Apply to this First Assistant Camera Job

Labor Rate: $750/Day (0 prep, 1 Production)
Kit should include Wireless Follow Focus, Focus Monitor, and AC Cart.
Kit Fee $450 or under

Looking for a union 1st assistant camera in Baltimore for a production filming in the 5/27 - 5/29 period. Must have experience with long lens focus pulling during live event coverage.

675/10

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Houston, TX area. This job is non-union, capturing short-form digital content.

Shoot Day: Mon 6/10
Rate: $650/12
Job Type: Non-Union

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Looking for a 1st AC for a b roll shoot - nimble crew a la ENG but needing someone to pull focus and assist DP.

Please send references along with response!

We need a 1AC to support our Director of Photography on a 4 day shoot in the Rio Grande Valley.

Preferably you would have multiple 1AC credits, your own focus puller, monitor, and other great.

We are brining the series Black Clown to Rio Grande Valley (from Dallas) and are looking to connect with up and coming talent in the valley.

Looking for camera operators for the Madison Classic Horse Show. Canon G40/Panasonic x2000

Days are broken into 1-2 sessions, usually lasting around 2-4 hours each. Training on the content is provided. Cameras are simple to use -- this is a flypack based webcast. The rate is $125/session and this show has 7 sessions.

Will be expected to strike and have some flexibility.

I am producing/directing an episode for American Masters Renegades series and looking to connect with a DP—preferably one familiar with Sony FX series cameras or owns their own for a (2) camera interview. It's a one-day/one-location shoot. We may need run our own sound. Please reach out with your questions.

Looking for an Assistant Camera to take part in an event-coverage and product shoot. The client is a popular outdoor furniture store.

Gear required - focus puller

Rate is $225 for 7 hours on set and $25/h after that. We do not expect the shoot to go past 7 hours.
Sony FX-Series (TBD)

Job Summary

This position is for a video shooter and editor role that has the ability to work creatively, meet quick turnarounds with interest in beauty. This role is responsible for taking creative direction and executing all aspects of short form shareable content creation from capturing, to post-production, to delivery.

Primary responsibilities

Create video ads and educational materials for various platforms
Organize and categorize all files
Take feedback notes and edit video until it meets assigned specifications
Work with footage, audio, graphics and music to create multiple versions of edits
Use digital editing systems to create professional quality video
Follow guidelines to achieve company aesthetic
Export and deliver all video projects with specific requirements

Requirements

2 years experience of relevant professional experience in video production and editing
Knowledge of Adobe Premiere Pro, Color Correction, After Effects
Experience with camera operation and audio, lighting equipment
Understanding of all media platforms and formats for each
Expert level of story telling, timing, and working with music
Beauty experience and social media savvy is a must
Familiarity with digital analytics
Energetic and excited about creating quality content
Can work in small teams or individually
Provide a video editing samples and resume
Option to contract to full time

Looking for a DP for a half day Doc-Style (interview/B-Roll) shoot in SLC on 5/23.
The rate is $350/5h + Kit Fee for camera and lights

SkillShow is looking for Camera Operators to help us film a Baseball Event. Must have an understanding of Baseball and experience filming sports. This is a fast paced environment. You'll need to know what the positions are on the field in order to keep up, so those who have not filmed sports nor have experience with football - will not be considered.

Date: Tuesday, 5/28/24
Sport: Baseball
Hours: Pending Schedule
Location: Little Rock, AR
$25 per hour for first time working together, $30 an hour if we work together again.
$150 Minimum for any shoot under 5 hours

Gear is provided, so no need to bring your own. Panasonic HC-V785K Full HD Camcorder
MUST HAVE experience filming sports, bonus points for Baseball.
Must be willing and able to stand on feet for long durations.
Must be able to focus for long periods of time and keep players in frame.

You can see we do our best to keep the players in the center of the frame, panning with their movements and keeping their head and feet in the frame as well.

Since 2001, SkillShow has filmed 10’s of thousands of athletes & teams, plus regional & national events for all sports and age groups. Our videos have been seen on ESPN, MLB Network, Perfect Game as well as Local & National sports news shows. Our core specialty of producing high quality video for amateur athletes & events has enabled us to dominate the market as a vendor and partner to some of the top organizations, schools & travel teams in the country.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

I am the production manager on a documentary series for a major sports association that will be airing on a ESPN.

Looking for a local Indy AC for a field shoot on 5/16. Red, Sony or Arri

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

We will ask AC to pick up the gimbal bcam (usually FX3 on Ronin RS3) to shoot a few scenes.

We have $650/12 budgeted.