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Will, a Senior Producer, based in Los Angeles, has 2 Senior Producer credits and 3 Producer credits, and has been a member since 2015.
7/23 – Current
CBS — TV — Allison Grodner Productions Details
7/23 – Current
-Taking lead on creating full episodes of network TV in roughly three days every week.
-Leading a team of producers, directing what stories to follow throughout the season.
-Deciding on what the story will be every week, reacting immediately to cast behavior
-Interviewing cast, including about sensitive material, getting outstanding interview bites
-Taking lead in working with editors to craft episodes under extreme time crunches
-Coordinating with a large team to address network notes extremely quickly and effectively
6/22 – 9/22
CBS — TV — Allison Grodner Productions Details
6/22 – 9/22
-Taking lead on creating full episodes of network TV in roughly three days every week.
-Leading a team of producers, directing what stories to follow throughout the season.
-Deciding on what the story will be every week, reacting immediately to cast behavior
-Interviewing cast, including about sensitive material, getting outstanding interview bites
-Taking lead in working with editors to craft episodes under extreme time crunches
-Coordinating with a large team to address network notes extremely quickly and effectively
4/22 – 5/22
Fox — TV — Fly on the Wall Details
4/22 – 5/22
-Prepped key documents setting up story for each team
-Live followed story on all teams
-Created many story documents to be passed onto post
-Noted many key moments for quick turn around interviews and for post
-Immediate interactions with floor producers to get key interview bites about what to ask teams
3/22 – 4/22
Prime Video — TV — Astro Chamber Productions, LLC Details
3/22 – 4/22
-Bringing episodes already in post home to being fully locked on a season one show
-Finding key moments to improve partially cut episodes
-Creating dramatic moments of conflict from moments that didn't naturally have it
-Finding and adding new scenes in edit to make episodes really sing
-High level frankenbiting to make that drama feel real
1/22 – 2/22
CBS — TV — Our House TV Details
1/22 – 2/22
-Oversaw major storylines in individual episode, tracking and producing most vital story elements in each episodoe -Operating the media controls of a live show -Directing switchers on which stories to follow and record live -Pitching story ideas for broadcast television -Working with editors to put together the show -Creating paper cuts (scripts) of stories seen by millions of people weekly -Assisting in tracking down key story elements for edit and broadcast -Constant story tracking and construction on the fly
9/21 – 2/22
CBS — TV — World Race Productions Details
9/21 – 2/22
Fully laid out and directed story for four episodes, including the finale. Strung out, worked with editors, coordinated pulls, adjusted the episode based on exec and network notes, as well as alterations to show format.
6/21 – 9/21
CBS — TV Details
6/21 – 9/21
-Operating the media controls of a live show -Directing switchers on which stories to follow and record live -Pitching story ideas for broadcast television -Working with editors to put together the show -Creating paper cuts (scripts) of stories seen by millions of people weekly -Assisting in tracking down key story elements for edit and broadcast -Constant story tracking and construction on the fly
2/21 – 6/21
Disney+ — TV — Endemol Shine Group Details
2/21 – 6/21
-Heavy stringouts
-Locating key story elements
-Working with episode structuring
-Addressing copious network notes
-Finding the best moments to liven up episodes
11/19 – 12/20
Fox — TV Details
11/19 – 12/20
-Stringouts for key stories
-Fulfilling important network requests
-Providing story input
-Fulfilling story producer requests
-Working with editors
-preparing scripts for scriptsync
7/20 – 10/20
CBS — TV — Our House TV Details
7/20 – 10/20
-Operating the media controls of a live show -Directing switchers on which stories to follow and record live -Pitching story ideas for broadcast television -Working with editors to put together the show -Creating paper cuts (scripts) of stories seen by millions of people weekly -Assisting in tracking down key story elements for edit and broadcast -Constant story tracking and construction on the fly
7/20 – 10/20
CBS — TV — Our House TV Details
7/20 – 10/20
-Operating the media controls of a live show
-Directing switchers on which stories to follow and record live
-Pitching story ideas for broadcast television
-Working with editors to put together the show
-Go-to-guy and scripting stories seen by millions of people weekly
-Assisting in tracking down key story elements for edit and broadcast
-Constant story tracking and construction on the fly
2/20 – 5/20
CBS — TV — Allison Grodner Productions
2/20 – 5/20
6/19 – 9/19
CBS — TV — Our House TV Details
6/19 – 9/19
-Operating the media controls of a live show
-Directing switchers on which stories to follow and record live
-Pitching story ideas for broadcast television
-Working with editors to put together the show
-Creating paper cuts (scripts) of stories seen by millions of people weekly
-Assisting in tracking down key story elements for edit and broadcast
-Constant story tracking and construction on the fly
6/19 – 9/19
Fox — TV — all3media america
6/19 – 9/19
6/18 – 4/19
CBS — TV — World Race Productions Details
6/18 – 4/19
Creating stringouts, pulling essential story elements for editors, helping design and lay out story, working with Pilotware to mine for soundups and bites.
