Apply to this DIT (Digital Imaging Technician) Job

Looking for a solid DIT for a 5+ camera shoot for a sports docu-series

DIT must have their own kit and software and be extremely organized and follow the file folder structure instructions
per Post Production Management.

Shooting on the FX6 and FX9 + specialty cams and slow motion

Please include resume for consideration.

Looking for a qualified DIT for a Corporate training video series for a major tech company in Mountain View, CA. Please be willing to provide examples of your work upon discussing the project further. Prefer someone that can also AE as well in conjunction.

$300 daily rate for 12 shoot days at 12 hour days, $400 if you can also AE for the project

We are looking for an experienced DIT who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Day: Mon 6/10
Rate: $500/12
Job Type: Non-Union

In need of a DIT for a 2 day shoot in Dallas, on 5/14 & 5/15.

Filming one (1) single person interview plus b-roll on the 14th and two (2) single person interviews plus b-roll on the 15th. This will be video only, and we will need transcodes. We will provide the hard drives for you.

We have a budget of $1,000/12hr day inclusive of gear.

We are looking for an experienced DIT who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content. No lutz. We will only need media management and footage transferring via Shot Put Pro and will be providing a DIT kit.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $500/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Fs7 / AS7 / GOPROS

We are looking for an experienced local reality/docu-series DIT for our Docu-Series show for A&E. We will be filming May 8th - May 12th. You would come in at wrap and dump footage overnight while updating the media log as well.

Lunch is reimbursed via Timecard.

We will be filming on 2x FS7s, AS7, Drones & GoPros.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.

A crucial behind-the-scenes role responsible for managing and safeguarding the digital image data captured during filming. They ensure the integrity and quality of the footage by overseeing the digital workflow, including camera settings, data transfer, and color management. The DIT collaborates closely with the DP to maintain consistency in visual aesthetics and technical standards throughout the production process.

We are looking for organised individuals required with strong technical knowledge and works well independently in small teams. Self shoot skills is advantageous. You will be working on an observational doc series with self shooting PD teams. There may be shift work involving nights.

You will need to be highly organised to log clearly and highlight missing footage and assist with collating footage related to different stories shot. Knowledge of labelling archive footage useful. Experience working on blue light programmes would be preferred, but not essential, as would previous experience working on observational documentaries or follow docs. You must have a full drivers license.

Must have experience of sound and handheld/rigged cameras. Be able to rig and stand in as sound recordist if we have sit down interviews etc. Oversee care of cameras, (across kit inventory making sure nothing is lost and contacting camera house if there are issues or if something is broken). You need to prepare all the workflows with the posthouse and ensure they are adhered to.

Electrify Expo, Phoenix is looking for an FPV drone pilot for their e-skateboard series Asphalt Kings. This drone operator will film all the track action during the weekend. We need someone who has an FPV drone and camera that can be flown pretty much all day.

Flat day rate will be based on experience and gear in their kit.

Electrify Expo, Phoenix is in need of a camera operator for their e-skateboard series Asphalt Kings. This camera operator will work directly with the field producer shooting interviews and b-roll as well as filming practice, qualifying and the races from a scissors lift.

FS7's, A7s and GoPros

Need 2nd AC to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting cameras (we will have a Lead AC and Media Manager in tow), but looking for someone ideally not afraid to help a PA with a case either. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Job duties include slating, rolling/cutting the B cam, swapping out cards once or twice a day, backing up files, etc.
The budget for the AC for this non-union micro-budget narrative feature film is $180/12.

We have a new service offering that we use to shoot various brands in different regions, and are looking to establish a relationship with a shooter for the Bay Area region. This project is a firefighter event on May 11th and are looking for someone to take photos and video with our client for the project. Shoot day can be changed to the day before(May 10th), if necessary, but Saturday is preferred. Applicant will need to supply their own camera for the project. Applicant will also be responsible for uploading their content to Frame.io so you will need to have a good internet connection.

