Summary

Whether it be casting, talent or development, my background as a creative producer has played a key roll in my success on the front end of the production process and has proven to be highly beneficial in meeting the creative needs of the client.

Credits

6/23 – 7/23

Casting Producer Redemption Ink (Pilot)

Hulu — TV — 495 Productions & G-Unit Details
6/23 – 7/23

Research, outreach, interview, presentation.

3/23 – 4/23

Casting Director IN WITH THE OLD (Season 5)

Magnolia — TV — Brother Films Details
3/23 – 4/23

Solo project - conducted all aspects of casting except for editing.

9/22 – 11/22

Casting Producer Off Limits

Hulu — TV — 495 Productions Details
9/22 – 11/22

Outreach, interview, present.

6/22 – 9/22

Casting Director Classic Homes (Season 1)

Magnolia — TV — Brother PDX Details
6/22 – 9/22

Solo Project - conducted all aspects of casting except for editing

11/21 – 1/22

Casting Producer Pressure cooker (Season 1)

Netflix — TV — Netflix Details
11/21 – 1/22

High volume casting: Outreach, interview, internal pitch, one-sheets, work with editor on reels.

4/21 – 5/21

Casting Director Hall Pass (Pilot)

Lifetime — TV — Monkey Kingdom Productions
4/21 – 5/21
3/21 – 5/21

Senior Casting Director Gen XYZ (Pilot)

OWN — TV — Noble Savages
3/21 – 5/21
1/20 – 3/20

Senior Casting Director Business Hunters (Season 1)

CNBC — TV — Vital Casting
1/20 – 3/20

Orgs

  • UCLA Entertainment Advisory Cabinet

Self ID

I identify with the following groups:

  • Gender: Woman

Recos

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Education

Class of '98

UCLA

BA Cultural Anthropology

Skills

  • Producing
  • Social Media
  • Writing
  • Development
  • Google Docs
  • Interviewing
  • Story Producing
  • Microsoft Office Suite