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Looking for a union 1st assistant camera in Chicago for a production filming on 6/7 and 6/8. Must have experience with long lens focus pulling during live event coverage.

675/10

Labor Rate: $750/Day (0 prep, 1 Production)
Kit should include Wireless Follow Focus, Focus Monitor, and AC Cart.
Kit Fee $450 or under

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Houston, TX area. This job is non-union, capturing short-form digital content.

Shoot Day: Mon 6/10
Rate: $650/12
Job Type: Non-Union

We are looking for an experienced 1st AC who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

Looking for a 1st AC for a b roll shoot - nimble crew a la ENG but needing someone to pull focus and assist DP.

Please send references along with response!

IATSE ULB

Interview Dates end of June / July

Recreation Dates end of August / Mid September

Filming in Atlanta, GA

Only considering local hires and folks with prior DoP experience at this level.

Only Considering DoP submissions at this time.

If interested, please send Resume/Reel to: [Please reply using Staff Me Up]

Data wrangler needed to work with UK crew filming in Tyler, TX. Role would entail a later shift starting at wrap to wrangle rushes and return card the following day. Collecting rushes from set at end of the day and wrangling using DIT set up at crew hotel or your own home. Then wrangling afternoon rushes so all cards are cleared for next day. Must have experience with Shotput pro and logging rushes. Excellent attention to detail.

ISO junior videographer to capture one hour live graduation event in Montclair, NJ.
Camera gear/equipment can be provided if you do not have your own gear (must have experience working with Sony FX series).

Flat rate of $400-$500 offered for one 10 hour day. Event itself is small and will last no more than 1 hour.
Full-Rate position.

Looking for a DP + Grip who can shoot green screen interviews Tuesday and Wednesday next week (6/4-6/5). Will take place in a hotel room with 2 people on camera waist up from 8-5. Will need:

Green screen, light kit, 2 lavs, 2 cameras

FX6 + FX3 or similar

Please let me know if you're available and your rate for you + your grip/assistant

We're looking for a camera op, experienced shooting on Blackmagics
Filming a series of sit-down interviews and b-roll in SF
June 3rd 2024
full rate/10 hours
Also looking to rent a couple sticks, EZ rig and other randoms

Looking for a camera operator with/ kit (one-man band) for ongoing freelance work starting in June shooting promotional tourism content.

Ideally owning an FS7s or similar. Lives and works around the Mississippi coastal area near Biloxi!

Please send work Examples! Thanks.

Looking for a DIT to organize + upload the footage at an event shoot in Atlanta, GA. Our client is expecting the final edit within a couple of days from the shoot, so we want the DIT to dump + upload footage into our system as the shoot happens so our in-house editors can get started on the edits ASAP.

Date: June 8th, 2024
City: Atlanta, GA
Position: DIT
Call time: TBD, 10-hour shoot
Gear Required: DIT setup (computer, editing software, chargers, adaptors for USB/USB-C hard drives)
Rate: We pay $600/10h and $75/h after that. We do not expect the shoot to go into overtime.

Seeking a local media manager to join our team. This shoot will be near westminster,CA , looking for someone to come and pickup media from set and then media manage from home. Hours, roughy 2pm-1am. Must have experience working with shotput and previous media managing experience. This is for a two camera show with gopros.

Shoot dates - 6/01

$300/12
provided

We are an equal Opportunity Employer and doe not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply*

Looking for a few camera operators to cover an event shoot in Atlanta, GA, on June 8th.

Gear Required: Must own or have access to an HD camera (similar or comparable to DSLR, Sony A7Sii, or Canon C100 mii), Tripod, Stabilizer

The shoot will be a 10-hour day and the rate is $375/10h; $38/h after that. We do not expect the shoot to go into overtime.

Please include reel/samples of work with your application.

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Media Manager for a field shoot happening in the Columbia area on 5/30.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Role would be to:
Back up using ShotPutPro or similar MD5 checksum software
Input footage descriptions and information into a copy of the footage log
No transcoding, no proxies, no coloring

500/12 + 50 kit fee = $550/per day

Thursday, May 30th
Arrive: 5:15 pm ET
Event time: 6:00 - 8:30pm ET
Address: BSH Experience & Design Center | 222 W Merchandise Mart Plaza, Chicago, IL 60654, USA

Shots of networking, speakers, video of panel discussion.
Looking for someone who can ideally setup 2 cameras and audio for each speaker/panel. Networking and event footage is run and gun on one cam.

Candidate must either send footage on a provided drive to us or upload it online via (MASV/Dropbox)

Hi!

We are a small docu-series filming in teams of two across the United States at the seaports covering border patrol. The teams are made up of the main producer/dp and an AP/media manager. We are looking for an AP/media manager who can join one of our teams in Newark for a couple weeks and then travel to the Florida Keys for an additional week. Per diem etc is all covered. Must be a team player and have experience wearing multiple hats, but priority is media managing/DIT experience. We are working on boats and sometimes rough waters or moving at high speeds so must be comfortable. Right now we have 3 weeks confirmed but it could potentially extend or we definitely would re-use crew in other areas.

5 day week, 12 hour day

Thank you so much!

I am looking for someone who has camera/grip knowledge that can work in Merville/Hobart Indiana

Dates for the show will roughly be:

June 3 - June 7th
June 24 - June 28
June 30 - July 4
July 22nd - August 1
August 20th - August 28th

Paid hourly based on California pay

Job Posting: Camera Operator for Sports Matches

Address:
Walsh University
2020 E Maple Street
North Canton, OH

Position: Camera Operator (Will hire lead and assistant camera operator)

About the Tournament:
Inviting an experienced camera operator for live rugby matches. The role involves filming rugby action using a zoom lens on sticks, gimbal, or monopod, according to your expertise.

Matches are 14 minutes long, with 7-minute halves. Expect to film up to 3 matches per day (Friday and Saturday) for a total of 42 minutes of game time. The schedule is dynamic, with games spread throughout the day - typically one in the morning, early afternoon, and later afternoon.

About Us: Video production company who specializes in corporate video production and content creation for social media.

Job Description & Responsibilities:
As a camera operator, you will be responsible for capturing high-quality footage of rugby matches, ensuring dynamic and engaging content for our viewers. The role demands a keen eye for detail, the ability to follow fast-paced sports action, and a solid understanding of sports filming techniques.

Filming with a zoom lens on sticks, preferably up to 200 or 300mm to follow the player with the ball at 60 frames per second so that we can move into slow motion when needed.

We don’t need the game filmed, just the highlights of one player, so the camera will not be filming the whole time. We just need short clips.

Requirements:
Proven experience as a camera operator, preferably with sports events.
Strong understanding of sports filming techniques and ability to capture fast-moving action.
Excellent communication and teamwork skills.
Ability to move quickly and adapt to schedule changes.

Example of a highlight reel from a recent match is on my profile.