Trenton Massey

I was the DP of a multi-day production shoot for the company EyeTech Digital Systems where we documented real life patients who uses their technology to better their lives.

I was the DP for a 2 day commercial shoot for Suntria Solar where we shot lifestyle content revolving around families and their solar panel installation

I was the DP overseeing a skeleton crew who traveled between Utah and Arizona to shoot two documentary's focused on doctors revolutionizing cancer treatment

I was the director of photography of a production for Treehouse Communities. I was in charge securing and managing a camera crew, conceptualizing with client, scouting/blocking, acquiring/prepping gear, exposure, shooting, and delivery of the footage.

I was the director of photography of a production for GB Creative group called Wintermix 2019. I was in charge securing and managing a camera crew, conceptualizing with client, scouting/blocking, acquiring/prepping gear, exposure, shooting, and delivery of the footage.

I was the editor on this project for Green Valley Pecan Company. We worked closely with the client to dial in an end deliverable that exceeded expectations through rounds of revisions and managing a post team to assist with the project.

Beside filling the role of director of photography of a multi-day production for Tether Tools, I was the editor on this project. We worked closely with the client to dial in an end deliverable that exceeded expectations through rounds of revisions and managing a post team to assist with the project.

I was the director of photography of a multi-day production for Tether Tools. I was in charge securing and managing a camera crew, conceptualizing with client including story boarding and script writing, scouting/blocking, acquiring/prepping gear, exposure, shooting, and delivery of the footage. Beside my role as a DP, I was a producer and editor on this project.

Beside filling the role of director of photography of a multi-day production for Vision Source, I was the editor on this project. We worked closely with the client to dial in an end deliverable that exceeded expectations through rounds of revisions and managing a post team to assist with the project.

My responsibilities were primarily as the Director of Photography. I was in charge securing and managing a camera crew, conceptualizing with client including story boarding and script writing, scouting/blocking, acquiring/prepping gear, exposure, shooting, and delivery of the footage. I also contributed as a producer with a focus on writing the script and direction in development. I also contributed as Lead Supervising Editor in post.

Beside filling the role of DP, Producer of a multi-day production for Nova: A GOTG Fan Film, I was the editor on this project. I worked closely with the Director/Writer Luis Acosta to dial in an end deliverable that exceeded expectations through rounds of revisions and managing a post team to assist with the project.

I was the director of photography of a multi-day production for Vanguard Pictures called Nova: A GOTG Fan Film. I was in charge securing and managing a camera crew, conceptualizing with client, scouting/blocking, acquiring/prepping gear, exposure, shooting, delivery of the footage. Beside my role as a DP, I was a producer/editor for the production.

I was the director of photography of a multi-day production for Treehouse Communities. I was in charge securing and managing a camera crew, conceptualizing with client, scouting/blocking, acquiring/prepping gear, exposure, shooting, and delivery of the footage.

I was the Director of Photography of an event by the company Littler. I had to secure nimble crew (Sound/Grip/Producer) to capture footage from the start of the conference to the end and deliver footage.

I was the Director of Photography on a commercial production featuring Micheal Phelps. I was in charge of securing a crew, conceptualizing with client, scouting/blocking, Renting/Prepping Equipment, Exposure, Shooting, and delivery of footage.

I was hired to shoot various angles of Bob Tasca's 2019 funny car for the engineers at Ford Motorsports to examine for technical reasons and stock material for future marketing

My responsibilities were primarily as the Director of Photography. I also contributed as a producer with a focus on writing the script and direction in development. I also contributed as Lead Supervising Editor in post.

My responsibilities were primarily as the Director of Photography. I also contributed as a producer with a focus on writing the outlines and direction for the documentary in development. I also contributed as Lead Supervising Editor in post.

Beside filling the role of director of photography of a production for The Black Moods music video for their single "Bad News (Acoustic)", I was the editor on this project. We worked closely with the client to dial in an end deliverable that exceeded expectations through rounds of revisions and managing a post team to assist with the project.

Beside filling the role of director of photography of a multi-day production for Item Nine Labs, I was the editor on this project. We worked closely with the client to dial in an end deliverable that exceeded expectations through rounds of revisions and managing a post team to assist with the project.

Beside filling the role of director of photography of a multi-day production for Vitalant's brand launch film, I was the editor on this project. We worked closely with the client to dial in an end deliverable that exceeded expectations through rounds of revisions and managing a post team to assist with the project.

My responsibilities were primarily as the Director of Photography. I also contributed as a producer with a focus on writing the script and direction for the documentary in development. I also contributed as Lead Supervising Editor in post.

My responsibilities were primarily as the Director of Photography. I also contributed as a producer with a focus on writing the outlines and direction for the documentary in development. I also contributed as Lead Supervising Editor in post.

Shot interviews of Bret Michaels

I was the Director of Photography on the short film Moving Henry - Directed by J Alex Brinson (All Rise, Travelers)

Footage of Speedo's 2018 product line

Training Course Videos you can purchase at speedousa.com

Nulo Dog Food :30 commercial starring Michael Phelps

Atlas Copco: Bogi's Garage - Mini Doc videos

UC Berkeley - School of Optometry Advertisement 2017 :90 spot

Paragon Corporate Videos - 3 Mini Docs

Peco - A short dance film directed by J Alex Brinson

Paragon - Protecting Potential :90 spot

Paragon - Protecting Potential :90 Spot

Green Screen Interviews lit to match background plates. 6 + hours of interviews shot in one day.

