Apply to this Specialty Camera Job

Hello!

We are SlidesLive, a young company focusing on conference recording and we are looking for new videographers in Washington, D.C. who are skilled with a camera and ideally have their own equipment.

We offer long-term cooperation to videographers who learn our workflow.

Looking forward to hearing from you!

We have a new client that would like for us to hold a 2 camera DSLR interview shoot with a small lighting package and audio in Cockeysville, MD on 5/5/2024.
Shooter would be solo, no manager on site. The project will be to interview a Coach at one location and then get some b-roll of them at or near that same location as well. B-roll could potentially be outdoors.
Pay negotiable, as it will include 2 DSLR's provided by you and a small lighting kit.
Shooter could also edit the finals as well-if applicable, but it would need to be a reasonable turn around.

Shoot timing would be 8am to 4pm

Let me know if you are interested. Thanks!

The Camera Operator is responsible for live capture of on-field play. They may be responsible for camera, tripod, elevation set up. They receive instruction from Production Coordinators and Video Controllers on when and how to frame the action. They must be well organized, extremely punctual, and able to communicate well with supervisors and crew both in person and digitally.

All games at this event will be recorded locally and live streamed for parents, fans, and coaches.

Who: Freelance camera operator
What: High school lacrosse games
When: May 10 (one game)
Where: Bethesda, MD
Why: $100 per game (Rate is per game, approx 2-3 hours.)

Responsibilities:
- Assist with venue set up
- Monitor and maintain power, storage, and bitrate
- Charge gear after each event day (if applicable)
- Break down venue

Qualifications:
- Must have experience with sports video production.
- Must have transportation to athletic facility.
- Must be able to climb ladder or scaffold.
- Must be 18 or older.
- Must be eligible to work in US.
- Must be capable of all day activity, standing / walking for long periods.

We are looking for a CAMERA SHADER to work with us on a live stream for a Global Investor Conference from the Waldorf Astoria Hotel in Washington, DC. The dates would be from September 15-19, with the Conference happening on September 16-18.

Experience working with Ursa Broadcast G2 or Sony Bodies is preferred.

Must be local to the Washington DC area or be willing to work as a local. We will not reimburse or pay for transportation, parking, or accommodations.

Must be available for a 10-15 minute interview prior to hire.

Interviews and B-Roll at retail store in Fairfax, VA with the following scope on 5/16:
1x Camera Op
4k/UHD camera
On Camera Shotgun Mic
2x Wireless Lav - TBD

AC needed with reality experience, please send credits and references. Sony FX9

/12

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

Scenes will be shot inside and outside in Harlem and the Bronx. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 5 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of June 5 may be changed...

This project is a web-series
The intent of the project is to sell the script. Therefore no camera equipment will be used. Just iphone, gimballs and lights. The script is complete. The shooting script is complete. A shooting script and story board will be made available to the videographer prior to the shoot date.

All scenes will be shot inside. The cast is multi-ethnic. I will need a videographer that has experience filming men and women of diverse backgrounds and skin tones. Everyone must look good (in their best light). If you don't have experience with diversity please prepare yourself prior to applying.

All scenes are 2 minutes or less. We will not shoot in continuity. I only need the actors present for their scenes on set. Therefore we will shoot the scenes in order of actors appearance.

At EOD all scenes must be confirmed. The shooting script and story board can be used as a guideline.
I have to be sure I have what I need to move forward to post production.

Arrival times for videographer will be 10am weekdays Wednesday, Thursday and Friday. Schedule will be confirmed upon hiring. Start of May 15 may be changed...

We are looking for an experienced local reality/docu-series AC/DIT/Drone Operator for our Docu-Series show for A&E. We will be filming May 8th - May 12. This includes Gear Prep (Half Day) on the 7th of May and Gear Wrap (half Day) May 13th.

We will be filming on 2x FS7s, AS7, & GoPros. We also ask for DIT experience.

Shooting will be interviews, scene work and car shooting.

Must have drone (additional kit rental of $150).

Our Company is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

Single day teleprompter read against greenscreen with 3 cameras. Locked off at our studio in TriBeCa.
Canon series with tripod preferred.
7am-5pm including rap out with an hour lunch.
Teleprompter to be provided by teleprompter operator.