We are looking for someone who can get creative with camera and has experience shooting social media content. Please send a sample of your work, and what camera you are able to provide so we can see if you might be a good fit for this project as well as more to come!

Non union reality show seeking local cam op for a one day shoot in the Boynton Beach area. Gear will be provided by our DP, we are just looking for a local op to join us for a fun shoot!

Experience with reality, non union shows required. Filming two talent intv and driving.

Rate- $500/12
*please do not apply if you are not local and willing to work with this rate- thank you!

*We are an Equal Opportunity Employer and do not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Seeking a local media manager to join our team. This shoot will be in Boynton Beach, looking for someone to come and pickup media from set and then media manage from home. Must have experience working with shotput and previous media managing experience. This is for a two camera show with gopros.

Shoot dates-5/9-5/10

$300/12
Kit provided

We are an equal Opportunity Employer and doe not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Looking for a DP with gear for a B-roll and Interview 2 day shoot in Savannah, Georgia on May 14th and May 15th.

This will be a 2 person crew, DP & Grip. The first day, May 14th, is a half day shoot at $350 for 5 hours. The second day, May 15th, is a full day at $750 at 12 hours. This a shoot taking place at a conference for the client who is in the environment forward industry.

Looking for a DP with Camera, Tripod, Stabilizer, Three-Point Lighting, External Recorder (if you do not have two-audio channels on camera), LAV Mic, and Boom Mic with Mic Stand.

Please share your website/reel for consideration.

This is a 2 day job consisting of one half day and one full day.

The Half day is $350 for 5 hours guaranteed.

The Full day is $750 for 12 hours guaranteed.

We are covering a collegiate women's rowing competition:

SATURDAY 05/18 in Sacramento, CA (Lake Natoma)

We need a licensed and insured drone cinematographer to capture 3 rowing races that day. We are focusing on 2 particular teams only. It will likely be about a 2-3 hr window of total time on site with about 30-45 min of total flight.

We will need to get approval and clearances in place ASAP with the event organizers as well as the Parks Department. We have established the conversation already but will need to align all parties for approvals.

We have a fixed flat rate budget of $800 to fly & film and deliver the footage. We have typically been using a DJI Mavik Pro 3 for our drone coverage (a similar model will suffice & specs will be provided).

Interested & Qualified candidates please submit links to your reel, a breakout of your equipment, a resume, and any relevant references.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Cinematographer with a Sony camera package (FX6, FX3, FX9, a7siii) in Sacramento, CA for 2x days to help cover a women's rowing match.

FRIDAY 05/17/24 (team arrival and setup)
SATURDAY 05/18/24 (rowing match day)

We need additional camera support to help document our team's arrivals, set up, practice, training, and then the matches and closing interviews on Saturday. This is a very straightforward sports documentary format.

The project is operating on a fixed flat rate budget with a rate of $900/day/hr (including camera package) for this Local Hire Role. The fixed max budget is $2,000 for the 2 working days. The days will be shorter (6-8hrs)

Interested and available candidates please respond with links to your documentary work, a resume, equipment breakout, and any other relevant info. (A background in sports documentaries or similar storytelling is a huge plus! Please be sure to let us know if that is you)

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Cinematographer with a Sony camera package (FX6, FX3, FX9, a7siii) in Arcata, CA for 2 days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

Our docu-series is a very straightforward sports documentary-style production. We will film some sit-down interviews, team practice and training, some verite lifestyle scenes with the coach & players, as well as b-roll of the facility and town.

The project is operating on a fixed flat rate budget with a rate of $1,000/Day/12hr (including camera package) for this Local Hire Role. The fixed max budget is $2,000 for the 2 working days.

Interested and available candidates please respond with links to your documentary work, a resume, equipment breakout, and any other relevant info. (A background in sports documentaries or similar storytelling is a huge plus! Please be sure to let us know if that is you)