Summary

I am a tactful, tech-savvy shooter with a passionate dedication for visual storytelling. I work primarily in - and love - documentary, because it affords me the opportunity to feed my intellectual curiosity and build relationships with my subjects.

Credits

10/16 – Current

Camera Operator (Sony F800, GoPro) Mighty Planes 4

DISCOVERY — Reality/Doc (TV) — Exploration Production Inc. Details
10/16 – Current

B Camera Operator, responsible for acquiring visuals to accompany First Unit's interview content. Often self-directed and working alone in restricted/secure areas where respect for host regulations and personal safety are paramount.

5/14 – Current

Director of Photography (RED Weapon & Others) – Various Brands (Various Agencies)

Commercial/Ad — Iota Creative Media Details
5/14 – Current

Executive Producer and DP at Iota Creative Media in Toronto. Production company specializing in web-based commercial content for various brands including Ford of Canada, Canadian Tire, and Sportchek. Responsibilities determined by project, but often include: Project Producing, Crew DP, and Post Editing & Colouring.

6/16 – 8/16

Camera Operator (Sony F800, GoPro) Mighty Ships 9

DISCOVERY — Reality/Doc (TV) — Exploration Production Inc. Details
6/16 – 8/16

2nd Unit DOP, responsible for acquiring supportive visuals and interviews from ancillary characters, as well as rigging action cameras in restricted areas for coverage. Often required to coordinate unit's travel with host staff and conduct interviews in absence of director.

2/16 – 7/16

Camera Operator (Sony F800, GoPro) Mighty Trains 1

DISCOVERY — Reality/Doc (TV) — Exploration Production Inc. Details
2/16 – 7/16

B Camera Operator, responsible for acquiring supportive visuals of hero train in operation (both aboard, and ahead of the train, from self-determined vantage points), as well as conducting ancillary interviews and rigging action cameras.

9/15 – 2/16

Camera Operator (Sony FS7) Payday 1

VICE — Reality/Doc (TV) — VICE Media Details
9/15 – 2/16

Contributing Director of Photography for Season 1 of PayDay, responsible for photographing subjects intimately, both interview and in-situ, with particular importance placed on stylized cinematography. Production encompassed long hours in a variety of different real-world environments, requiring adaptation of shooting practices for elements such as poor/insufficient available light, tight quarters, and extremely loud noise levels.

9/13 – 12/15

Camera Operator (Sony F800, GoPro) Megaspeed

DISCOVERY — Reality/Doc (TV) — Exploration Production Inc. Details
9/13 – 12/15

2nd Unit DOP (3 Seasons) responsible for following supporting characters and collecting both setup and in-situ content of subjects in action, as well as rigging GoPros for supplementary coverage. Work was often high-stress and time-sensitive given nature of subject matter (subjects often in professional competition), requiring the highest degrees of professionalism, punctuality, and performance in the field.

Media

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Education

Class of '14

Ryerson University, Chang School

Certificate - Strategic Marketing
Class of '10

Ryerson University

B.A. Radio and Television Arts

My Gear

  • Grip Package
  • LED Lighting Package
  • Nikon F Series Zoom Lens Package
  • Sony FS700 Camera Package
  • Tungsten Lighting Package

Skills

  • Cinematography
  • Lighting
  • Post-Production
  • Producing