Terence Taylor

I edited a seven minute long presentation for a documentary by Asli Dukan on the history of black speculative fiction called "Invisible Universe". The video is essentially the opening of the film and introduction of its themes, to be used to raise funds to edit the full film and complete post-production. I edited video and composited edited clips into assorted video monitors, both still and moving, in sci-fi inspired wraparound footage, in addition to designing video looks and graphic animation of titles.

Finishing work on eight episodes, plus recutting four, doing color correction, sound mixing and clean up on all.

I edited an hour of performance video and b-roll into an eight minute conceptual video compression of the live show, that conveyed its essential message in a non-traditional narrative that captured the spirit of the event. Produced for the Interfictions Online art journal, http://interfictions.com/assemble-theatre-dybbuk/ - Premiere Pro CC, After Effects, Illustrator

shot "Half-Resurrection Blues" myself in a day and a half and edited it in Premiere as a pilot for a web series of films of readings of writers of color in science fiction, fantasy and horror. https://www.youtube.com/watch?v=T1jmFVskSW0

I re-packaged and re-edited thirty-three videos from seven museums for a website to teach facilitators at museums across the country science related activities for kids. I replaced all lower thirds and opens and closes to be consistent, replaced music, re-edited many videos to shorten or clarify meaning. http://learnxdesign.org/

• Planned production schedules, oversaw pre-production and taping through post-production. • Secured rights releases to stock film footage, archival photos and music. • Cut down and shaped the final narrative of the ninety minute final film after the three hour long first cut was completed. https://www.youtube.com/watch?v=Hp-NHFdsTAw

Freelance - Responsible for writing, planning and coordinating graphic design, studio and remote shoots, editing and final packaging of station spot campaigns and live or pre-taped fundraising breaks.