Summary

I produce short format videos - I have experience in shooting, directing, editing, and coloring. Clients: Netflix, New York University, Prudential Financial, SDN Brooklyn, Witness, University of Amsterdam.

Credits

6/17 – Current

Junior Editor – Prudential Financial

Commercial/Ad — Parts and Labor
6/17 – Current
3/17 – 5/17

Production Assistant Tribeca Film Festival

Live Event — Parts and Labor
3/17 – 5/17
7/16 – 7/16

Post Production Assistant Love After Love - film by Russell Harbaugh

Film (Theatrical) — Parts and Labor
7/16 – 7/16
12/15 – 4/16

Tech Department (Coloring) – Harbor Picture Company

Details
12/15 – 4/16

• Learning to troubleshoot technical problems for Harbor clients, ranging anywhere from editing room preparation, to editing systems set-up, to import/export of project files. (Projects include commercials, episodic, and feature length movies.) • Getting familiar with color grading on motion pictures.

3/11 – 4/15

Content Specialist (UX - UI team) – Netflix

Details
3/11 – 4/15

• Responsible for choosing compelling stills and offsets to enrich company's data for its dynamic streaming platform. Visual tagging is managed with Snapbox. • Tag on an average 500 titles monthly. • Paying extreme attention to new and existing data, and providing necessary corrections as needed.

10/10 – 7/11

Editor – New York University, Tisch School of the Arts

Details
10/10 – 7/11

• Responsible for producing an online video package of 28 individual interviews to promote the upcoming Symposium. • Supervised editing of interviews to 3-5 minute format for use of Symposium online platforms, social media platforms (including YouTube) and various online marketing initiatives (most notably, raising awareness). • Executive supervision of web development team and design teams.

10/09 – 1/10

Film Archivist – Cinema (Cyprus)

Details
10/09 – 1/10

• Cataloged and archived in excess of 2000 individual assets associated with the national historic landmark cinema including classic films, production stills, marketing and advertising collateral, and documentation. • Consulted with the restoration architect in developing the presentation of key assets (poster art, lobby cards, film visuals) in the renovation design of the theater’s interior space and related attraction pieces.

9/08 – 6/09

Digital Restoration – Witness

Details
9/08 – 6/09

• Responsible for video compressing, format updating and logging of archive materials for “Operation Fine Girl”. Archive included in excess of 100 individual interviews and raw footage associated with the project. • Collaborated with programmer and metadata engineer to set-up efficient logging and tagging methods. • Established systems and process protocol for cataloging and archiving future digital material additions. • Produced short-format videos for upload to online streaming platforms (blog, Twitter) to promote awareness for UNESCO’s World Day of Audiovisual Heritage.

Media

  • Cyprus Film Days International Festival

  • Veni Vidi Vici

Recos

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Education

Class of '08

University of Amsterdam, The Netherlands

MA “Preservation & Presentation of the Moving Image
Class of '03

School of Visual Arts, NY, USA

BA "Film & Video Production"

My Gear

  • Black Magic Pocket Cinema Camera
  • 16mm Bolex Film Camera

Skills

  • CSS
  • WordPress
  • Avid
  • Final Cut
  • Filemaker Pro
  • Moviola
  • HTML
  • Adobe Premier
  • Steenbeck