Apply to this Audio Assistant Job

I need an A2 for a horror adaptation shooting on Thursday, 5/9. The film is about Jim Jones and Jonestown. We are shooting a lot of dialogue heavy scenes and we need an A2 to help our audio engineer hold a second boom mic. The shoot starts at 4pm and will go into the night/early morning.

Rate is $400 flat. No gear needed. The shoot is in Southlake, TX. Must provide your own transportation/lodging. No mileage or travel fees.

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

We are looking for an Audio Engineer to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Behringer X32 or Allen and Heath SQ boards is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

: This is a remote job.
Post production sound mix and design for a Youtube video approximately 5 minutes long. Must be good with comedic timing. Access to a music library will be provided to see royalty free music. Must be able to remove background noise so that the two speakers can be heard clearly 2.0 mix sound mix wanted. 3 day turns round time for first draft.

$250 flat rate payable via check or direct deposit after receipt of invoice and w9

A sound mixer for a micro budget web show shooting entirely indoors.

Working on a short video for a band near the Hollywood area. Need a Boom op and mixer. Must have sound gear. We need at least 5 lavs + boom.

boom op/mixer

We're seeking a production sound mixer for our independent music film. Currently scheduled for 19 days of filming.

Narrative overview: A struggling LA music producer navigates a career-defining showcase and sudden guardianship of his newly discovered half-sister. Music plays an integral role in their journey of healing and connection.

Sound Needs:
-Heavy emphasis on live music recording (vocals and various instruments).
-Skill in capturing the energy and nuance of both intimate and showcase performances.
-Experience and comfort with on-location sound mixing.
-Budget available for a sound partner/boom operator of your choice at the same rate.

Hiring sound mixer for vertical short drama.
$400/Day
10 days between 5/18 and 5/29
Los Angeles

We are looking for a Post Production Sound Designer for our independent music film. The script is fairly contained to mostly indoor locations, but does feature diegetic singing.

A responsibility of this job will also include delivering a fully filled M&E.

The ideal candidate will join our team before filming commences to ensure a seamless and successful workflow.

Need audio recordist for feature documentary. Must have your own gear.

In search of a sound mixer for a docu-style Branded Content Shoot in Albuquerque, New Mexico. Need to have own sound mixer, boom, slate, 2x wireless lavs, and be able to sync timecode to camera. $900 rate is inclusive of kit fee.

/12 hours, plus a kit fee to be discussed

We are filming a group conversation tomorrow afternoon as part of an upcoming education documentary and looking for a sound recordist to help capture audio from various participants. Ideal set up may be a floating boom with select individuals also laved up. Shoot will be in downtown Louisville and last no more than 2 1/2 hours from arrival to wrap. Applicants must own their own equipment. Rate includes pay and equipment fee.

Tuesday May 7 - Downtown Louisville

3:00 Arrival and Setup
4:00 Shoot/Conversation Begins
5:00 Shoot/Conversation Ends
5:30 Wrap

Half Day Rate for tomorrow afternoon.
Arrival 3:00pm / Wrap 5:30pm.

Filming city officials meet. 4 person panel and streaming live.

+ $200 for Audio Gear

We are looking for a sound person to join our small, friendly crew for a few weeks over the Summer in Alaska, documentary experience is essential.

ISO an Audio Mixer with gear for an ongoing series. One room shoot with two to three cast members. This could be a gig a few times a month for the right person.

Generic Gear List:
(01) 4 Channel mixer/recorder (ie. SD Scorpio/688/633 etc.)
(03) Talent Wireless Mics (ie. Lectrosonics, Wisycom, etc)
(01) Boom (With Stand)
(02) Camera Hops
(02) Lockit Boxes
(01) Boom Mate
(01) 25ft. XLR Cable

- 2/3 wireless mics for 2 talent
- 1 Boom with stand

$550/12 & 350/kit

Looking for a sound mixer for a true crime series shooting in Rockford, IL. Hotels can be provided from Chicago for overnights on consecutive shoot days.

Main shoot set up is a 2 camera talking head interview, we shoot about 2 sit down interviews a day. Sometimes we will also shoot OTF interviews/walk and talks.

Gear requirements are 2x lav mics (for the occasional 2 head interview) and a boom for the interviews. We will not need comteks.

Shoot is 5/13-5/18, will be 5 days. Dates still slightly in flux.

Rate is $600/12 + $400 for gear.

Thank you!

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Arcata, CA for 2 Days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Bellingham, WA for 2 Days.

MONDAY 05/13/24
TUESDAY 05/14/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget and a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a local hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.