Film live events including weddings, parties, and dances.
Summary
Chicagoland Cinematographer that is well rounded in the understandings of film and video productions.
Credits
5/14 – 5/15
Camera Operator (Canon 6D) – Amor in Motion
Live/Special Event — Amor in Motion Details
5/14 – 5/15
1/15 – 1/15
Assistant Camera (AC) (Canon C100 and Sony A7s) – Wal-Mart "Meet the Locals"
Corporate — AV-Department Details
1/15 – 1/15
While helping the camera operator prepare the cameras for the shoot, I helped move equipment around that we were using. As well as cameras, I helped set lights for the shots too with some small 300w and 1K lights production brought along.
10/14 – 10/14
Production Assistant – Rachael Ray Show (Season 9)
CBS — TV — CTVS Details
10/14 – 10/14
Release and wrangle people to have Dr. Ian Smith ask questions to in a "man on the street" style special for the Rachel Ray Show.
9/14 – 9/14
Camera Utility
Advertising — The Onion Labs / Muster Master Productions Details
9/14 – 9/14
Helped camera department set up camera, monitors, and wrangled cable for shots.
9/14 – 9/14
Dolly Grip – S-Preme - Jay-Z
Music Video — Underscore Films Details
9/14 – 9/14
Laid, and leveled, up to 32 feet of dolly track. Used the J.L. Fisher 11 to move the camera at desired speed, and height, for the visual tone.
8/14 – 8/14
Dolly Grip – Gardening At Night
Film (Short) — DePaul University School of Cinema and Interactive Media Details
8/14 – 8/14
Lay and level track for a Chapman Hybrid III and Matthews Doorway Dolly to move the camera at desired speed for the visual tone.
7/14 – 7/14
First Assistant Camera – You Could Have Told Me
Film (Short) Details
7/14 – 7/14
Working with the Canon C300, I built camera, moved camera, swapped lenses, and applied menu settings needed by the Cinematographer. Pulled focus for image, and helped with the digital image supervision.
4/14 – 4/14
Dolly Grip – A Stormy Night in Hong Kong
Film (Short) — Ryan Ohm & Michael Coop Gleeson Details
4/14 – 4/14
Lay and level track for a Chapman Peewee Dolly to move the camera at desired speed for the visual tone.. Camera stayed on dolly for the whole shoot as well so I was in charge of positioning camera to requested heights by cinematographer.
Orgs
Media
Recos
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Education
Class of '14
columbia college chicago
cinema arts & Science cinematography
My Gear
Skills
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