6/22 – 7/22
Post Engineer (Lead)
–
Abilene
Film (Feature-length) — John Carpenter Productions Details
6/22 – 7/22
Responsible for the full suite of post audio services on the feature film such as ADR, dialogue cleaning, stereo/5.1 surround mix, and more.
10/21 – 11/21
ViacomCBS — Film (Feature-length) — Nexus Films Details
10/21 – 11/21
Lead a team of post audio engineers on a full suite of post audio services for a feature film including dialogue cleaning, ADR, sound design, stereo/5.1 surround mix
6/21 – 6/21
HGTV — TV — Pie Town Productions Details
6/21 – 6/21
Record production audio from multiple wireless microphones and operate a boom microphone. Provide time code to sync the multicamera shoot with the audio from the recorder. Verify the audio files were properly transferred to the DiT before formatting.
10/20 – 5/21
TLC — TV — Megalomedia Details
10/20 – 5/21
Record production audio from multiple wireless microphones and operate a boom microphone. Provide time code to sync the multicamera shoot with the audio from the recorder. Verify the audio files were properly transferred to the DiT before formatting.
3/21 – 4/21
Film (Feature-length) — Apollo Chamber Players Details
3/21 – 4/21
Find a unique voice through music that captures the story the director is conveying to the audience. The score was primarily recorded with live instrumentation.
12/20 – 12/20
Hulu — TV — Alias Films Details
12/20 – 12/20
Record production audio from multiple wireless microphones and operate a boom microphone. Provide time code to sync the multicamera shoot with the audio from the recorder. Verify the audio files were properly transferred to the DiT before formatting.
5/20 – 10/20
Post Engineer (Lead Post Audio Engineer)
–
Truly Texas Mexican
PBS — Film (Feature-length) — JM Media, LLC Details
5/20 – 10/20
This project required dialogue cleaning, 5.1 surround mix, stereo mix, and mastering. To do these, constant communication between the various contributors became essential for efficient results.
5/20 – 10/20
PBS — Film (Feature-length) — JM Media, LLC Details
5/20 – 10/20
Find a unique voice through music that captures the story the director is conveying to the audience. The score included a mixture of both live and sample instrumentation.
2/20 – 2/20
Netflix — TV — Northern Entertainment Productions, LLC Details
2/20 – 2/20
Record production audio from multiple wireless microphones and a wireless boom operator. Provide time code to sync the multicamera shoot with the audio from the recorder. Verify the audio files were properly transferred to the DiT before formatting.
7/14 – 9/18
Syndication — TV — Trifecta Entertainment Details
7/14 – 9/18
Lead composer for theme music, bumpers, etc.
4/17 – 4/17
National Geographic — TV — Nutopia Details
4/17 – 4/17
Location Sound recordist
6/16 – 6/16
CNN — TV — Zero Point Zero Production, Inc
6/16 – 6/16
1/16 – 1/16
Sound Mixer (Houston Unit)
–
Duetsch
Taco Bell — Advertising — Skunk Details
1/16 – 1/16
Provide field audio recording for a commercial which includes placing lavs, instructing a boom operator, controlling levels in recording, and provide TC sync and audio feed to each camera.
3/15 – 3/15
Lionsgate — Film (Feature-length) — Major League Baseball Productions Details
3/15 – 3/15
Location Sound Mixer
6/14 – 7/14
Film (Feature-length) — Fanboy Filmmakers Details
6/14 – 7/14
Scott Szabo is composing the music for this great horror-comedy feature.
6/14 – 6/14
Film (Feature-length) — Oktober Oy
6/14 – 6/14
6/14 – 6/14
Sound Mixer (Lead)
–
VRA USA
Ford — Advertising — InklingsTV
6/14 – 6/14
5/14 – 5/14
Sound Mixer
Infomatica — Advertising — Pedersen Media Group
5/14 – 5/14
5/14 – 5/14
Sound Mixer
MD Anderson Proton Center — Advertising — 808 Post & Production Details
5/14 – 5/14
We provided gear and sound engineer for this shoot.
5/14 – 5/14
Sound Mixer
Main Event — Advertising — AMS Pictures Details
5/14 – 5/14
We provided audio needs for this shoot even with much background noise and multiple camera we still managed to get great sound.
5/14 – 5/14
Sound Mixer (Lead)
Academy Sports and Outdoors — Advertising — Locke Bryan Productions Inc
5/14 – 5/14
5/14 – 5/14
Corporate — Texas Video and Post
5/14 – 5/14
4/14 – 4/14
Sound Mixer
Dell — Advertising — Media Agents Inc. Details
4/14 – 4/14
We provided gear and sound engineer for this commercial shoot for Technology in Schools series.
