Apply to this Sound Recordist Job

Looking for a Sound Recordist/Operator for a series of interviews on a half day shoot in Boston MA.

Date: May 16th, 2024
City: Boston, MA
Position: Sound Operator
Call Time: TBD, 5-hour shoot
Gear Required: LAV Mic, Shotgun Mic, Boom Pole, External Recorder 
Rate: $350/5h

We pay $350/5h and $35/h after that. We do not expect the shoot to go into overtime 
We reimburse every mile after traveling 50 miles in each direction (not round trip) at $0.54 per mile.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Sacramento, CA for 2 Days.

FRIDAY 05/17/24
SATURDAY 05/18/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $800/Day (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget. The days will be shorter 6-8hrs TBD.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

Need audio recordist for feature documentary. Must have your own gear.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Arcata, CA for 2 Days.

WEDNESDAY 05/15/24
THURSDAY 05/16/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget with a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a Local Hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

We are producing a college sports documentary focused on women's rowing. We are seeking a Local Non-Union Sound Recordist/Mixer with an audio equipment package in Bellingham, WA for 2 Days.

MONDAY 05/13/24
TUESDAY 05/14/24

We need someone with their own sound package to integrate with our 2 camera team (mixer, 2 lavs, boom, shotgun mic, and timecode sync) Our team footprint is generally very small: Producer, 2 cams, Sound, and PA.

Our docu-series is a very straightforward sports documentary format. We will film some interviews, OTF sound-byte moments, walk and talks, athlete practice, training, b-roll, lifestyle verite, etc.

The project is operating on a fixed flat rate budget and a rate of $900/Day/12hr (including audio package) for this Local Hire Role. 2 total working days for a local hire operating on this fixed budget.

Interested and available candidates please respond with a resume, equipment breakout, and any relevant info or links to recent work.

Hello! We have a one-day shoot in San Ramon/Bay Area and we're looking for a sound recordist. You're excellent at your craft and come with references you don't mind us checking, you've got the right gear to lav and/or boom and record individual tracks. And you're super fun to work with! We are, too.

The job is a docustyle corporate where we'll be shooting group interviews of 4-5 people and then b-roll. You'll be in at 8 and out by 6, latest. Camera is a Canon C70, yes we have the XLR adapters. But we'll want your pristine-ish native audio files, too.

This is an all-in, 10 hour day rate including kit (boom, mikes, mixer) and delivery of files.

Reality follow-doc filming in Hallendale Beach looking for experienced Sound Recordist.

-$35.71 - $39.28/ hourly

$350/day for kit

Standard audio kit to include:
1x mixer/recorder
1x boom
4x wireless mics
2x cam hops
1x Timecode jam for both cams
1x Smart slate
2x ifb

***Must be capable to record individual iso tracks and mix

We are an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

We are looking for a PRODUCTION SOUND RECORDIST / MIXER—ideally someone with 1) extensive experience capturing sound from the sound engineers running LIVE EVENTS and 2) experience simultaneously boom operating and sound mixing on-the-fly interviews in non-production environments.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture audio from the live event team’s microphones by recording a “line out” feed from the sound board controlled by the on-site live event sound engineers. Our producers will help coordinate this prior to the event so the live event team will be aware of your needs. We ask that you join one email thread with the event’s sound engineer to help streamline this communication.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
1 professional sound mixer for dialogue
intended to record dialogue from wireless mic kit and/or boom mic from on-the-fly interviews
1 additional sound mixer to record the “line out” feed from live event sound engineer
1 adapter kit + misc. cable kit to receive “line out” feed from live event sound board
we will coordinate with the live event team but please prepare to bring multiple options to receive a “line out” feed (XLR adapters, ¼ inch cables/adapters, etc)
1 wireless lavalier mic kit
ideally an RF-interference free solution as this location will be filled with interference
we have access to 2x DPA 6061s and 1x Tentacle 32-bit Sync-E Recorder if we need additional gear

Post Production Needs:
We will need “polywav” files with each individual audio track isolated for mixing in post production.

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$750 for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $750/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

We are in search of a Sound Recordist for event coverage and possible interviews on June 1, 2024 in the Morningside Heights neighborhood in Manhattan.

The event will take place in the morning and there is a possibility that interviews will be scheduled afterwards. Please respond with day rate and equipment fees.

We need a Location Sound Recordist for our 4-day shoot in Rio Grande Valley.

You should have at least two credits, and your own equipment including mics and boom.

We are brining the series Black Clown FROM Dallas TO THE RIO GRANDE VALLEY and are looking to connect with up and coming talent in the valley.

The shoot will be 2-days on, 1 day off, 2-days on for a total of 4 shoot days.

Dates: One or more days between May 14-17

Audio Field Engineer: This role will be responsible for recording 2-4 talent each day for lifestyle spots for a senior living brand.

Gear: We ask that you provide an audio recorder, lav mics, and a boom mic.

Sound Recordist for a microbudget short horror film to shoot in Granby, CT on June 1st.

Venmo Zelle or other preferred method of payment

Would be great if you can do boom and had some lavs but please be specific to what gear you have.
Rehearsal and principal production start June 20th through July 3, 2024. We are looking for experienced DP only with own gear/lenses etc.

30min bilingual short film we are making will model for teens how to navigate biases in their own community and the importance of acceptance.

Additional opportunities are available but this project is microbudget. thanks!

Looking for an audio mixer local to Baltimore, MD for a new reality paranormal/road trip show. Shooting at a few locations in and around Baltimore.

Please only apply if you can work as a local in Baltimore. We cannot provide accommodations or mileage for travel.

Looking for a union audio mixer for a docu-follow series filming in Baltimore for the dates of 5/27 - 5/29. Experience with fast-paced verite style production strongly preferred. Gear already sourced, no additional needed. 650/10.

We're looking for a sound mixer for an upcoming non-union shoot in Middleburg, VA on June 5 and 6. We will be recording a number of interviews for a corporate client.

You must be able to work as a local and provide your own transportation to and from set.

Please include relevant experience and equipment list/rates. Thanks!

We are looking for an Audio Engineer to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Behringer X32 or Allen and Heath SQ boards is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Looking for a seasoned audio mixer with gear for a docu-series filming at a sports venue. We are a small crew
and keep a minimal footprint and appreciate good people with a positive demeanor.


Audio Package should contain:

multichannel mixer
4 lavs
boom

Rate is dependent on experience
Mixer should have their own gear and that will be negotiated separately

Looking for a skilled audio mixer for a reality style shoot with a small crew

Mixer kit should contain:

6 channel mixer
1x boom with windscreen
4x lavs
hops
2 IFB with headphones

all crew is paid via payroll or loan out (if loan out docs and w-9) is provided