David Solomon

• Transported talent, equipment, and crew • Assisted lighting and camera operation, ran errands, and set dressed • Managed contracts, call sheets, and permits

• Solidified funding, locked down production team, and filed all SAG paperwork including Taft Hartleys, schedules, etc. • Used motion graphics to create an intro for the pilot and made a condensed secondary intro for preceding episodes • Coordinated to finalize pitch package moving the project to agency level

• Constructed props, ran sound, general equipment moving, etc. • Acted as casting associate , including assisting and filming auditions • Spot SFX, finalized the “grindhouse aesthetic” of the short film using After Effects

• Scheduled, script supervised, assisted in rehearsals, production design, and lighting • Transported equipment, talent, and crew

• Assisted lighting, general errand running, set dressing, and ran sound

• Setup West Coast branch including cast, locations, and production team • Led the post-production team in the execution of editing and orchestration of the musical arrangements leading to the creation of the bottle whistling keyboard • Managed travel expenses including lodging and transportation