Facilitating a project and are involved in every stage of the television programme, film or video, overseeing the project from beginning to end, both in the studio and on location. raising funding; reading, researching and assessing ideas and finished scripts; commissioning writers or securing the rights to novels, plays or screenplays; building and developing a network of contacts; liaising and discussing projects with financial backers - projects can range from a small, corporate video costing £500 to a multimillion-pound-budget Hollywood feature film; using computer software packages for screenwriting, budgeting and scheduling; hiring key staff, including a director and a crew to shoot programmes, films or videos; controlling the budget and allocating resources; pulling together all the strands of creative and practical talent involved in the project to create a team; maintaining contemporary technical skills; organizing shooting schedules - dependent on the type of producer and availability of support staff; troubleshooting;supervising the progress of the project from production to post production; holding regular meetings with the director to discuss characters and scenes; acting as a sounding board for the director; bringing the finished production in on budget. ensuring compliance with relevant regulations, codes of practice and health and safety laws; supervising the progress of the project from production to post production; holding regular meetings with the director to discuss characters and scenes; acting as a sounding board for the director; bringing the finished production in on budget.
Summary
Multi-faceted production and administrative professional highly skilled in delivering effective coordination and support to achieve project goals.Proven capabilities of decision-making and setting priorities to achieve both immediate and long-term goals.
Credits
9/16 – 2/17
Second Unit Director – The Prophet (Pilot)
TV — Enterprise Entertainment
9/16 – 2/17
12/15 – 2/17
Executive Producer (EP) – The Prophet (Pilot)
TV — Zero Gravity Management Details
12/15 – 2/17
12/15 – 2/17
Line Producer – The Prophet (Pilot)
TV — Zero Gravity Management
12/15 – 2/17
12/15 – 2/17
Producer – No Father, Son, or Holy Ghost
Film (Feature-length) — Independent Film Details
12/15 – 2/17
responsible for coming up with the idea for a production, or selecting a screenplay. choose the screenwriter and story editing team. raise the development financing and supervise the development process. In pre-production, bring together the key members of the creative team. This includes the Director, Cinematographer and Production Designer and key cast members. Help the Executive Producers to raise money for the production. Select other key production office personnel and Heads of Departments. Approve locations, studio hire, the final shooting script, production schedule and budget. More time and money spent in pre-production can reduce time and money wasting when the production gets underway. Responsible for the day-to-day smooth operation of the team. Producers are also in constant communication and consultation with the Director and other key creatives, on and off set. Approve all script changes and cost reports. They are the first point of contact for all production partners, investors and distributors. Liaise with the Director and post production department. deal with the finance and distribution companies in planning the marketing and distribution of the finished film.
2/15 – 2/17
Associate Producer – A Punk Daydream
Film (Feature-length)
2/15 – 2/17
2/15 – 2/17
Line Producer – A Punk Daydream
Film (Feature-length) — Enterprise Entertainment
2/15 – 2/17
1/16 – 1/17
Casting Director – The Prophet (Pilot)
TV — Enterprise Entertainment
1/16 – 1/17
9/15 – 1/17
VP of Production – That Bumps
TV — Tall Robot Details
9/15 – 1/17
Facilitating a project and are involved in every stage of the television programme, film or video, overseeing the project from beginning to end, both in the studio and on location. raising funding; reading, researching and assessing ideas and finished scripts; commissioning writers or securing the rights to novels, plays or screenplays; building and developing a network of contacts; liaising and discussing projects with financial backers - projects can range from a small, corporate video costing £500 to a multimillion-pound-budget Hollywood feature film; using computer software packages for screenwriting, budgeting and scheduling; hiring key staff, including a director and a crew to shoot programmes, films or videos; controlling the budget and allocating resources; pulling together all the strands of creative and practical talent involved in the project to create a team; maintaining contemporary technical skills; organizing shooting schedules - dependent on the type of producer and availability of support staff; troubleshooting;supervising the progress of the project from production to post production; holding regular meetings with the director to discuss characters and scenes; acting as a sounding board for the director; bringing the finished production in on budget. ensuring compliance with relevant regulations, codes of practice and health and safety laws; supervising the progress of the project from production to post production; holding regular meetings with the director to discuss characters and scenes; acting as a sounding board for the director; bringing the finished production in on budget.
Media
Recos
Education
Class of '16
California State University Northridge
Television Production
Skills
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