Leo Riesberg

Match scripts to the rough cut, assist on the shoots by setting up lights, creating a set design, taking down the lights, and sometimes assist the director with certain shots, edit footage, create digital ads, taught how to market the demographic.

I was a locations PA, my duties would be to a liaison between the producers to the Chicago Police department. I was constnatly looking for holes in our perimeter, aiding the police to plug the holes and to make a safe work enviornment.

I was a arial unit A lock up PA. I would lock up the streets downtown to prevent the public from breaching our perimeters. We would have unusual call times from 330 am-10 am.

I was on the blue team where I was the only PA for our sets of shoots. I was creating lunch orders, making sure that the public that were in shots had signed release forms, and I would be in charge of the walkie talkies.

I would make sure the extras all had their paperwork signed, all walkie talkies had batteries, and transporting cast/crew from honeywagon to set.