Summary

Previous professional child actor, career cut short by a beard at age 14 -- but I soon found a camera in my hands and haven't looked back. I'm pursuing a career as a DP & Cam Op, and am interested in AC, PA, & G&E opportunities as I work my way up.

Credits

4/16 – 5/16

Production Assistant (Addt'l Location PA) Chicago PD (Season 3)

NBC — TV — Wolf Films Inc Details
4/16 – 5/16

Locking up traffic on location, assisting with directing & managing background performers, and running paperwork, walkie batts, and food for crew & first team -- and having a great time doing all of it!

4/16 – 4/16

Production Assistant (Chicago Unit) Office Christmas Party

Film (Feature-length) — DreamWorks SKG Details
4/16 – 4/16

Locking up busy riverside sidewalk, coordinating traffic control with CPD, and keeping a cheery & professional presence for the curious passers-by.

12/15 – 12/15

Lighting Technician Cold War

Film (Feature-length) — Spaceship Town Productions Details
12/15 – 12/15

Assisted the Gaffer with rigging, powering, and tweaking a mix of Jokers, Kinos, fresnels, and practical lights -- and then using standard grip equipment to shape resulting light. Only worked on the few days where an extra hand was needed, but I had a blast. As a day-player, feeling at home on a tight-knit set like this was lovely.

9/15 – 9/15

Camera Operator The Year That Changed Us

Film (Feature-length) — AOK Productions Details
9/15 – 9/15

Day-played as B-Camera, picking off reverse shots and inserts under the guidance of DP Drew Xanthopoulos. Very organic style, shooting handheld in a party scene, a back-porch dialogue, and an intense argument in a stairwell (during which I learned that if the angle calls for it, I can indeed french-press a C100 for several takes without extreme shake). Great fun! 10/10, would crew again.

9/15 – 9/15

DIT (Digital Imaging Technician) Holly Ridge

Film (Short) — 137 Films / PBS Details
9/15 – 9/15

Managed file offload and backup from RED One, provided and tweaked dailies grades on location, and assisted director and DP with playback, exposure, and day-for-night tests. Also helped camera and electric with equipment rigging and transportation. And to top it all off, we made an adventure of it as we shot & lived in the film's cabin location in the Michigan woods. 10/10, would crew a sequel.

7/15 – 8/15

First Assistant Camera (and Additional Photography) Trust (and Other Lies We Tell Ourselves to Sleep at Night)

Film (Feature-length) — Halcyon Details
7/15 – 8/15

Designing & building camera rigs for situations up to and including partially-underwater jib moves (a point of both pride and amusement). Pulling focus on night exteriors at a 1.4, often over the DP's shoulder as he operated with a Ronin. (Also earned an Additional Photography credit for work photographing time-lapses and filming second-unit footage.)

4/15 – 4/15

First Assistant Camera Poker Night

Film (Short) — Studio 22 Productions Details
4/15 – 4/15

Pull focus, mostly while riding on the dolly with the DP -- sometimes while we're both standing, and it's being pushed at running speed down the length of a street. (At night.) All good fun though! Many lovely 2nd ACs, dolly grips, and DITs that came out to help -- several crew-members had conflicts and so our team changed often, but I enjoyed that as a learning experience.

Media

  • Atlas - Sophie Rae (Official Music Video)

  • Tanqueray Spec Commercial (15 second)

Recos

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Education

Class of '16

Northwestern University

Radio/TV/Film

My Gear

  • Petroff Matte Box
  • Manfrotto Tripod
  • Grip kit
  • RED SCARLET MX
  • AC Kit
  • SmallHD DP6 Monitor
  • 2x64GB RedMags
  • Tokina 28-70mm Zoom
  • V-Mount Battery Set
  • Zeiss 21mm & 50mm Primes

Skills

  • Camera Operation
  • Dolly Grip
  • Color Grading
  • DIT
  • Extreme environments
  • Handheld camera
  • focus pulling
  • Event Video
  • Walkie protocol
  • Cold-Weather Operation
  • Fight-Scene Camera
  • Film Loading (16mm)
  • Film Loading (35mm)
  • Footage Calculating
  • Lens Whacking
  • Mindfulness of Space & Distance
  • Wrapping Cables Appropriately