Production Jobs

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We are currently seeking a skilled assistant camera with knowledge in DSLR cameras for a project in Flowood, MS Sony A7s III, Canon 5D Mark IV.

The shoot will take place on Friday, May 10th (Full Day) and Saturday May 11th (Full Day).

The purpose of the shoot is to capture marketing and testimonial videos for a dental practice, both within the office and some exterior shots.

Assistant Camera Responsibilities:

Responsible for operating the camera and should have a strong understanding of the Sony A7s III.
Video Production will be 8-10 hours long per film day
Contractors are responsible for the provided photography shot list
Will be provided camera settings for photos and do's and dont's for photos
Contractors are responsible for monitoring the camera during filming for audio and focus
Contractors are to assist with the production wrap

Watching and maintaining composition and monitoring audio as well along with color balance for interview cameras, and keeping everything in sharp focus throughout each interview.

Assist moving lights and cameras if based on set changes and lighting preferences.

Have good knowledge of the Sony full frame DSLRs,

Be efficient and organized during video shoots, and pay close attention to the needs of the director.

Have a strong understanding of the typical video production workflow.

You will be working alongside a Progressive Dental Videographer who will be flying in from Florida. Prior to the shoot, we will contact you with detailed information regarding shoot location, filming times and director contact information.

Progressive Dental will reimburse up to $20.00 each film day for lunch plus tip if not provided by the client.
Progressive Dental does not reimburse for alcohol or tips over 20%.
In order to be reimbursed for lunch, an itemized receipt along with tip receipt must be provided.
Progressive Dental reimburses for mileage.
*Mileage is reimbursable outside of 25 miles from the shoot production.
Based on the most up to date rate from the IRS. Please add mileage amount to your invoice and submit a screenshot of the distance via Google Maps or GPS application you use.

NO equipment required
MUST live within an hour of location (mileage will be reimbursed at GSA standard rate)
Medical or dental shooting experience is considered a plus

If you meet the criteria mentioned above and are available for the specified date(s), we would love to consider you for this project.

Please let us know your interest and availability at your earliest convenience.

$325 per day rate plus Mileage

In search of a PA to fill in for two days on Sat 5/4 and Sun 5/5 in Raymond, NH for a HGTV renovation show. Must have your own vehicle. Duties will include:

Crafty runs, managing crafty stock and setting up crafty in the field
Assisting with load in/load outs
Walkie distribution and managing battery charging cycle
Taking, placing and collecting lunch and coffee orders
Driving production vehicle
Maintaining a tidy set/production area
Going on runs and ad-hoc duties as required

We are in need of production assistant(s) who are local (or able to work locally) in Scranton, PA for our campaign ad shoot. Dates are still being locked down so you may be contacted to determine your availability and ability to hold a date.

Our rate for PAs is $250/10hr.

CS3 Photography is an Orlando-based photography agency that performs real estate and lifestyle photo and video shoots around the US. We have a shoot in Wichita on 6/13/24 from 10am-2pm that requires a set dresser / stager to help prep the various spaces in the community. Tasks like fluffing pillows, redecorating table surfaces to be in a pleasing manner, straighten furniture, setting tables, among others will be required. We have a video guide and pdf guidelines on the exact staging we need. As mentioned above, this is at a Brookdale Assisted Living facility, so the areas to be staged are likely to be:
-Lobby
-Model Unit
-Dining Room
-Activities Room
-Fitness Area
-Pool Area
-Lounge/Library
-Cafe/Bar

The pay is a project rate $300 and we expect you to arrive at 9am local time with a departure of around 2pm. The photographer arrives at 10am, so our goal is for you to arrive before and get ahead of them and start prepping the various areas. You do not need to bring anything such as cleaning supplies, lightbulbs or décor as you'll be using whatever the community has that day. Lastly, please dress business casual.

We are looking for Camera Operators who are professional, positive, outgoing and can adapt to a fast paced filming environment and are okay filming uncomfortable subject matter for a new health and wellness show. You will need to have experience filming with FS7's and GoPro's. If you are interested, please shoot me a message including your cover letter and list of credits. $600/12 (minus lunch).
*This is a Non-Union job*

VFX Production Manager Position

At TCL Studios, we are building a team to create entertainment programs utilizing the latest AI technologies. To achieve this goal, we are recruiting Hollywood professionals with solid TV and film experience.

The AI technologies we utilize evolve on a regular basis. Currently, the workflows are similar to 3D animation, with some motion capture. There is a great deal of visualization to create the look of scenes. The key difference versus 3D animation, is that the tools are easier to use, but much less precise. The environment is fluid.

Production Management:
This is a broad VFX/Animation production management role. In general, this person will manage the workflows associated with translating scripts into finished shows. A key first goal for this position will be recruiting animation, visualization and AI talent from Hollywood professional community --identifying and recruiting experienced, technically savvy pros with some exposure to AI.

