Summary

My professional background spans across various aspects of television, post and distribution. This has given me great insights into the industry, its processes, workflows and digital/technical practices. I am eager to take on new challenges.

Credits

5/17 – Current

Project Manager (Post Production Project Supervisor) A&E

A&E — Scripted (TV) — A+E Networks Details
5/17 – Current

• Managing high volume daily workflows - receiving, vetting, assigning & reconciling requests in support of internal and external edit • Ensure proper SOP is followed for each request and troubleshoot workflow impediments • Facilitate the delivery of spots for air, off-air, digital, as well as internal use

10/15 – 4/17

Post Production Coordinator All shows ranging from A+E, History, Lifetime, FYI, etc.

A&E — TV Movie/Mini — A+E Networks Details
10/15 – 4/17

• Receiving, vetting, assigning, and reconciling requests and managing expectations
 • Assign jobs to Assistant Editors and Techs based on workloads, deadlines and specs • Create and register new media assets; manage and organize digital and tape library

9/15 – 12/15

Production Assistant (Provide support for ESPN Films, and podcasts and webcasts) ESPN 30 for 30

Internet — ESPN Details
9/15 – 12/15

• Configured control room, lights, soundboard, and monitors for ESPN podcasts and webcasts
 • Patched video feeds and audio feeds, operating robotic cameras during live productions 
 • Edited final video and audio for internet upload • Set up an archive system, archiving files using LTO Ultrium 6

4/13 – 7/15

I/O Coordinator (Scheduler for Comcast Streampix Service) Comcast Streampix

Internet — In Demand Details
4/13 – 7/15

• Created and maintained all Stream content for Comcast’s Streampix service • Proofread schedules and XML sheets for accuracy, typos, syntax/grammar • Performed metadata corrections and scheduled metadata updates in VCIS/iNDAB databases

1/14 – 1/14

Assistant Editor (Final Cut Pro, Black Magic Camera, Davinci Resolve (in Los Angeles, CA)) Ghost Goggles

Film (Theatrical) — Magic Elevator Production LLC Details
1/14 – 1/14

• Assembled and edited sequences and rough cuts • Organized, assembled, and transcribed raw Black Magic footage files, synching audio and video • Credited on IMDB

10/13 – 12/13

Post Production Intern (Los Angeles, CA) Film Independent Forum

Film Independent Details
10/13 – 12/13

• Shot video coverage of key Film Independent events and screenings at LACMA • Edited multi camera footage, building lower thirds, audio/video transitions, end cards • Compressed videos for DVD and web uploads • Archived footage, filling out detailed logs and spreadsheets

10/13 – 12/13

Post Production Intern (Burbank, CA) – Disney Channels Worldwide

Commercial/Ad — Disney Channels Worldwide Details
10/13 – 12/13

• Normalized interstitial programming for on-air content to meet technical standards and quality of Disney ABC • Communicated with outside vendors and compiled video assets for Disney Channels and ABC Networks • Located, digitized tapes and maintained digital and tape libraries • Added and proofread chyrons and lower thirds to spots before broadcasting

1/13 – 6/13

Intern (New York, NY) Abc's The View 16

ABC Details
1/13 – 6/13

• Tracked and inventoried giveaways and props • Worked with Audience Coordinators to greet, check in, and manage audience • Organized and maintained the CD library, tapes, magazines and periodicals; Tracked stills used on live segments • Responded to the needs of producers and crew on various segments during live broadcasts

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Education

Class of '13

City College

BFA in Film and Video