2Rise Advertisement :30 spot

Gift of light without heat - :60 Spot

Beat the Heat - :30 Spot

Cherish the Memories - :60 Spot

Cherish the Memories - :60 Spot

Driven - :60 Spot

Live Healthy, Live Happy - :30 spot

I was the Director of Photography for the California Pools & Landscape Culture Videos. We shot for 3 days and ended up cutting multiple videos out of the material.

Embrace the Elements :60 spot - We put together a 2nd lifestyle narrative ad for living springs in and around the outdoors. We shot for 2 days with an average size crew in Flagstaff, AZ using the Arri Amira and Angenieux glass.

Casino Arizona - Locals Rule :30 spot

Why are we here? :90 spot - We put together a lifestyle narrative ad for living springs in and around the outdoors. We shot for 2 days with an average size crew in Sedona, AZ using the Arri Amira and Angenieux glass.

We were hired by the Tennis Channel and Shaun T Apparel last minute to help them shoot and cut together a 30 spot for the Tennis channel promoting Shaun T's Apparel line for the fitness community.

Ambient Skies was hired by M2 Pictures to drive to Sedona, AZ and set up to capture interview production footage of an investigator for an old murder case and a witness involved in the case. I was hired as a camera operator for the production.

Verum hired Ambient Skies Productions to create an advertisement to be used in an online campaign. I was hired as a Director and a Director of Photography for the two day production. I was also hired as an editor for post production. Shot on the Red Dragon 6K Camera.

Clean Start Rituals and Superstitions We shot a mini doc for Nivea Men with Nick Rizzo of the Chicago Cubs during spring training. The spot was about superstitions and people letting Rizzo shave their heads or beards in the name of good luck. I was hired to assist the A camera op/DOP.

Ambient Skies was hired to document a team of volunteers around Phoenix during last year's Super Bowl who were there to raise awareness about Human Trafficking. I was hired as a director of photography for the shoot and was also hired as an editor in post production. 2015 Telly Award winner.

Reingold hired Ambient Skies Productions to provide their traveling production team with 2 canon c300s, 2 camera operators, sound recordist with gear and a gaffer with small lighting package. We delivered all of the raw video and audio at the end of production.

Ambient Skies was hired by Caremerge to create two company videos that were shot over the course of two days at two separate locations that use their software. I was hired as a Director of Photography for production. I was also hired as an editor in post production.

Ambient Skies Productions was hired to create new introduction and conclusion segments for every episode of the "God Provides" mini-series. I was hired as the camera operator for the shoot and was also hired as an editor to splice the the mini-series together with the new segments we shot.

Ambient Skies Productions was hired to create a recruitment video for internal purposes and for the company Globaltranz. I was hired as a director of photography for the two day shoot and was hired as an editor in post production. The video won a Telly award this past year in 2015.

I was the camera operator for a halloween event put on for college students by a start up called Moreplay radio. They brought out Juicy J as their main talent for the evening. I was also hired to cut together a sizzle for the internet.

Motion Inc hired Ambient Skies to capture video interviews at a Travelers Insurance convention Phoenix. Motion Inc representatives Skyped in to approve video angles and conduct the video interviews. Ambient Skies delivered RAW video and audio to Motion Inc that same day. ASP provided camera package, operator and sound recordist.

Ambient Skies Productions created a documentary video for the Boys and Girls Club Phoenix. I was the Director of Photography/camera operator on the 3 day production. I was also the editor in post production.

Ambient Skies Productions was hired to produce a recruiting video for Integrate. Production took 2 days and 6-7 days for post production. I was hired as director of photography/camera op and editor for the production.

First television hired Ambient Skies Productions to capture an interview of some local stunt men. We provided a canon camera package and audio recording gear along with myself as a camera operator and a sound recordist.

Adam Richmond visited our Post Production facility located in Phoenix, AZ when he was traveling the area for his show Best Sandwich in America. Our sound engineer recorded his voice over, edited and mixed the audio, and delivered to Sharp Entertainment. I was in charge of assisting the production.

Ambient Skies Productions was hired by The Instant Classics to create a music video for their song "Sugar Daddy" to promote their material. I was hired as a Director of Photography/2nd Director for the production of the video and was hired as an editor for the post production.

Ambient Skies Productions was hired to provide a camera crew, sound recordist and a producer for a racing documentary. This production took one full day and I was in charge of the camera department. Post production took 8 days.

Ambient Skies Productions was hired to shoot and edit several videos showcasing events and Dj Soulman's management company Soul Management. I was in charge of the camera crew and editing.

Small Scale Films hired Ambient Skies for a week long shoot in remote areas located South of Texas. Our cinematographer, Trenton Massey spent 8 days capturing footage of reptiles and other conservation activities using Canon cameras.

Ambient Skies Productions was hired to shoot an advertisement for a new part that Dragon Fire was showcasing. I was hired as a director of photography for the production and was hired as an editor in post production.

Ambient Skies Productions was hired to help develop segments for the horror anthology "Monsterpiece Theatre" that had a modest budget around $200,000. I was hired initially as a writer for two segments. I was then hired as a Camera Operator on all four segments. I assumed the editing job shortly after.