Lead editor Supervise editing staff Hiring/oversee freelance editor staff
Summary
I have worked within all aspects of production from pre-production to post-production. As a result, I have a very well rounded understanding of how a project is created from start to finish. The bulk of my editing experience has been in narrative.
Credits
5/17 – 8/17
Editor (Adobe Premiere) – Polaris Primetime
Disney Channel — TV — Digomind Productions
5/17 – 8/17
1/17 – 7/17
Editor (Adobe Premiere) – All Good
Film (Short)
1/17 – 7/17
3/15 – 4/15
Editor (Final Cut Pro 7) – Cranes In Love
Film (Short) — Disney Interactive
3/15 – 4/15
8/14 – 3/15
Editor (Final Cut Pro 7) – Blank: A Vinylmation Love Story
Film (Short) — The Walt Disney Company
8/14 – 3/15
1/08 – 3/14
Supervising Editor
Staff Position — Walt Disney Interactive Details
1/08 – 3/14
2/12 – 4/12
Lead Editor (Final Cut Pro) – Power Up with Christina Grimme
Disney Digital Network — Digital — Disney Interactive
2/12 – 4/12
4/11 – 5/11
Editor (Final Cut Pro 7) – Smorgasbord
Film (Short) — Independent
4/11 – 5/11
4/05 – 7/05
Inflatable Crowds Coordinator – Dreamer Inspired By A True Story
Film (Feature-length) — Hyde Park Entertainment
4/05 – 7/05
Media
Recos
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Education
Class of '03
The Art Institute of Chicago
Class of '02
California College of the Arts
My Gear
Skills
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