Marisa Serrano

I did the hair, makeup, and wardrobe for this Health-Ade Kombucha commercial.

Hair and makeup for sit down interviews

Hair and makeup for members of the press (various outlets) before going in to do their celebrity interviews promoting the film).

Hair and makeup for both hosts

Makeup and hair for Drew Brees (NFL) and Chef Isaac Toups.

Key makeup artist/hair combo for Seaworld San Diego commercial

Makeup and hair for on camera talent (interviews), and makeup, hair styling, and wig styling, plus SFX for recreations

Hair, makeup, and SFX for blood and graphic wounds

Streaming platform GolfPass.com content featuring Macklemore

Hair and Makeup for principle and background talent

Assisting the Key Makeup Artist/Hair Combo with this branded pharmaceutical content shoot. The pharmaceutical brands were "Skyrizi" and "Rinvoq".

Wardrobe assist to host and cast (selection, styling, and maintenance) in addition to hair and makeup for host and cast.

Set makeup artist for African American male host, as well as makeup for on camera guests. Also managing and assisting host and cast wardrobe.

I was the Hair/Makeup Combo for Sara Bendrick, DIY Network Host. This shoot captured an entire lawn makeover and showcased products from STIHL.

Tracked, and assisted scheduling shot list for each garment. Accessorized outfits according to each sport. Utilized props to complete each look. Helped facilitate the day to stay on schedule. Helped unpack all apparel to organize the shoot and assign each outfit to the appropriate models. At wrap, assisted with packing and returns.

Groomer to Robert Herjavec. Production was on location to film a Shark Tank update on the company, 'Tipsy Elves'.

I provided on camera airbrush tattooing, for Erik Zachary, for a segment of 'TRL', aka Total Request Live, online video segment for mtv.com coverage of VidCon 2018.

Makeup Artist to Josh Gates and Deepak Chopra

Makeup for On Air Talent. Talent made 3 hours of 2-4 minute live television appearances on various live shows to discuss/promote Zeiss lenses.

Documentary style shoot highlighting 'Blue Latitudes: Rigs to Reefs'

Promo shoot for ‘The Unsolved’

Beauty makeup and tatoo cover ups.

Makeup and Hair for two male talent, and on camera guests (male and female).

Hair and makeup for key male & female talent and extras.

A typical day: -Report a few minutes before call time to print call sheets and educate myself about the plan for the day. -Check in with my UPM and communicate any updates and important information. -Clean out production vehicle and load in all gear and equipment necessary for that day. -Restock crafty bins and ice chests and start replenishment list. -Roll out to locations and begin days schedule. -Get lunch menus out within two hours of the days start and set alarm to call lunch orders in two hours before crew meal. -Begin compiling production notes during periods of downtime. -Maintain walkie communication for any and all requests from the crew. -Lunch run, errand execution, crowd control, clearances, releases, etc. -Last part of the day downtime is used to review production notes and communicate necessities to my UPM. I also make sure I have documented all my receipts, releases, and other important documents in our crew online communication (email, google drive, etc.) -Arrive back at basecamp and unload vehicles -Type and send production notes to my UPM -Ask if there's anything else I can do before leaving.

Hair and makeup for talent for an HP commercial promoting a new product.

Makeup and hair for one woman and four men for Rubbermaid commercial product commercial.

I was the production assistant assigned to the role of Talent Wrangler to show host Dan Cortese, and the two other show judges. For the entire shoot it was my responsibility to keep them on schedule and anticipate their needs as well as the needs of production. We were filming in the hot sun for long hours so I kept myself informed up to the minute so I could give them as much rest time in their dressing rooms as possible. I was stationed near the body of talent to provide their needs, prepare their meals, accommodate requests, etc. I also worked along side the makeup artist for talent to assist her with any and all needs, as we were both working to help talent. When Talent was not needed I was utilized as a Production Assistant

-Assisting in correspondence with costume rental companies -Logistics responsibilities getting the costumes from the Warner Bros. lot to set in Arizona -Accompany CD to shopping trips -Assist in scheduling actor fittings -Prepping & tagging costumes according to scene -Constant contact and availability to the Costume Designer -EOD production notes -Memorization of script summary and shot list as it pertains to costumes and era

Accounting and reconciliation, phone calls, research, correspondence, office shopping, office crafty, plus various daily tasks requiring critical thinking.

Errands, Runs, Crafty, Production Office Duties, Assistant to the PC, Gear Loading/Unloading, Releases, Stand In, Talent Greeter, etc.

Makeup Artist for Hal Linden, Michael B. Silver, Ken Davitian, Mateo Arias, Ryan Ochoa, and Philippe Bowgen. I was brought in to replace the Key Makeup Artist while she was away on another project for the first week of filming, and for a few days where 2 makeup artists were required. I styled hair and applied makeup to all the actors; including a still shoot which was set in the 1930's.

The show is a live televised broadcast about San Diego’s craft beer scene. With two male hosts and one female host, plus next on camera guests, I was responsible for hair and make up for everybody appearing on camera.

Full list of duties: -Unloading equipment -Providing assistance in equipment setup -Executing tasks from all crew members -Handling and packing equipment -Holding lights -Location scout for B roll footage -Fixer -Lunch run

Hair and makeup on male talent. Makeup and styling on female cameo. Continuity log.

Hair and Makeup on male and female talent. Continuity log.

The MLB Fan Fest, at the San Diego Convention Center, presented a live roast for Steve Garvey and Winfield. I did makeup for both athletes as well as the comedians Jamie Kennedy and Aida Rodriguez.

I was assigned the role of Costumer after the mood boards and garments had already been selected. My role was to costume the cast with the selections and maintain continuity throughout the film including blood splatters, sweat stains, school uniforms, and continuity in flash back sequences.

Day 1: Unloading gear, assisting in setting up lights, signs and general set setup. Day 2: Contestant Registration

I was Key makeup and hair artist for two principle actresses and one actor, plus three extras. I was provided SFX for a bug bite on the actors arm.

-A female dancer practicing on stage with full stage lights -A male runner dripping sweat -An athletic but beautiful professional skater at home and also at the beach (waterproof look) -2 male extras for an office scene -2 female extras for an office scene

The commercial had a 60's beach theme. I taught the main talent and all the extras how to dance "The Twist" and helped block the actors in the scene, coordinate their movement into the playback and keep the continuity of the theme without making the dance scene look robotic or rehearsed.

I was the Palm Springs Animal Shelter live TV representative for the KMIR 6 Adopt-A-Pet segment. Several times per month I would bring an adoptable animal on air to encourage shelter adoptions and talk about current shelter topics.

I was in four scenes: Two nightclub scenes, craps table scene, and a bar scene.