Trevor Yuen

-Capcom EVO 2023 Booth initial unload, setup, and tear-down -Received and spoke with every Capcom EVO Booth guest, explained our booth setup and options, and either guided them to their destination, or made an introduction to official Capcom reps from Japan -Conducted and monitored general booth flow, including game usage, and time spent for 12 Street Fighter stations, 2 classic arcade stations, 1 Pop-A-Shot basketball station, as well as a merch booth, and an official meet-and-greet for Street Fighter game designers

Camera Operator for Finals Mat 2 for 10hrs a day, taking direction over headset and live-streaming of my camera feed. Framing action specifically to allow for the Chiron (score) box lower 3rd was a big element of this project.

Responsible for picking up and driving 4 extra large stake-bed trucks to location over 50mi away, general on-set G&E responsibilities (construction/deconstruction of jib-arms on rocky terrain), VIP transportation and general crowd control

Pickup and transport of crew vehicles, crew members, and ALL GEAR from airport to shooting location and hotel drop-offs. Personally responsible for crew vehicle overnight, and daily pickups and crafty runs.

Handheld camera operator up against glass by goal for Henderson Silver Knights. Worked with shoulder-mounted Grass Valley Worldcam LDX 86, right next to Zamboni and ice-cleaning crew's entrance/exit, constantly in motion and racking focus.

Key replay operator for Las Vegas Invitational basketball tournament, worked very closely with Technical Director in creating intro/outro highlight reel clips, providing quick, INSTANT replay, and also working with ref's in reviewing calls live

Extensive vehicle, crew and gear pickup and return at airport, gear load-out and load-in, finding and organizing crew meal options in various locations, long drive from Las Vegas to Mesquite

-Airport pickup and transport to hotel for up to 20 contestants (talent) per day, including some minors with their guardians. -Talent wrangling and constant walkie communication throughout the 4 day production. -Equipment load-in and load-out. -Local prop purchases -Large crew crafty & meal orders and pickups

Camera Operator for the ADCC World Championships (Primary Camera 1 for Finals Mat 2), used Sony HDC-1500 w/ Fuginon Digipower 88 and was in close communication with TD and whole team over walkies all day

-Ran hundreds of feet of SDI, HDMI and ethernet cables for setup and takedown -Large crew crafty & meal orders and pickups -Constant crew communication over walkie and WhatsApp -Equipment load-in and load-out -Camera operation, as well as recording names of fighters, updating match score and outcome for a live feed with dozens of simultaneous matches

Stage Manager for the "NAB Live!" main stage for NAB Show 2022. Also responsible for operation and setup of a BlackMagic ATEM Video Board, switching between multiple (3) cameras to cover the action throughout the day.

Camera Operator for the ADCC West Coast Trials, from beginning of show to end. Key Camera 1 operator during the semi-finals and finals matches, which included taking live direction and camera cues over headset & mic.

-Handling all production equipment (C-Stands, camera equipment, light stands, tripods, dollies, etc.) -Setting up stands/lights -Running & securing cables for remote interviews, -Finding/picking up local craft services -BTS photography -On-set foot traffic management

• Breakdowns of script by location, actor, prop and vehicle • Constant communication with director, producers, sound & multiple camera operators • Oversaw talent pickup, crew organization, and overall flow of production days

Hired during the NAB shows 2014-2017, as well as CES 2017, for variety of roles, including PA work, assistant editor, photography of live events & quick publishing on multiple avenues of social media Worked as a DIT/assistant editor in 2016, responsible for downloading, organizing, labeling, and uploading footage coming in from multiple crews at different locations for off-site editors

• Responsible for talent flow on red carpet and press reception • Maintained constant contact with key logistics personnel • Responsible for talent status reports to MTV central command system as well as media representatives, organized and oversaw large-scale talent movement

• Promoted from volunteer to paid editor • Managed multiple deadline oriented projects on deadline driven schedule • Headed camera work for TV spots