Pierre Michael

1.1. Ensuring that the budget, schedule and script are sufficiently developed in order to obtain a qualified product. 1.2. Coordinating and facilitating talent and their payments. 1.3. Reviewing and approving the shooting schedule and day out of days production schedule, including pre-production and post-production schedules. 1.4. Creating, Reviewing, and Finalizing the budget. 1.5. Overseeing the pre-production, production, and post-production on the film. Obtaining key talent, to include but not limited to making offers. 1.6. Completing, and submitting all SAG Paperwork at the conclusion of the picture.

1.1. Ensuring that the budget, schedule and script are sufficiently developed in order to obtain a qualified product. 1.2. Coordinating and facilitating talent and their payments. 1.3. Reviewing and approving the shooting schedule and day out of days production schedule, including pre-production and post-production schedules. 1.4. Creating, Reviewing, and Finalizing the budget. 1.5. Overseeing the pre-production, production, and post-production on the film. Obtaining key talent, to include but not limited to making offers. 1.6. Completing, and submitting all SAG Paperwork at the conclusion of the picture.

1.1. Ensuring that the budget, schedule and script are sufficiently developed in order to obtain a qualified product. 1.2. Coordinating and facilitating talent and their payments. 1.3. Reviewing and approving the shooting schedule and day out of days production schedule, including pre-production and post-production schedules. 1.4. Creating, Reviewing, and Finalizing the budget. 1.5. Overseeing the pre-production, production, and post-production on the film. Obtaining key talent, to include but not limited to making offers. 1.6. Completing, and submitting all SAG Paperwork at the conclusion of the picture.