and operating camera. Worked with director to achieve proper look and capture actor performances.

3/14 – 7/14

Camera Operator (5D Mark II) – Home Tours

Corporate — KeyCo Property Management Details

3/14 – 7/14

I was responsible for filming interiors and exteriors of homes and customer testimonials. I worked closely with the Director to achieve the look and feel of the product.

6/14 – 6/14

Director of Photography (DP) (Canon 5D Mark II) – My Boyfriend's Bag

Film (Short) — Artificial Renaissance Details

6/14 – 6/14

Responsible for the look of the film. In charge of lighting, choosing lenses, camera angles, and operating camera. Worked with director to achieve proper look and capture actor performances.

5/14 – 5/14

Director of Photography (DP) (Canon 5D Mark II) – Back to the Basics

Film (Short) — Kelly Productions Details

5/14 – 5/14

Responsible for the look of the film. In charge of lighting, choosing lenses, camera angles, and operating camera. Worked with director to achieve proper look and capture actor performances.

4/14 – 4/14

Director of Photography (DP) (Canon 5D Mark II) – Redemptive Suffering

Film (Short) — Kelly Productions Details

4/14 – 4/14

Responsible for the look of the film. In charge of lighting, choosing lenses, camera angles, and operating camera. Worked with director to achieve proper look and capture actor performances.

1/14 – 4/14

Cinematographer – The Mark of Love

Kelly Productions — Film (Feature-length) — Kelly Productions

1/14 – 4/14

Editor – Back to the Basics

Kelly Productions — Film (Feature-length) — Kelly Productions

1/14 – 4/14

11/12 – 7/13

Second Assistant Camera – John Henry and the Railroad

Triple Horse Studios — Film (Short) — Triple Horse Studios Details

11/12 – 7/13

Responsible for assisting the First Assistant Camera and Camera Operator with any tasks needed, getting marks for talent, operating slate/clapperboard, loading/unloading digital media, camera upkeep, and filling out daily camera reports.

5/13 – 5/13

Director of Photography (DP) (Canon 5D Mk II) – Beyond the Fire

Film (Feature-length) — Kelly Productions Details

5/13 – 5/13

Responsible for the look of the film. In charge of lighting, choosing lenses, camera angles, and operating camera. Worked with director to achieve proper look and capture actor performances.

5/13 – 5/13

Camera Operator (Canon C300) – Ryan Snow - Hot Damn

Music Video — Southern Lights Productions Details

5/13 – 5/13

Responsible for setting up shots, choosing lenses, capturing actors' performances, working with the Director to achieve the proper look and feel of the film, setting up and working with grips to achieve proper lighting.

2/13 – 2/13

First Assistant Camera – Sid Roth It's Supernatural (Season 6)

TV — Llewellyn Films Details

2/13 – 2/13

Responsible for assisting Camera Operator with any tasks needed, operating slate/clapper, switching lenses, camera building and upkeep, pulling focus, and loading/unloading equipment.

View 64 More Credits

Unions

IATSE Local 600 International Cinematographers Guild (ICG)

Media

Levi Mlinar | Reel

Recos

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