Will Torbett

Cut 403 & 405

Cut episode 103 but did significant AE work for the season

Cut a third of season 3

AE and script sync on this TV movie

Cut half of season 2

Cut a handful of episodes

AE'd and cut several episodes from season 3

Editing a variety of docuseries and web content.

Served as lead editor from start to finish for 12 half-hour episodes.

Made a handful of cuts for social platforms

Helped edit several episodes of this docuseries.

Edited this feature film from start to finish with director Joshua Caldwell.

Briefly jumped in for some additional editing to hit a deadline for network review.

Worked closely with director Joshua Caldwell to edit this feature film.

I've edited well over 100 editorial shorts on travel destinations, personalities, and events. Additionally, I've handled much of their social media outreach, including Twitter and Facebook marketing as well as camera work on location.

Edited several TV and web promos, selected highlights from full games, and managed footage on set during live events.

Edited 6 short pieces over one weekend for KCON.

Editing this feature film in French was an exciting and unique challenge. I ingested, synced, and logged all incoming footage before working side-by-side with the director for a fine cut.

Edited 12 episodes (and two teasers) from season 2 of Furrocious from start to finish.

I helped finalize the cut of the film and prep it for color and sound. I also worked as lead assistant editor for the bonus content known as "zips."

Working with Tom Caltabiano and Ray Romano on their comedy documentary 95 Miles to Go took me through a wide range of promotional opportunities: from photo shoots to podcast recordings to lengthy editing sessions for the wealth of extras we packed into the disc.

From Candor's offices, I organized and ingested all incoming interview footage. After syncing, logging, and reviewing dozens of hours of material, the director and I set out for several weeks to edit the film together from his home. This film is now under a new creative team.

I worked as lead assistant editor while juggling the responsibilities of a post coordinator for a 2nd reality series, a feature documentary, and a bevy of development pitches.

Assistant editing work—syncing, logging, and then prepping for sound and color work at the end.

I worked on set in Alexandria, Louisiana as the DIT/data wrangler for this feature horror film. I was more or less first in and last to leave during 12 days of night shoots on a pair of RED Ones.

I worked on set as a 2nd AC / data wrangler and then came back to sync & log footage. Additionally, I helped prepare a variety of behind the scenes content.

Edited a range of commercials and creative shorts.

On set, I served as a grip as Helen interviewed subjects for her four-hour documentary on the power of forgiveness. In the office, I researched filming locations, logged new and archival footage, contacted prospective photographers, and burned rough assemblies for studio review.