Apply to this Lead Editor Job

About the role:

méShell is seeking a creative storyteller with a passion for crafting visually stunning videos. We are looking for a talented Post-Production Video Editor who has a passion for motion graphics and visual effects. The ideal candidate is a creative and driven editor/animator who is proficient in Adobe Premiere and after effects. This role is ideal for someone passionate about creating engaging, fun short-form videos and is fluent in social media.

Responsibilities:
Edit and assemble raw footage into polished, high-quality videos that align with project goals and vision.
Work closely with directors, producers, and other team members to understand project requirements and deliver compelling visual narratives.
Create and implement graphics, color grade, sound mix, finalize, export, and upload video content.
Enhance videos with transitions, and visual effects to elevate the final product.
Stay updated with industry trends and editing techniques to bring innovative ideas to projects.
Requirements:
Proven experience (3-5 years) as a video editor or similar role in post-production.
Proficiency in video editing software such as Adobe Premiere Pro, after effects, and/or DaVinci Resolve and a strong portfolio demonstrating expertise in video editing and storytelling.
Deep understanding of VFX, motion graphics, and 2D processes
A strong understanding of social media platforms and how to optimize video content across these platforms.
Attention to detail and ability to work efficiently to meet project deadlines.
Excellent communication skills and the ability to collaborate effectively in a team environment.
Preferred Qualifications:
Understanding of 3D processes, and experience integrating 3D elements.
Why Join Us:
Opportunity to work on diverse and exciting projects with some of the biggest brands and biggest talent.
A chance to contribute creatively and make an impact on storytelling through video.
Room for professional growth and skill development opportunities.

If you're passionate about creating compelling visual stories through video editing and want to be part of a team that values creativity and innovation, we'd love to hear from you! Please submit your resume, portfolio, and any relevant work samples for consideration.

DLP is seeking an Assistant Editor to support our diverse range of projects, including sports television, longform documentaries, and commercials.
Ideal candidates will have a solid understanding of Adobe editing software and workflows, along with a keen eye for detail and a passion for storytelling.
RESPONSIBILITIES:
Editing Support:
Assist editors with assembling footage, organizing project files, and preparing rough cuts.
Import, log, and organize media assets, ensuring all files are correctly labeled and stored.
Create and maintain project timelines, ensuring that all tasks are completed on schedule.
Synchronize and prepare multi-camera footage for editors.
Media Management:
Manage and maintain media storage, including backups and archiving of completed projects.
Troubleshoot and resolve any technical issues related to media files or editing software.
Coordinate with the post-production team to ensure all media is properly managed and accessible.
Creative Collaboration:
Collaborate with editors and other team members to achieve the desired creative vision.
Review and provide feedback on rough cuts and edits, ensuring alignment with project goals.
Assist in the creation of graphics, visual effects, and other elements as needed.
Quality Control:
Conduct preliminary reviews of edits to ensure technical quality and consistency.
Implement quality control processes, including testing and reviewing final deliverables.
Ensure all edits meet technical specifications and standards before final approval.
Industry Knowledge and Continuous Improvement:
Stay updated on industry trends, editing software updates, and best practices.
Recommend new tools, software, or techniques to improve the editing workflow.
Participate in team meetings and training sessions to enhance skills and knowledge.
Qualifications:
Proficiency in editing software such as Adobe Premiere Pro
Strong organizational skills and attention to detail.
Ability to work collaboratively in a fast-paced environment.
Excellent communication skills, both written and verbal.
A passion for storytelling and a creative mindset.

DLP seeks a Post Production Supervisor to oversee a diverse array of post production projects, including sports television, longform documentaries, and commercials.

Ideal candidates will possess strong technical expertise and managerial experience in media management, to off-line editing and finishing.

RESPONSIBILITIES:
Project Management:
Partner with the production team to develop post-production schedules, budgets, and deliverables.
Design and maintain a detailed post-production plan, covering timelines, milestones, and resource allocation.
Track project progress, pinpoint potential issues or delays, and devise solutions to maintain project timelines.
Liaise with external vendors or freelancers as necessary to complete project components.
Team Management:
Lead and mentor the post-production team, including editors, assistant editors, and media managers.
Delegate tasks, set priorities, and offer guidance to ensure efficient and high-quality output.
Cultivate a positive and collaborative work environment, encouraging effective communication and teamwork within the post-production team.
Report project status, progress, and potential issues to stakeholders clearly and promptly.
Quality Control:
Ensure all post-production deliverables meet technical and creative standards, including video/audio quality, color grading, visual effects, and overall aesthetic consistency.
Review rough cuts, graphics, visual effects, and other elements, providing feedback to ensure alignment with project goals.
Implement quality control processes, including testing, reviewing, and approving final deliverables before distribution or broadcast.
Industry Knowledge and Continuous Improvement:
Stay current on industry trends, emerging technologies, and best practices in post-production workflows.
Recommend and implement new tools, software, or techniques to enhance the post-production process.

