Patrick Devers

Oversee post production department for all company productions. Hire and manage the post production staff. Manage both development projects and legacy shows. Manage international distribution projects. Oversee production and post production archives.

Oversaw day-to-day schedule for a 14 week production. Set up major shoots, coordinated equipment and hired the local crew. Filmed B-Roll and recorded time lapses. Managed project media. Set up trade agreements. Controlled petty cash.

Directly supervised post production on two Scripps series (see below). Also maintained video archive and LTO backups. Video editor for nine sizzle reels produced for national networks, also created motion graphics for each.

Managed the post production team and delivery schedule, controlled allocation of post production resources, approved final color/audio mixes, tracked all network deliverables and oversaw all post production line items.

Managed the post production team and delivery schedule, controlled allocation of post production resources, approved final color/audio mixes, tracked all network deliverables and oversaw all post production line items.

• Oversee and manage the budget • Manage the production bible • Plan interviews and reenactments in multiple states • Source equipment and hire supplemental crew • Secure shooting permits and usage rights for archival footage

• Oversaw the company's video project portfolio • Hired and managed staff • Controlled the allocation of company resources • Directly managed relations with major clients • Expanded the firm’s corporate client base • Helped develop and produce new programming

Oversaw production and post-production of the Emmy-winning true crime series “Crime Stoppers: Case Files,” which has separate versions running in three cities and a fourth version syndicated internationally. Coordinated the shooting schedule, booked interviews, planned reenactments, oversaw editing and interfaced with the local networks who run the program.

• Served as a local consultant during pre-production • Hired the local crew and negotiated their rates • Coordinated rental, delivery and return of equipment • Ran quality control between the client and the producers • Controlled petty cash

Ran the live television simulcast of a public affairs radio program on WCPN, an NPR affiliate. The show aired Monday-Friday on The Ohio Channel. Controlled robotic cameras and cut between them while simultaneously inserting prepared graphics.