Shane Ross

Loading cameras into stadium, running necessary cables, assist with setting up the booth, assist with any camera or audio needs during the game, and loading out stadium.

Loading cameras into stadium, running necessary cables, assist with setting up the booth, assist with any camera or audio needs during the game, and loading out stadium.

Loading cameras into stadium, running necessary cables, assist with setting up the booth, assist with any camera or audio needs during the game, working as a team to wrap the cable for the hand held camera operator, and loading out stadium.

Loading cameras into stadium, running necessary cables, assist with setting up the booth, wrapping cable for handheld camera operator, and loading out stadium.

Assist with cleaning crafty area, attend camera meeting, ensure gator is clean and stocked with water and snacks, drive camera operators to each position, ensure all crew members are at their starting positions, clean, take out trash, and gas up gators at the end of the day.

Assist with setup of the festival area and course, on race day I was assigned generally to either parking or volunteer tent. The parking area consisted of assisting with lanes and collecting money, and in the volunteer tent where I assigned groups of volunteers to each area.

- Place Lav mic and IFB on talent - Connect IFB and PL lines via phone connection to CNN - Control audio level at Adrenaline Films

Assist with setup of BTS video shoot and light footage using 1X1 LED Light Panel.

Assist with setup and filming of three ZF Race Reporter interviews during the Tudor Rolex 24 Hours at Daytona.

Assist with pre-light and lighting of the Zoetis discussion panel.

Submix the ring, crowd, and camera microphones to send to the broadcast engineer as a stereo signal. Ensure individual channel iso tracks are being recorded separately.

Submix the ring, crowd, and camera microphones to send to the broadcast engineer as a stereo signal. Ensure individual channel iso tracks are being recorded separately.

Using a SD302, Lectrosonic wireless, and boom mic, I was to capture BTS audio of the bullet time video shoot and interviews with WWE NXT Superstars and Producers.

Capture audio for interviews with artists, using SD 302, Lectrosonics wireless, and Sennheiser shotgun microphone, during select days of the month long ART 31 exhibit.

Submix the ring, crowd, and camera microphones to send to the broadcast engineer as a stereo signal. Ensure individual channel iso tracks are being recorded separately.

Using a Shure FP33 field mixer and Sennheiser shotgun mic, I captured onset dialogue and the voice over to be used in the training video.

Mix all panel discussions in the Full Sail Live Venue.

Mix Lectern, handheld, and playback audio to live stream.

Submix the ring, crowd, and camera microphones to send to the broadcast engineer as a stereo signal. Ensure individual channel iso tracks are being recorded separately.

Using SD 302, Lectrosonics wireless, and Sennheiser shotgun mic, capture scripted audio for each scene of the hostage setup video.

Ensure boom microphone placement for each scene.

Ensure best boom microphone placement to capture onset dialogue.

Using a SD 744T, Sennheiser wireless, and Sennheiser shotgun mic, capture on location scripted dialogue.

Using SD744T and Sennheiser shotgun microphone, capture onset scripted dialogue.

Using SD 302, Lectrosonics wireless, and Sennheiser shotgun microphone, capture interviews and audio during ENG video shoot.

Use Shure FP33 or SD 302 and Sennheiser shotgun microphone or handheld microphone to capture backstage segments.

Using 744T and Sennheiser shotgun micrphone, capture onset scripted dialogue.

Capture audio for ENG style shoot using SD 302, Lectrosonics wireless, and Sennheiser shotgun microphone.

Capture audio during ENG shoot using SD 302, Lectrosonics wireless, and Sennheiser shotgun microphone.

Capture audio during ENG style shoot with SD 302, Lectrosonics wireless, and Sennheiser shotgun microphone.