Apply to this Sound Engineer Job

Hi, we are looking for a sound engineer who can FOH for our event studio for less than 150 people. x32, QSC arrays, with Sennheiser mics.

Hello! We have a one-day shoot in San Ramon/Bay Area and we're looking for a sound recordist. You're excellent at your craft and come with references you don't mind us checking, you've got the right gear to lav and/or boom and record individual tracks. And you're super fun to work with! We are, too.

The job is a docustyle corporate where we'll be shooting group interviews of 4-5 people and then b-roll. You'll be in at 8 and out by 6, latest. Camera is a Canon C70, yes we have the XLR adapters. But we'll want your pristine-ish native audio files, too.

This is an all-in, 10 hour day rate including kit (boom, mikes, mixer) and delivery of files.

We're seeking a Sacramento or Bay Area Sound Mixer for a fairly run and gun doc-style shoot for a large non-profit organization. The call times will be fairly early.

We have an additional $450-$500/day available for kit: 3 wires, slate, boom, timecode for 2-3
cams and 4 IFB's. Please respond with your 12hr rate plus kit rental.

The crew will be paid as employees via Media Services.

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Looking for a sound mixer for a true crime series shooting in Rockford, IL. Hotels can be provided from Chicago for overnights on consecutive shoot days.

Main shoot set up is a 2 camera talking head interview, we shoot about 2 sit down interviews a day. Sometimes we will also shoot OTF interviews/walk and talks.

Gear requirements are 2x lav mics (for the occasional 2 head interview) and a boom for the interviews. We will not need comteks.

Shoot is 5/13-5/18, will be 5 days. Dates still slightly in flux.

Rate is $600/12 + $400 for gear.

Thank you!

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Arcata, CA for 2 Days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Bellingham, WA for 2 Days.

MONDAY 05/13/24
TUESDAY 05/14/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget and a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a local hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

Looking for a Field sound recordist with kit, we will be shooting 2 Oklahoma Softball players for a short web video.

Looking for a sound mixer with Sound Devices 833 or similar. 2 wireless mics, boom, tentacle and one comtech.

We are looking for a Sound Recordist for 1 sit down documentary interview, in the Palo Alto area on 6th May. Record in participants own home. Director will participate on Zoom. Filming on Sony Venice. Rate for Sound Kit is $350 on top of labor rate.
12 hour day maximum (will probably be less)

We are looking for an experienced Sound Mixer who is local, or willing to work locally, to the Houston, TX area. (Travel will not be accommodated) This job is non-union, capturing short-form digital content.

Shoot Days: Mon 5/10
Rate: $650/12
Job Type: Non-Union

We are looking for an experienced Sound Mixer who is local, or willing to work locally, to the Hazleton, PA area. This job is non-union, capturing short-form digital content.

Shoot Days: Wed 6/5 and Thursday 6/6
Rate: $650/12 (hourly rate based on 14 hours to account for OT)
Project: Amazon low budget social video
Crew: Ability to work as Non Union
Local to Hazleton, PA or willing to work as a local (has local accommodations)
Project location: Hazleton, PA

We are looking for an experienced, local Audio Mixer for our reality/docu-series for A&E. We will be filming May 8th-May 12th.

We will be filming on 2x FS7s and AS7. Additional cam's would be GoPro for driving scenes.

Vertie and Interview Sit Downs.

If applying, we are asking for experience in reality television.

Items most likely needed (but is subject to change) in the kit:

Mixer
Boom
Up to 5 Lavs
Wireless Hops (2 cam)
Timecode (2 cam)
Slate
2x IFBs

$500/12 + $350 for Kit.

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Looking for a LOCAL experienced audio mixer in Cleveland, OH. Must work well with our small crew and with others.

$550/12 hour day.

Tentative Schedule:
5/27
5/28
5/29 (possibly)
5/30
5/31

Thanks!

Looking for a professional location sound person for a one day shoot on May 17th in Fort Lauderdale. We will be filming one person against a green screen set up in a hotel meeting room.

Please only apply if you are available on Friday 5/17 and are local to Fort Lauderdale. Please quote your day rate & kit fee total in your application.

Thank you!

Looking for a LOCAL experienced audio mixer in Loudon, TN. Must work well with our small crew and with others.

$550/12 hour day on May 23.

Thanks!

Looking for a LOCAL experienced audio mixer in Little Rock AR. Must work well with our small crew and with others.

$550/12 hour day.

Tentative Schedule:
5/20 & 5/21

Thanks!

Looking for an audio mixer with extensive verite documentary experience. Important to note that we are often filming gaming competitions, so are looking for someone who is experienced working in these fast paced environments and mic’ing multiple subjects with ease. Definitely need someone who is calm under pressure.

Ideal candidate will have their own equipment, 788T or equivalent with minimum of 5 open tracks and a boom.

Please send over your credit list and please highlight your verite experience when applying.

$650/12 Labor + $400/kit

Assist A1 with audio layout on setup day and the facilitation of organizations on field during live day. Primary liaison between FloMarching A1 and audio personnel for bands on field during event, may be required to relocate spot microphones and connect direct channels into outside audio systems. Assists FloMarching Production when A1 needs are met. Must have reliable transportation.

The Audio Assistant (A2) directly assists the Audio Lead (A1) with set up and during the live event.

Audio Assistant (A2) responsibilities include:
Proficient knowledge of broadcasting audio equipment set up and live operations
Acts as the primary liaison between the A1 and audio personnel for FloSports live events, facilitates relocation of spot microphones and connects direct channels into outside audio systems.
Assists FloSports Production as needed
Reliable transportation required

ISO an Audio Mixer with gear for an ongoing series. One room locked off shot with three cast members. This could be a gig a few times a month for the right person.

Generic Gear List:
(01) 4 Channel mixer/recorder (ie. SD Scorpio/688/633 etc.)
(03) Talent Wireless Mics (ie. Lectrosonics, Wisycom, etc)
(01) Boom (With Stand)
(02) Camera Hops
(02) Lockit Boxes
(01) Boom Mate
(01) 25ft. XLR Cable

- 3 wireless mics for 3 talent
- 1 Boom with stand (Required)

$550/12 & 350/kit
-12hr guarantee

Real Estate Reality shoot

Preferred Equipment:
Standard kit + 4x wireless, 2x camera hops, smart slate, 2x camera hops, 4x IFB

/12 + 400/day kit

Please provide recent references.

Thanks for your interest!