Logan Hayes

Mixed sound for their first season with 788t, SMQV/UCR411a, MKH 60, Smart Slate, IFPs and IFBs under Paul Reed (Audio Sup)

Helped record, engineer mics, and control click bleed on the score for an international ad campaign.

Mixed interviews in Ashtabula, Ohio with 744t, 552, SMQV, UCR411A, and MKH 60. Also worked with file management via Lion TV's FTP server.

Mixed sound with an emphasis on A2 responsibilities using wireless lav and boom mics coming from talent and an announcer's desk during the Lebron James Classic at St. Vincent St. Mary's in Akron, Ohio.

Crafted sound design and a final stereo mix for the short documentary film directed by Andrew Jackson and shot in Los Angeles. Also supervised music licensing for the soundtrack.

Mixed sound for the series Made Right Here in Newell, WV with 788t, Lectronics wireless, shotgun, and a camera hop.

Composed the score for the trailer of this horror feature film and will be working on the film itself in early to mid 2015.

Created the original soundtrack for the short noir film shot by Gui Agustini in New York.

Mixed production sound in Cleveland, Ohio for the Nike ID spot. Also assisted with some post-production audio work.

Mixed sound onset for two commercials in one day in various areas of Columbus, Ohio.

Recorded the original soundtrack for the feature film Crushed with The Youngstown Scoring Stage's String Symphony in Youngstown, Ohio.

Licensed tracks for the short horror film shot on location in Cleveland, Ohio. The film has received 11 awards to date.

Mixed sound on location in Dayton and Toledo for the Impractical Jokers Comedy Tour shooting a variety of live performance and BTS video for a 44 minute documentary about the show. Mixed with SMQV, UCR411a, 788t, 416 shotgun, and IFP and IFB signal for redundancy.

Head sound mixer for the short film A Midwest Winter shot in Cleveland, Ohio on BMCC 4k. I ran a dual recording setup with two recorders using a variety of lav mics and a shotgun mic. Also headed post-audio with dialogue editing, foley, sound design, and re-recording mixing.

Mixed location sound for a sizzle reel to be pitched to networks by New Wave Entertainment. Gear included 744t recorder, 552 mixer, and four Lectrosonics SMQV transmitters with 411a receivers. Also used a Zaxcom IFP for camera relay.

Added stylized sound design and completed finalized mix for the short film Grimace shot by Levi Caleb Smith in Los Angeles. Worked out of Pro Tools 11.

Licensed musical cues for the short film Love of My Mind shot on location in Pittsburgh, PA with Kept Shut Productions.

Composed the score and created sound design for a highly stylized ad campaign for a Dorco Razors campaign in Seoul, South Korea.

Composed the original soundtrack for the short film Caliban's shot in Seoul, South Korea using a variety MIDI and acoustically recording instruments all mixed in Ableton Live 9. Also created original sound design, edited dialogue and sfx, and prepared the full mix in Pro Tools 11 using Izotope Rx 3 Advanced.

Helped with crowd control during open call auditions. Also aided casting producers and set up mics during the call back auditions in Cleveland, Ohio.

Worked on the proof of concept for the feature film The Three in Louisville, KY. Gear included Sound Devices 552, Lectrosonics 411a with Tram elements, Sennheiser MKH 416.

Mixed production audio (A1) on the set of You Will Go Darker in Cleveland, Ohio. Kit was made up of Tascam HD-P2 recorder, Sennheiser G3 lavs, and a Rode NTG-2 shotgun mic. I also oversaw the A2's work with laving and boom operating.

Mixed the sound on the short film iSwear shot by Dino May Managment in Los Angeles, California. Main responsibilties were dialogue editing, foley, and sfx.

Worked in pre-production and production as a production assistant. Duties included organizing auditions for talent as well as contacting contacting crew members to setup interviews for possibly employment.

Head Sound Designer of the horror feature film Fason Nou: Our way using Pro Tools 10 and 11, Izotope Rx 2, and post production mastering plugins. Formatted to .wav in stereo. Duties included overall cleanup of dialogue, foley, and roomtone as well as stylized sound design

Composer original soundtrack for the feature horror film Fason Nou: Our Way in Ableton Live 9 using Kontakt 5 Factory Library and acoustically recorded instrumentation.

Lead sound designer for the feature film Iris in Syracuse, New York using Pro Tools 10 and Ableton Live 9

Composed the opening theme music for the news/blog radio show The Danielle Forbes Show using Ableton Live 9 and Native Instruments midi sound libraries

Scored a short film based in Miami, Florida. Genres included opera and orchestral. Platforms included Ableton Live 9 and Kontakt 5 midi libraries

Provided complete sound design overhaul from scratch to a short film based out of Los Angeles, California for Dino May Management. Principle Photography was shot in Mumbai, India with little onset audio. All post-production foley was made from both personally self recorded audio and minor sound library usage.

Provided some sound design to a short horror film in Columbus, Ohio. Used Ableton Live 9 to create original sounds which served as both score and sound design in certain scenes.

Edited together a short film that premiered at Cleveland's 48 Hour Film Project competition. The story was extremely reliant on sound so an emphasis on excellent sound quality was important. Also composed music for the film.

Composed a cue for a short film that premiered at Cleveland's 48 Hour Shootout. Cue was composed using Digital Performer 8, Native Instrument's Komplete 8 Ultimate, and MOTU Mach Five 3. Cue was titled Layover.

Captured location sound including dialogue and earth tone on a Tascam HD-P2 dual system multitrack recorder

Editing and mixing of dialogue and music in post-production.

Composed a piece of music loosely based on funk music using industry standard sampling software by Native Instruments.

Headed ADR sessions for the science fiction feature film The Overlords. Recorded, edited and mixed ADR sessions into a Dolby Digital 5.1 output with Pro Tools 10 HD

Sound Designer for feature film's effects and soundscapes. Mixed feature into Dolby Digital 5.1 with Pro Tools 10 HD

Wrote a piece for a short film narrative for the Columbus 48 Hour Film Project. Recorded acoustically without any use of samples using piano and folk acoustic guitar.

Sound mixer with a boom operator for the Columbus 48 Hour Film Project. Used a Tascam HD-P2 dual system multitrack recorder.

Worked as onset sound mixer with a boom operator under my supervision.

Fill in as a boom operator during principal photography.

Oversee the location sound mixing and a boom operator when present during principal photography on a Tascam HD-P2 multitrack digital recorder.

Served as the on-set sound mixer and boom operator for a project for the Cincinnati 48 Hour Film Project. Used a Tascam DR-40 dual system multitrack recorder.

On-set sound mixer supervising a boom operator for the Ohio University 48 Hour Shootout competition.

Provided post-production editing and mixing with ADR recording using the DAW Logic Pro 8.

Mixed for a short narrative piece as an instructional video for Ohio University using the Tascam HD-P2 dual system multitrack recorder.

Assisted supervising sound editors in cutting together the final stereo OSTs for the feature film The Passageway with Logic Pro 8

Assisted the on-set sound mixer as the boom operator as well as some post-production sound editing.

Worked under the sound mixer as a boom operator for the Ohio University 48 Hour Shootout competition.