Rate is dependent on provided equipment.
Single day teleprompter read against greenscreen with 3 cameras. Locked off.
Canon series with tripod preferred.
7am-5pm including rap out with an hour lunch.
Teleprompter to be provided by teleprompter operator.

Seeking a local AC to help out with a 2-3 day interview shoot in Salt Lake City.

$400 - $450 a day

Hello!

Looking for someone to shoot on a Sony FX6 at a race at Laguna Seca. On 5/10.


A lot of B-Roll type footage at a racetrack. It's a very run and gun style. We are a documentary series shooting the Mazda Cup Race.

It will be an early call time, and I know you may not live close by so we can provide a hotel room for you the night before if necessary.

800/12

I need a videographer to capture an event for 3 hours on May 10th starting at 10:30PM in Mar Vista. 10:30PM-1:30AM.

We need a 60-90second edit of the event cut to music as well.

We have $600 total.

Uses the camera as instructed by the Director. They ensure the required action is correctly captured in the frame and must react instinctively as the proceedings take place. The camera operator also helps establish the theme and appearance of the show. Must have reliable transportation.

The Camera Operator must be experienced in camera operations in fast-paced, live conditions. Sports production knowledge is a plus.

Camera Operator responsibilities include:
Strong camera operating skills with the ability to execute shots quickly
Understands broadcasting methodology in establishing themes and appearances of shows
Reliable transportation required

In search of Camera operator to shoot reality style vignette segments for Kayak/boat/paddlebaord tours.
Looking to produce proof on concept for adventure tour company youtube series.
Looking to put together the right team to produce/shoot and edit.
If shooter can edit that is a plus.
Given the action sports theme, based in the coastal back drop of Amelia Island, there is great potential for amazing photo/videography.

Looking for camera operators/production assistants for the Bonnie Blue Horse Show.

Days are broken into 1-2 sessions with breaks in between. Training on the content is provided. Cameras are simple to use -- this is a flypack-based webcast.

Will be expected to strike and have some flexibility.

We pay $125/session and have 7 sessions to offer.

Looking for a drone op to capture footage of building location in Spokane, WA - either June 1 or June 2 depending on weather!

Please send references along with response!

Crew Position: Cam Op
Date: 5/3
Rate is negotiable

JOB POSTING: Sharp Entertainment is an Equal Opportunity Employer and does not discriminate on the basis of race, religion, color, sex, gender identity, sexual orientation, age, or any other basis covered by applicable law. All employment is decided on the basis of qualifications, merit, and business need. Applicants from diverse backgrounds are encouraged to apply.

We have an exciting opportunity for a production team of two including a Lead Videographer & Second Shooter to join our team and produce high-quality content for a medical aesthetic client.

LOCALS ONLY. NO LODGING ACCOMMODATIONS

When Applying, please let us know if you are located within 2 hours of the filming location.


As part of our team, you'll play a crucial role in capturing video and photo content tailored for promotional ads on various digital platforms, including social media and company websites. Your responsibilities will include:

- Collaborating closely with our client to understand their vision and requirements.
- Conducting scripted interviews using two-camera setups.
- Capturing captivating still shots for marketing campaigns.
- Filming BROLL footage from multiple angles to showcase non-invasive medical treatments.

To excel in this role, you should possess:
- Experience in setting up two-camera operated interviews.
- Proficiency in capturing still shots that align with marketing goals.
- Skill in filming engaging BROLL footage.

Additional Information:
- Production days typically range from 5-8 hours, depending on the project scope and treatment focus.
- You will work closely with a remote Producer who will be streaming for the first half of the day
- Pre-production materials will be provided to ensure you are well-prepared for the shoot.

Gear Needed:
-Cam A (preferably RED, Black Magic, or Sony digital cameras)
-Cam B (that is also able to produce photos)
-2 Tripods
-Teleprompter
-Laptop (Apple Macbook preferred but not required for broadcasting live footage)
-Computer/Laptop for uploading content to hard-drive and shipping out to our office in Austin, Texas
-Audio (preferably a LAV system)
-Continuous light coverage for 1-subject interviews and treatments (if necessary)
-Slate

Day Rate: $1000/8 (for both creators)
Overtime: $187.50 per hour
Meal Reimbursement: Up to $100 for food per day
Equipment Rate: $500 per day

Additional Compensation: Contractor will receive an additional $200 travel day rate and gas reimbursement if traveling over 2 hours (one way) from residence to filming location.