Tim Beers

Over the course of ten days, we shot 8 x 10 minute episodes and edited over night for next-day delivery. As showrunner, I managed all creative and budgetary responsibilities and was the primary contact for the client.

As the Supervising Producer and Director, I was responsible for developing story beats, implementing field and camera direction, budgeting, scheduling, hiring of crew, and editorial oversight.

As the Supervising Producer and Director, I was responsible for developing story beats, implementing field and camera direction, budgeting, scheduling, hiring of crew, and editorial oversight.

As Story Producer, my responsibility included editorial oversight, outlining, editing, attending story meetings, and adhere to the delivery dates of our edit.

My position on the deck of the Northwestern involved shooting and producing story beats during the winter season.

As Producer of the short film, "Danny Boy," my responsibilities included fundraising, script development, budgeting, scheduling, locations, directorial and editorial oversight, and delivery of the film.

As Producer, I was responsible for scheduling, budgeting, hiring, and locations.

As Story Producer, I was responsible for editorial oversight, outlining, weekly story meetings, and delivering on schedule.

My role as a producer/shooter was a combination of field production and camera operating on the boats of "Deadliest Catch."

As Story Producer, I was responsible for editorial oversight, outlining, weekly story meetings, and delivering on schedule.

As Story Producer, I was responsible for editorial oversight, outlining, weekly story meetings, and delivering on schedule.

My role as a producer/shooter was a combination of field production and camera operating on the boats of "Deadliest Catch."

As Story Producer, I was responsible for editorial oversight, outlining, weekly story meetings, and delivering on schedule.

My role as a producer/shooter was a combination of field production and camera operating on the Coast Guard helicopters protecting the fleet of fishing vessels.

As Story Producer, I was responsible for editorial oversight, outlining, weekly story meetings, and delivering on schedule.

As Story Producer, I was responsible for editorial oversight, outlining, weekly story meetings, and delivering on schedule.

My role as a producer/shooter was a combination of field production and camera operating on a closed set with a reality cast of "survivors" in the bayous of Louisiana.

As Story Producer, I was responsible for editorial oversight, outlining, weekly story meetings, and delivering on schedule.

My role as a producer/shooter was a combination of field production and camera operating on a closed set with a reality cast in downtown Los Angeles.