Liz Singleton

Oversee A/V post-production and finishing workflows for all TV/Streaming marketing campaigns. Projects include teasers, trailers, TV spots, radio, digital & social spots, and internal presentation reels. Clients include Amazon, Apple, Disney+, FX, HBO Max, Hulu, Netflix and Peacock. Campaigns include: FX On Hulu launch, Emily In Paris, The Boys, Mr. Robot, The Mandalorian, Mare of Easttown, Marvelous Mrs. Maisel, Saved By The Bell & Servant. Awards include: Golden Trailer 3x (Including Best Promo for a TV Network), Promax Agency of the Year 2021, Promax Gold Horror/Thriller Trailer (Lisey's Story). Create lock & delivery schedules and collaborate with finishing team to prioritize and execute creative deliverables. Supervise final approval process to meet time-sensitive deadlines. Confirm spec & delivery details with clients. Assist creatively on campaigns; partner closely with producers to give feedback to editors. Procure assets, including dailies, network cuts, audio splits, GFX, toolkits, and high-res footage. Devised new server structure to keep track of branding across every streaming client, ensure correct branding is always applied.

Coordinated post processes across 20+ marketing campaigns simultaneously for high profile clients. Oversaw final delivery of hundreds of in-house finishes, ensured all deliverables were accounted for (i.e. cue sheets, shot lists, scripts etc). Created new procedure for handling TV/Streaming Out of House finishes, began managing OOH finishing campaigns. Streamlined communication between the TV/Streaming department and the Finishing department. Simplified process for setting up new Avid projects for campaigns, created a new form that was applied company wide. Devised new workflows to simplify shot requests and worked with online media team to ensure every spot was overcut with high-res picture and clean audio before delivery. Liaised with GFX artists during the offline process and QCed final renders. Collaborated with music department to make sure cues/tracks were cleared. Sent spots for final online/mix/GFX approval to clients, relayed any notes to finishing department and checked that notes were addressed. QCed UMs for OOH finishes and maintained relationships with myriad finishing houses.

Review offline cuts of every episode (19 total). Ensure all appropriate releases are obtained for each episode before it locks. Complete chyron and blur lists for online. Liaise between Legal and Production; advise both teams of all clearance issues. Perform QC checks on online picture, mix, slates, tape masters and dubs. Manage all network deliverables and upload to Producers Portal. Facilitate media ingest and transfer all tapeless footage to server. Coordinate with assistant editors to ensure everything is grouped. Orchestrate outputs for producers and network executives. Arrange delivery of Rough, Fine and Locked cuts to Discovery.

Reviewed offline cuts of every episode (26 total). Ensured all appropriate releases were obtained for each episode before it locked. Completed chyron and blur lists for online. Liaised between Legal and Production; advised both teams of all clearance issues. Performed QC checks on online picture, mix, slates, tape masters and dubs. Managed all network deliverables and uploaded to Producers Portal. Facilitated media ingest and transferred all tapeless footage to server. Coordinated with assistant editors to ensure everything was grouped. Orchestrated outputs for producers and network executives. Arranged delivery of Rough, Fine and Locked cuts to Discovery.

Organized over 2000 Appearance, Location, Material and Logo releases. Completed shot sheets and final online chyron lists for all episodes. Tracked and logged field footage.

Coordinated outputs. Organized all releases. Tracked and logged field footage.

Coordinated all dubs and managed final deliveries to network (texted master with closed captioning, textless master, DigiBeta down convert, preview clip, mix stems, timing sheet and DVDs.) Tracked all field footage and facilitated ingestion.