Michael Tanner Moss

Camera Operator using Sony FX9, also set the lights and ran audio. After I had the cameras and lenses and lighting and audio all set. The D/P was watching through the BlackMagic ATEM to sign off on the set before we started the roll.

Camera Operator For A Competition that was live streamed.

Running a Live Stream of a sporting event using a Hitachi HD6000 with various FujiNons. We had a five camera set up.

Set up A and B cam for interviews. Set up video village for clients. Took the Canon C300II out for B-Roll.

Camera Production Assistant as well as the Electrician and Grip on SEASON ONE FIRST RESPONDERS LIVE. I used my personal Power Bank that ran two Lite Mat .5 amp tubes for lighting inside the truck. Also rigged the trucks and Rescue units with Gopro 7s and helped rig and support the Sony PXW-Z150 4K XDCAMs we had an A with a SMALL HD 5inch SDI monitor the DP loved using and as well as a customized shape rig, I always had a B cam rigged and ready as well. This shoot was fun and kept us on our toes because you would have to grab all your gear and begin rolling at any moment as Rescue calls came in, it was very Avant-garde. It was fun working with a crew that all brought something very unique to the production-table and we all came together to tell the story of a Local Fire and Rescue team in the city of Mobile, Alabama for the show LIVE RESCUE.

Running thousands of feet of Fiber Line around the track. Using multiple Teradek Bolts. And had Go Pros casting live stream onto the motherboard. All and all I helped set up 4 VariCams for Live stream SD cable and two casting off Fiber Line. And we had two cameras with TeraDeks for run and gun as well as Rode Mic wireless shotguns and also wireless hand held mics all going to one motherboard. Where one man controlled all my cameras and was able to use his switch board and we used a black magic converter to Broadcast onto Facebook LIVE.

Using My gear and hiring assistants to make this amazing show happen. We are shooting in Film/ RAW using the black magic pocket cinema camera.

Helping Cast Extras as well as making sure every extra was always in good spirits and always on time for my First and 2nd Ad so the extras could be used. I try and make sure I never am holding production up with my extras. We had 10 big days with 200 plus people and a few of those days the extra would have to use there cars in the scenes.

Stand In and the body double for the Lead Actor in the feature film PEEL .

If we had the title of a 2nd Ad that is what I was . I had a-lot of responsibility and had to do things to not send our crew into OT our meal penalties. All Sets are very far from the hotel about 50 minutes out with no cell service. So I had peoples lives on the line out in the middle of the woods. I was in charge of emergency issues and helping with the location team, every night before bed we would meet and go over the best execution of plans for the other production assistants to carry out to keep everyone on crew happy and safe. I felt like the 2nd AD. But they only budgeted for a UPM/Accountant and a Associate Production Coordinator.

I was a Production Assistant for Season 3 on and off set. While we was filming in Enterprise and Geneva, Alabama for several Weeks.

Helping with stationing and designing of Furniture and Plants and finding these items, with the Production Design and Head Art Directors, and Layout Team on this House renovation Reality T.V. Show.

Worked on Cowboy Way Season 2 as a Production Assistant. And a Set P.A.

Production Assistant for 4 days of filming and B Roll .

production assistant during the shoot.

I was the only PA for pre- Production . A bunch of producers flew into Birmingham Alabama and I was hired to accommodate to the production and make things run smooth.we brought on four more PAs two days later the day Bob Dylan arrived and I was in charge of those four PAs. The timing of this production had to be just perfect because Bob Dylan had just received the Nobel prize and this was before he had made a public statement about the Nobel Prize so we literally had to keep the fact he was coming to Alabama a super super secret so everything was choreographed and executed perfectly on the production side of things so that when Bob Dylan arrived on Friday everything went perfect and not an hour was wasted. I take being a PA very seriously and I enjoy it.

Was the Best Boy for the Director of Photography. Helped create the light atmosphere for every scene and set the lights myself and ran electricity.

Helped with Project Decevopment for Todd Hall when he first launched Llahdot. As far as camera operations I would run B roll and also help with loading the cameras and carrying lenses as we would shoot in the form of run and gun I would stay near to make sure we always had hot batteries and filters and also another camera rigged for broll . I shot a lot on a shoulder rig and also a Stabilizer called the Dji Ronin .

KEY Grip for a short-film that was shot in a studio. I was in charge of four men and directing them on grip jobs to complete the task needed for camera and crew to make the scene happen. I also worked not just gave orders.

In charge of locations for the Battleship we was filming in and also other location duties at other locations for the shoot .

Wrote the screenplay and Directed The Photography and Lighting .

A-lot ask me .

A Runner and P.A for the Directors and Producers for a marketing campaign that took place over a two day period. It was in they style of reality T.V, we filmed wounded soldiers and captured their story and rise to better health.

Was a PA for the directors