Editing, green screen keying, ingesting high-res TIFF images, basic motion graphics, exporting and uploading to cloud services, prepping OMF for audio editing
Summary
Experienced Assistant Editor. Work experience on theatrical releases as well as web and other new media projects. Not registered to send cover letters, sorry! Please contact me via email or phone.
Credits
5/15 – 12/15
Assistant Editor (Avid MC7) – Codegirl
Film (Feature-length) — Invented by Girls, LLC
5/15 – 12/15
7/14 – 9/14
Editor (Adobe Premiere Pro CC) – Loyola High School 1865-2015: A History of Transformation
Corporate — Blue Field Productions Details
7/14 – 9/14
4/14 – 6/14
Editor (Adobe Premiere Pro CC) – Westridge School - Web Videos
Corporate — Blue Field Productions Details
4/14 – 6/14
Editing, ingesting XDCAM footage, basic titling, exports for web
10/13 – 3/14
Additional Editor – Go Public A Day In The Life Of an American School District
Film (Feature-length) — Blue Field Productions Details
10/13 – 3/14
- Editing new scenes - Finishing notes - First pass color correction and sound mixing - OMF export for final audio mix - EDL and ProRes export for final color correction - End credit roll and titling - Media managing and archiving of project
9/10 – 10/13
Assistant Editor (FCP7) – Sasa
Film (Feature-length) — Lady of the Canyon Details
9/10 – 10/13
- Conforming 300+ hours of mixed media to 720p/30fps ProRes - Media management and backup over multiple hard drives - First pass color correction and audio mix - ProRes, H264 and DVD exports
3/13 – 5/13
Assistant Editor (FCP7) – The Conversation with Amanda de Cadenet (Season 2)
Digital — 140 Women, LLC Details
3/13 – 5/13
- Transcoding Canon 5D Mark II footage to ProRes - Syncing audio to video - Generating multi-track timelines with 3 synced camera tracks - First pass audio mixing and color correction - Exporting to high bitrate H264 and ProRes master
9/11 – 8/12
Assistant Editor (FCP7) – Sweet Old World
Film (Feature-length) — Displaced Films Details
9/11 – 8/12
- Transcoding 5D Mark II and 7D footage to ProRes - Syncing audio to video using Pluraleyes - Logging scene numbers and director's notes - First pass color correction and sound mixing - ProRes, H264 and DVD exports
5/12 – 7/12
Assistant Editor (FCP7) – Senior Year A Look Back Years Later
TV — Displaced Films Details
5/12 – 7/12
- Transcoding 5D Mark II, 7D and Nikon D7000 footage to ProRes - Syncing audio to video with Pluraleyes - Basic titling - Converting ProRes exports to DNXHd
Recos
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Education
Class of '10
University of California, Santa Cruz
Bachelor of Arts, Film and Digital Media Production
My Gear
Skills
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