Second Assistant Camera Production Jobs
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31 EXCLUSIVE Second Assistant Camera jobs. Speed matters in this biz, so apply today!
Exclusive Jobs
4/22
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Title:
Real Work
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Pay Rate:
$200.00 / Daily Note that this is below minimum industry rate.
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Job Requirements: Must be local to location (or willing to work as a local).
Seeking crew for "Real Work," a short film about an elderly getting scammed. The audience will see how the relationship between the scammer and elderly man builds through the story.
Supports the camera team in various technical and logistical aspects of production. Their responsibilities include assisting with equipment setup, maintaining camera gear, managing batteries and memory cards, and ensuring smooth operation during filming. The AC works closely with the Director of Photography to achieve desired shots and camera movements.
4/22
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Title:
Corporate Executive Interviews
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Pay Rate:
$600.00 - $800.00 / Hourly
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Job Requirements: Must be local to location (or willing to work as a local).
Seeking experienced AC/Utility with corporate experience for a 1-day executive leadership shoot in Dallas, TX on May 14th to support camera department (DP and b-cam operator).
-2x camera shoot
-Total of 3x talent delivering reads from a script/teleprompter throughout the day.
-B-roll of the corporate offices.
-Ability to provide own gear for an additional kit rental fee is a plus.
4/18
Starts Jun 01
For 2 Day(s)
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Pay Rate:
$750.00 / Daily - /12 hr
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Job Requirements: Must be local to location (or willing to work as a local).
Looking for a 1st AC for a b roll shoot - nimble crew a la ENG but needing someone to pull focus and assist DP.
Please send references along with response!
4/12
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Title:
Black Clown
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Pay Rate:
$175.00 / Daily - Shooting in the Rio Grande Valley Note that this is below minimum industry rate.
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Job Requirements: Must be local to location (or willing to work as a local).
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Additional Requirements:
- How many First AC credits do you have?
We need a 1AC to support our Director of Photography on a 4 day shoot in the Rio Grande Valley.
Preferably you would have multiple 1AC credits, your own focus puller, monitor, and other great.
We are brining the series Black Clown to Rio Grande Valley (from Dallas) and are looking to connect with up and coming talent in the valley.
4/2
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Pay Rate:
$500.00 / Daily - /10hrs
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Job Requirements: Must be local to location (or willing to work as a local).
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Additional Requirements:
- Can you work as a local in Key Biscayne, Florida?
- Do you have past experience working with the Sony FX Cameras?
I am seeking an Assistant Camera Operator with corporate experience to assist our Director of Photography filming a corporate retreat in Key Biscayne, Florida. The rate is for 10 hours and I expect us to work 10 hours every day, meals provided.
The AC would be responsible for maintaining cameras to ensure camera packages are charged, cards have been backed up, lenses are clean, etc. In some situations, the AC may have to babysit a camera during interviews, which the DP will prelight.
- Professionalism is Paramount
- Experience with the Sony FX systems
- Experience with the DJI RS3 Systems
- Able to work independently
We will film with a Sony FX6 and Sony FX3 in Key Biscayne, Florida. The dates will be May 16th - May 18th, with the possibility of adding May 15th as a prep day on location.
3/15
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Title:
Corporate Event
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Pay Rate:
$750.00 / Daily
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Job Requirements: Must be local to location (or willing to work as a local).
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Additional Requirements:
- Do you own a follow focus and AC monitor?
- Have you worked with a Steadicam Op to capture cinematic stock footage style content?
- Do you have a reel of cinematic style footage?
National Association of Black Accountants (NABA) is hosting an annual conference in Las Vegas 6/18 - 6/21. Our team will be filming the event to produce stock footage style archival content and post-produce a highlight sizzle; along with additional marketing content.
Applicant should be capable of working with steadicam op to film cinematic broadcast style broll. Candidate must own gear or have access to it. (Follow focus and AC monitor). Will also have a half day prep to set up if needed. Please provide reel cinematic work.
Teams will be on a 12hr day but likely wrap in 8-10. There will be plenty of breaks and downtime.
Thanks!