4/14 – 4/14
Sound Mixer
America's ER — Advertising — Lonestar Pictures
4/14 – 4/14
4/14 – 4/14
Sound Mixer (Lead)
Academy Sports and Outdoors — Advertising — Locke Bryan Productions Inc
4/14 – 4/14
3/14 – 4/14
Corporate — AMS Pictures Details
3/14 – 4/14
We provided a sound engineer for this series of shoots in El Paso, Bryan/College Station, Beaumont and down in the The Valley (Harlingen/McAllen) over the course of five weeks.
3/14 – 3/14
Sound Mixer
America's ER — Advertising — Lonestar Pictures
3/14 – 3/14
3/14 – 3/14
Sound Mixer (Lead)
–
SXSW 2014
MTV — Live/Special Event — Jam In the Van
3/14 – 3/14
3/14 – 3/14
Corporate — Texas Video and Post
3/14 – 3/14
3/14 – 3/14
Corporate — Human Films
3/14 – 3/14
3/14 – 3/14
Film (Feature-length) — Wayfarer Entertainment Ventures
3/14 – 3/14
10/07 – 3/14
Animal Planet — TV — Granada America Details
10/07 – 3/14
Various teams and equipment over the years for this series now with Tincan Island Productions, new production company, same people involved.
2/14 – 2/14
BET — TV — BET Productions Details
2/14 – 2/14
Lead Sound Mixer (A1) with eight additional sound mixers working under me. I ran the main board while the others changed out mics, gathered broll, etc.
2/14 – 2/14
Sound Mixer (Lead)
General Electric — Advertising — Zen Films
2/14 – 2/14
2/14 – 2/14
Goldman Sachs — Advertising — Jam In the Van
2/14 – 2/14
1/14 – 1/14
Sound Mixer (Lead)
Foot Locker — Advertising — O Positive
1/14 – 1/14
1/14 – 1/14
Sound Mixer
UTI — Advertising — ZapBoomBang Studios
1/14 – 1/14
1/14 – 1/14
Corporate
1/14 – 1/14
1/14 – 1/14
Dick’s Sporting Goods — Advertising
1/14 – 1/14
12/13 – 1/14
Sound Mixer (Lead)
–
BP
Advertising — Moxie Pictures
12/13 – 1/14
12/13 – 12/13
Corporate — Unleaded Studios
12/13 – 12/13
2/13 – 11/13
BBC — TV — BBC Details
2/13 – 11/13
We provided equipment and sound mixers for various shoots around Texas under very stringent rules by the prisons and all turned out extremely well.
10/12 – 11/13
BBC — TV — BBC Details
10/12 – 11/13
Location sound for the filming of the BBC documentary on Death Row in Texas under very stringent rules by the prisons. It turned out so well so well that we were the 2014 Nominee RTS Craft & Design Award for Best Sound: Entertainment & Non-Drama by the Royal Television Society in the UK.
10/13 – 10/13
Bravo — TV — PITH Productions Details
10/13 – 10/13
We provided a crew and gear for episodes in the Houston area.
3/13 – 3/13
BET — TV — BET Productions Details
3/13 – 3/13
Lead Sound Mixer (A1) with eight additional sound mixers working under me. I ran the main board while the others changed out mics, gathered broll, etc.
2/13 – 2/13
Sound Mixer
Sprite — Advertising — hscusa.tv Details
2/13 – 2/13
NBA Allstars weekend - shooting teenagers brought together to participate in all the activities going on throughout the week and weekend.
12/12 – 12/12
Sound Mixer
Advertising — Envision Communications
12/12 – 12/12
4/12 – 6/12
Film (Feature-length)
4/12 – 6/12
1/11 – 12/11
G4
1/11 – 12/11
1/11 – 1/11
Composer (Feature Film)
–
Distances
Film (Feature-length) Details
1/11 – 1/11
Feature Film
1/11 – 1/11
Film (Feature-length) Details
1/11 – 1/11
Feature Film
1/10 – 12/10
Composer (The Ultimate Summer Diet)
–
The Dr. Oz Show
TV Details
1/10 – 12/10
The Ultimate Summer Diet
1/10 – 1/10
TV Details
1/10 – 1/10
Oprah's Pre-Oscar Special
1/08 – 12/08
Syndication — TV Details
1/08 – 12/08
Season 10
1/08 – 12/08
MTV — TV Details
1/08 – 12/08
Additional Music provided
1/08 – 1/08
Composer (Feature Film)
–
Cook County
Film (Feature-length) Details
1/08 – 1/08
Feature Film
1/08 – 1/08
Composer (International TV Special)
–
Free Kick Masters
Fox Sports — Live/Special Event Details
1/08 – 1/08
International TV Special
1/07 – 1/07
BET — TV
1/07 – 1/07
4/06 – 5/06
Food Network — TV — Embassy Row Details
4/06 – 5/06
Provided location sound for 3 episodes, (Austin TX, Houston TX, Louisville KY)
