Director - Leslie Bumgarner DP - Kimberly Culotta RED Epic, Panavision Primos
Summary
IATSE ICG Local 600 2nd Assistant Camera, 1st AC, DIT. Familiar with ARRI/RED/SONY/DSLR Workflows. Full AC and DIT Kit available. Located in North Hollywood, available to travel at a moment's notice!
Credits
9/13 – 9/13
First Assistant Camera (RED Epic) – Surprise!
Film (Feature-length) Details
9/13 – 9/13
9/13 – 9/13
Second Assistant Camera (RED Epic) – Luke Conard - Better Now You're Gone
Music Video — Fullscreen Details
9/13 – 9/13
Director - Andy Vallentine DP - Kai Saul RED Epic, Zeiss CP.2s
9/13 – 9/13
First Assistant Camera (RED Epic) – Tyler Ward - Forever Starts Tonight
Music Video — Fullscreen Details
9/13 – 9/13
Director - Andy Vallentine DP - Kai Saul RED Epic, Panavision Ultra Speeds
8/13 – 8/13
Second Assistant Camera (Canon 5D mkII)
Toyota — Advertising — Flip Films Details
8/13 – 8/13
DP - Kris Carrillo Canon 5D mkII, Zeiss CP.2s
8/13 – 8/13
DIT (Digital Imaging Technician)
Cloud-B — Advertising — Electric Orange Media LTD Details
8/13 – 8/13
Director - Josh Silfen, DP - TJ Hellmuth RED Epic, Scarlet, Canon 35mm Converted PL. Primes, Cooke 25-250 Zoom.
8/13 – 8/13
First Assistant Camera ((RESHOOTS) RED Epic ) – Road To Hell
Film (Feature-length) Details
8/13 – 8/13
Director - Rodrigo Fonseca DP - Eduardo Barazza RED Epic, Todd-AO Anamorphic Primes.
8/13 – 8/13
Second Assistant Camera (ARRI ALEXA ) – Positive
Film (Feature-length) Details
8/13 – 8/13
Director-Paul Merryman, DP-Michal Dabal ARRI ALEXA (Panavision). Panavision Primo Primes/Zoom
7/13 – 7/13
Second Assistant Camera – Dustland
Film (Feature-length) — Monday Man Films Details
7/13 – 7/13
Director - Jacob Anderson, DP - Sara Ross-Samko Panavision Platinum (35mm), Sony F65 Panavision Primo Zooms and Primes, Zeiss Super Speeds
Recos
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