We are looking for an experienced editor to cut together a horror/comedy short film that is shooting late July/early August. We are looking for someone local to Los Angeles as we would like to be able to meet and discuss in person.

The rate is for the following services: assembly, director's cut, & final cut over the course of one month. Additional compensation will be discussed in the event of any further work.

flat fee which includes an initial assembly, directors cut, and final cut.

Please provide samples of your work and let us know which editing software you tend to edit with - thank you!

Looking for an editor with Premium Game Show experience credits.

We are looking to add an in house Colorist that will be available during online / color for various shows.

We are building out a Color bay and will need someone to fill it when we have shows in the pipeline. Currently the first show will be late July early August

Coloring shows for various Networks (Netflix, Discovery, Hallmark) that may require HDR / UHD workflows.

Seeking an editor starting this Sept for about 8 months for a feature documentary about Southeast Asians in American politics. The film is verite driven, following various political candidates throughout the country leading up to the election. Must have prior experience on a feature doc, must have references. Experience w/ political and/or verite centric projects a plus.

ISO an Editor who can help plan, prep, and edit a trailer that will be used to help market and secure additional funds for a project currently in development. The content contains themes directly dealing with human trafficking. Please respond only if you are comfortable working with this sensitive material.

** All eligible applicants will be asked to provide a portfolio with links to past work.

Thank you for your interest in this role. I look forward to receiving your submission.

Contract role: 6 months with potential to extend
On-site with opportunites to work remotely
$450/10

Position Summary
Finance news brand looking to onboard a Streaming Editor (Streaming/Amagi/Package). This role is a pivotal piece of the Post-production infrastructure and key assets that keep the brand running. This position is responsible for delivery to Amagi and other various OTT and social media platforms. They also assist editors and help with ingest and transmission operations. The person in this role provides daily dedicated edit support to the brand. The Streaming Editor must be well-versed in Premiere. A working knowledge of other aspects of the Adobe Creative Suite is also a significant plus.
Streaming Editors must be technically proficient, capable of working both in and out of the office, and able to assimilate changing workflows as the edit infrastructure evolves with changes in technology. This position will work directly with the Amagi programming scheduler/programmer, and their attention to detail is critical. The Amagi delivery process is nuanced and complicated, so your attention to detail and quality control skills must be paramount.

Responsibilities:
- Prep and deliver all Amagi video assets, especially daily highlights show (quick turnaround each day), weekly highlights and specials
- Pre-edit daily packages with fast turnaround times
- Trim, screen, time, encode, and deliver all brand video assets to the platform
- Work closely with producers to make content cuts and trims for pieces going on Amagi
- Ensure each video meets strict Amagi technical specifications
- Work closely with the OTT Linear Channel Manager to ensure all videos are prepped and delivered on time
- Troubleshoot issues/problems with Amagi delivery system and 3play captioning service
- Update scheduling sheets
- Work alone and in tandem with producers/clients, anticipating needs, meeting and exceeding corporate brand standards, and delivering content on time in an intense, deadline-driven environment.
- Communicate in an appropriate and timely manner with Post leadership and project leads to relay issues and concerns about individual edits, technical issues, and deadlines. Also regularly update media and project tracking documents as necessary.
- Troubleshoot day-to-day issues with the IT Team and Post Management.
- Find existing video assets for sizzles/reuse
- Assist with the archive process
- Provide general support for finance editors
- Work with producers to make fixes
- Work closely with the ingest/streaming team to ingest media
- Deliver video assets to the control room for live programming
- Locate/restore lost media
- Backup media

Qualifications
- Adobe Premiere Proficiency (Experience working with Graphic templates and MGRTS within Premiere required, AfterEffects experience preferred)
- Experience in live news environments, finance news, or short-form series/packages
- Assistant Editor must thrive under deadline pressure and be able to juggle multiple tasks and assignments.
- Be able to work within and conform to established organizational systems and work/troubleshoot in team environments.
- Responsible and reliable.

We are looking for a Graphics Op to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with vMix or Mitti is preferred.

We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

We need an editor to work on templated content for ecommerce, think amazon ads.
- Should be able to follow a written storyboard and branding specs
- Should be well versed in scaling and repositioning footage smoothly
- Must be able to time remap footage