Specifically for our productions, the keys roles are:

1. Supervise team in the execution of VFX/animated scenes.
2. Coordinate with producers, writers and directors to execute the creative direction.
3. Manage shot lists, notes, assets (videos, stills, audio).
4. Track team hours and coordinate with production accounting on this tracking.
5. Work closely with the lead production executive to manage all aspects of the production.

This is a fluid environment – key roles will evolve.

Key qualifications for this role:

1. Relevant experience as a VFX/Animation production manager on TV series or films.
2. Experience with Scripted Content
3. Solid experience in VFX and post-production.
4. Some experience with AI tools (nice to have, not a requirement).
5. Tech savvy and detail oriented.
6. Team management: History of success and passion for managing teams of Hollywood professionals.

Massive show. Only resumes that will be viewed will be ones with Reality Tv and Art Department Experience. Thank you all.
RATE REFLECTS NORMAL STANDARD RATE FOR NON UNION SHOW

Editor for Indie Horror Feature; Run time 75-80 minutes; ideal candidate has experience with horror films and feature films; ideal candidate has worked on major projects for large studios / streaming (Netflix, Hulu, etc.) or similar; experience with pseudo-scripted material preferred; candidate should make this their primary project; ideal candidate has strong sense of humor and commitment to the art of film and film + cinema knowledge; ideal candidate is hungry to make top notch projects and continue ascending in their career; candidate should provide reel and 2 work references.

Team will coordinate with Editor to bring on AE for media management as needed. If Editor has own preferred process for this, team is open to discussion. Must have own cutting station. Can be performed Remotely.

Avid or Premier OK; open to discussion. NYC or LA preferred.

Please don't apply if you are not local to Minneapolis, MN.

Looking for professional PA with valid drivers license to help with some errands.

250/12 hour shoot day
1/2 day rate for shorter errands

We’re gearing up for a Food delivery app brand project in BANGOR, MAINE. The idea is to create engaging content by visiting local restaurants that utilize the Food Delivery App.

The goal is to capture compelling moments with restaurant owners, showcasing their unique stories. It promises to be an enjoyable project filled with creativity and collaboration.


If you’re interested or have any questions, please apply with some previous work
and we’re going to be in touch soon!
Looking forward to the possibility of creating something fantastic together!

We need a local photographer (Big Bear, CA) who can work with us for a few hours throughout the production of our ultra low budget feature film. We need to capture some hero production still moments for our EPK and promotional materials.

Searching for experienced book keeper. Need someone who is a QuickBooks desktop pro and is able to work on site. The job will include entering checks, bank reconciliation, etc.... Please reach out for more information.

Hi there.

We are looking for a Hair & Makeup Assistant for an upcoming 2-day non-union shoot in the Lancaster area.

To apply, you must:

-Be able to work as a local
-Be able to transport yourself to and from set
-Have experience in your applicable role and be well versed in set etiquette
-Have the equipment required for the position - or be able to source it

_____________________________________________________________________________________________

In responses, please specify your experience, availability to work the specified dates and the equipment you have with any rates for that equipment.

Crew rates and shoot details will be discussed upon contact.

Many thanks and we look forward to talking with you soon.

Need A2 to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting Audio Sup with the basics - boom and batteries. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

We are looking for a strong local PA that can help with loading and off-loading, release forms, runs, etc.

Need support Production Assistants to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling. Every filming day we have had so far in our first two episodes has started after the sun was up and finished before the sun is down. So while there's no guarantees in this world that it remains as relaxed a schedule as that, thus far there has been very minimal OT or hard hours.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. The actual # of days we need from you may change, but could be all 6 days. Will let you know your days ASAP! Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Need 2nd AC to come be a part of our merry band of travelers bringing a new show for Discovery to town. Think American Pickers or Antique Roadshow in terms of the style and logistics we will be dealing with. We'll be tied to the filming locations (the homes) without any real company moves once we get rolling.

ISO people experienced with on-set protocol and communication, can-do attitude and comfortability in fast-paced shooting environments. Your job should be solely supporting cameras (we will have a Lead AC and Media Manager in tow), but looking for someone ideally not afraid to help a PA with a case either. Please include a little about the energy you bring to a job like this and an example or two of some busier shoots you've been on! Thanks!

Hi there.

We are looking for a Sound Mixer for an upcoming 4-day non-union shoot in the Lancaster area.

To apply, you must:

-Be able to work as a local
-Be able to transport yourself to and from set
-Have experience in your applicable role and be well versed in set etiquette
-Have the equipment required for the position - or be able to source it; which might include:

Boom mic, 2 radio mics, some comteks, TBD
_____________________________________________________________________________________________


In responses, please specify your experience, availability to work the specified dates and the equipment you have with any rates for that equipment.

