Phillip Wong

This is a finished script that needs re-working to move it into a budget-realistic realm. Pulling on knowledge of location/studio work, story, camera, editing, audience perspectives, and general production costs, I'm working with writers on script overhaul.

Work with Sr. Producers to locate financing, manage the production costs and the timeline of production. Currently in development and pre-production.

Still Photography and BTS to integrate marketing, promotional work with the look of the film. Film was shot on digital with Red - Stills were shot with Canon F-1 and EOS-1 for film and Canon Digital for backup. Lighting Design and Technical for green screen and studio.

Work with clients to establish goals, parameters and story lines. Pre-production: designed, create sets, cast models, determine lighting scheme, select camera format and workflow. Schedule rentals, deliveries, returns, insurance, location and studio usage. Canon, other formats Establish workflow, logging, archiving, post-production workflow: RAW: retouch: formats for print. Primarily fashion area.

Location Scouting, scheduling availability with cast availability and overall production. The project was very ambitious and ability to work under pressure was paramount. Juggling cast schedules with multiple locations. Worked extensively with Director, 1st AD, Producers, Production Coordinator and Production Manager.

This became a position of troubleshooting. Creating shot list, location scouting, logistics and scheduling, cast and crew management. Creating liaison between director and various department heads as positions and availability changed. Permits, releases, budget management.

Started out assisting on the public relations coordination for Vogue, W, Forbes, etc. but worked on multiple necessary project completions of design, draping, visual constructions, etc.

Prepping indoor and outdoor locations in a team for multiple shots. Lighting and staging areas.