Shoshanna R. Ezra

Supervising Producer for this co-pro from Array Films and Warner Media for NBC. I oversaw creative and logistics for all episodes in pre-production and production.

Title now known to be, “Borat: Gift of Pornographic Monkey to Vice Premiere Mikhael Pence to Make Benefit Recently Diminished Nation of Kazakhstan.” Or just "Borat: Subsequent Moviefilm."

Apple started this new Events division to support its programming on Apple TV+. I was hired as the #2 on the Premieres team, essentially filling a role of a Production Manager/Operations. This position has me engaged in production of premieres and press days supporting content on Apple TV+ and liaising with our production partners to ensure smoothness of cross communication and production needs. Created documents and systems that are being folded into the Apple bible for this department. 2019 Titles include For All Mankind, SEE, Dickinson, The Morning Show, Truth Be Told, Servant, and Hala.

Post story producer for show where the host went back to past restaurants that he helped, to see how they are doing now.

Oversaw other producers and creative, helping ensure that story was being executed and captured in this food-based competition reality series.

* Winner of 2019 Parents' Choice Award and 4 Tellys * As Senior Producer, I was responsible for coming up with creative and educational content, then executing that content logistically in the worldwide destinations. Responsible for episodes in Cabo San Lucas, Aruba, Saint Lucia, Costa Rica, Barbados, Kuala Lumpur, Auckland and Manila.

Helped develop story and logistically produce a pilot based on the Youtube series, "How to Make Everything." Duties in producing segments ranged from finding needed props, to locations, and acting as a Culinary Producer on set. Note: I am a bad Culinary Producer. But I still made graham crackers at a moment's notice by following the recipe. Newfound mad respect for Culinary Producers.

This is a television documentary series profiling different Dads. I was assigned certain Dads during casting and fully developed their stories, pitching them to the network. Once accepted, I broke down my outline into scenes/segments and slated them into the calendar for shooting, all the while accounting for having real life extra scenes/segments that would add texture and characterization to the storytelling. I ran a crew as the only production representative on site dealing with the day to day schedule, call sheets, petty cash, meals, receipt reconciliation, and general happiness of crew. As big a job as all of that is, I was still the creative cornerstone of each day's shoot, getting out of the shoot what I want and recognizing ancillary storylines and emotions.

We took couples from across the "Little Women" franchise to a resort in Puerto Rico where they would have dates, hash out their issues, fight sometimes and, hopefully, fall in love all over again.

I creatively and logistically produce extra Web and Social Media content for shows on Viacom networks, specifically VH1 and Logo.

Vancouver Episode (1 ep): As the Story Editor/Writer, I was in the field helping ensure that the elements needed for the edit were obtained. After filming was completed, I wrote an outline of the show and delved into writing host VO that was woven throughout story edited scenes.

Okinawa Episode and Bronx Episode (2 eps): As the Story Editor/Writer, I was in the field helping ensure that the elements needed for the edit were obtained. After filming was completed, I wrote an outline of the show and delved into writing host VO that was woven throughout story edited scenes.

I would advance to our filming cities to scout, photograph, create a scout report and obtain location releases. I would often need to negotiate location fees, though $0 is always the best number. I would present the options to the EP and DP for selection. After filming, I would help execute payment by reporting number of hours filmed. Cities scouted: Austin, Philadelphia, College Park, Maryland, and Amherst, Massachusetts.

Ran the 2nd unit in charge of cast intros and BTS interviews. Client StyleHaul is the largest original video destination for fashion, beauty and lifestyle content, with a community of more than 3,500 original creators on YouTube. Talent included: Claudia Sulewski; Raye from ItsMyRayeRaye; Ashley from MakeupbyAmarie; Mariale

I helped oversee the team and get all ready for shooting. I moved us along from scene to scene in an AD manner. I also suggested story points and shots.

It's my 4th season on this great show where we take food trucks and their 3-person teams from city to city to compete in challenges and sell sell sell! My job is all story on this show, no logistics.

I logistically and creatively produced this dating show. I advanced to the next cities and dealt with the logistics needed at the main location, scouted other locations, scouted dates, met with cast, and was the cast liaison before and during the episode as well as produced and interviewed cast.

As a creative producer, I followed the story of what was happening with whichever team I was with that week and fleshed it out into a story that was good, interesting, and understandable for television.

Field and Post

Senior Producer / Director

Field Producer for a transactional competition pilot about teams of 2 people who go out to find treasure from "trash," clean up what they need to, and resell for a profit. Highest profits win the show.

Senior Field Producer (Director & Story)

Produced segments domestically and internationally as well as strung out scenes in post.

Pit Stop Producer for show that aired on Reshet, a network in Israel

Emmy nomination!

Field Producer/Director in charge of locations, directing comedic actors and reality contestants and taking each project through post. I completed a seven-minute webisode everyday.

Dating show

Successful network dating show shot on location in Rome, Italy.