Crew rates and shoot details will be discussed upon contact.

Many thanks and we look forward to talking with you soon.

We are looking for a LIVE EVENT PHOTOGRAPHER—ideally someone with 1) extensive experience capturing candids at live events and 2) exposing properly in camera for minimal work in post production.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture candid photos of our key talent and other team members.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
ideally 2x mirrorless camera bodies that perform well in low light (2x bodies to avoid frequent lens changes)
1x 24-70mm
1x 70-200mm
1x 200-400mm (or something equivalent)
1x monopod for stability for low light during panel discussion

Post Production Needs:
We need high resolution .JPG + RAW files with a natural high contrast “baked in” in-camera color profile.
You will be required to download your media on site prior to wrapping up for the night.
You will not be required to do any additional work after the event :)

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$650 for 5 hours (4:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $650/5 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

Pay
~$650 for 5 hours (4:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $650/5 hours, so if your rate is higher than that, you need not apply.

We are looking for a PRODUCTION SOUND RECORDIST / MIXER—ideally someone with 1) extensive experience capturing sound from the sound engineers running LIVE EVENTS and 2) experience simultaneously boom operating and sound mixing on-the-fly interviews in non-production environments.

We are shooting a corporate event at U.S. Bank Stadium — it’s a Gala style event where our key talent will be speaking on stage. We’ll need you to capture audio from the live event team’s microphones by recording a “line out” feed from the sound board controlled by the on-site live event sound engineers. Our producers will help coordinate this prior to the event so the live event team will be aware of your needs. We ask that you join one email thread with the event’s sound engineer to help streamline this communication.

This job will take place on MAY 16th between 3pm and 9pm.

Production / Gear Needs:
1 professional sound mixer for dialogue
intended to record dialogue from wireless mic kit and/or boom mic from on-the-fly interviews
1 additional sound mixer to record the “line out” feed from live event sound engineer
1 adapter kit + misc. cable kit to receive “line out” feed from live event sound board
we will coordinate with the live event team but please prepare to bring multiple options to receive a “line out” feed (XLR adapters, ¼ inch cables/adapters, etc)
1 wireless lavalier mic kit
ideally an RF-interference free solution as this location will be filled with interference
we have access to 2x DPA 6061s and 1x Tentacle 32-bit Sync-E Recorder if we need additional gear

Post Production Needs:
We will need “polywav” files with each individual audio track isolated for mixing in post production.

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$750 for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $750/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

We are shooting a corporate event at U.S. Bank Stadium and will need help setting up and operating multiple Sony mirrorless cameras.

This job will take place on MAY 16th between 3pm and 9pm.

We would love to rent any stabilization gear you have (gimbal, etc)!

Camera Operating:
- ensuring proper exposure for multiple cameras set up on tripods (camera settings will be dialed in prior to your arrival)
- making sure that the main speakers are being captured by our all 3 of our cameras on tripods
- steadily tracking/capturing key talent with stabilization equipment (gimbal, etc)

Some things you should know about this job:
- This job is based in Minneapolis, MN. If you do not live in the Minneapolis Area—please do not apply.

Guaranteed dates:
THURSDAY MAY 16TH

Pay:
~$350 hours for 6 hours (3:00pm-9:00pm). Unfortunately our budget is fixed. We can’t exceed $350/6 hours, so if your rate is higher than that, you need not apply.

We are dedicated to building diverse teams that fuel an authentic workplace and sense of belonging for each and every employee. We know applying for a job can be intimidating, please don’t hesitate to reach out — we encourage everyone interested in joining us to apply.

WOAH LABS provides equal employment opportunities (EEO) to all employees and applicants for employment without regard to race, color, religion, sex, national origin, disability, genetics, gender, sexual orientation, age, marital status, veteran status. In addition to federal law requirements, WOAH LABS complies with applicable state and local laws governing nondiscrimination in employment in every location in which the company has facilities. This policy applies to all terms and conditions of employment, including recruiting, hiring, placement, promotion, termination, layoff, recall, transfer, leaves of absence, compensation, and training.

I am the production manager on a documentary series for a major sports association that will be airing on a ESPN.

Looking for a local Philly AC for a field shoot on 4/27.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

We will ask AC to pick up the gimbal bcam (usually FX3 on Ronin RS3) to shoot a few scenes.

We have $650/12 budgeted.

We are filming a sports documentary series for a major sports association that will air on ESPN.

We are looking for a Media Manager for a field shoot happening in the Philly area on 4/27.

The series is a typical documentary series, featuring: run and gun components, sit-down interviews, on-the-fly interviews, scenics, and "hero/portrait" shots.

Role would be to:
Back up using ShotPutPro or similar MD5 checksum software
Input footage descriptions and information into a copy of the footage log
No transcoding, no proxies, no coloring

500/12 + 50 kit fee = $550/per day