6/18 – 10/18
CBS — TV — World Race Productions Details
6/18 – 10/18
Creating stringouts, pulling essential story elements for editors, helping design and lay out story, working with Pilotware to mine for soundups and bites.
7/17 – 10/17
CBS — TV — ABC Studios
7/17 – 10/17
6/16 – 11/16
CBS — TV — World Race Productions Details
6/16 – 11/16
My primary responsibility as an AP was to head up the logging (transcribing) team. This meant hiring and firing, making sure everyone's transcripts were accurate, formatted properly, and being completed promptly.
As the transcriptions wrapped up, however, the next part of my job would begin: Creating vital post documents and story assistance.
The post documents included a VO script for the host, a document with timecodes for the lower thirds, and the as-broadcast scripts.
Story assistance includes largely filling in where other APs can't. This means doing some stringout work, and a lot of hunting for clips. Thanks to the amount of footage I've seen, my memory, and my ability to search, I was always able to do this quickly and effectively.
8/15 – 11/15
CBS — TV — World Race Productions Details
8/15 – 11/15
My primary responsibility as an AP was to head up the logging (transcribing) team. This meant hiring and firing, making sure everyone's transcripts were accurate, formatted properly, and being completed promptly. As the transcriptions wrapped up, however, the next part of my job would begin: Creating vital post documents and story assistance. The post documents included a VO script for the host, a document with timecodes for the lower thirds, and the as-broadcast scripts. Story assistance includes largely filling in where other APs can't. This means doing some stringout work, and a lot of hunting for clips. Thanks to the amount of footage I've seen, my memory, and my ability to search, I was always able to do this quickly and effectively.
3/15 – 6/15
CBS — TV — ABC Studios Details
3/15 – 6/15
My primary responsibility as an AP was to head up the logging (transcribing) team. This meant hiring and firing, making sure everyone's transcripts were accurate, formatted properly, and being completed promptly. As the transcriptions wrapped up, however, the next part of my job would begin: Creating vital post documents and story assistance. The post documents included a VO script for the host, a document with timecodes for the lower thirds, and the as-broadcast scripts. Story assistance includes largely filling in where other APs can't. This means doing some stringout work, and a lot of hunting for clips. Thanks to the amount of footage I've seen, my memory, and my ability to search, I was always able to do this quickly and effectively.
8/14 – 11/14
CBS — TV — ABC Studios Details
8/14 – 11/14
My primary responsibility as an AP was to head up the logging (transcribing) team. This meant hiring and firing, making sure everyone's transcripts were accurate, formatted properly, and being completed promptly. As the transcriptions wrapped up, however, the next part of my job would begin: Creating vital post documents and story assistance. The post documents included a VO script for the host, a document with timecodes for the lower thirds, and the as-broadcast scripts. Story assistance includes largely filling in where other APs can't. This means doing some stringout work, and a lot of hunting for clips. Thanks to the amount of footage I've seen, my memory, and my ability to search, I was always able to do this quickly and effectively.
3/14 – 6/14
CBS — TV — ABC Studios Details
3/14 – 6/14
My primary responsibility as an AP was to head up the logging (transcribing) team. This meant hiring and firing, making sure everyone's transcripts were accurate, formatted properly, and being completed promptly. As the transcriptions wrapped up, however, the next part of my job would begin: Creating vital post documents and story assistance. The post documents included a VO script for the host, a document with timecodes for the lower thirds, and the as-broadcast scripts. Story assistance includes largely filling in where other APs can't. This means doing some stringout work, and a lot of hunting for clips. Thanks to the amount of footage I've seen, my memory, and my ability to search, I was always able to do this quickly and effectively.
1/10 – 4/10
TLC — TV — September Films Details
1/10 – 4/10
I was entrusted to be the first person to work through the story and mine story elements to be used in the show. So besides my primary responsibility of stringouts (upon more and more stringouts), I was tasked with finding clips for frankenbiting, insert shots, and and much, much more.
Class of '10
Loyola Marymount
Screenwriting