You must be logged in to view that page.
Motivated and highly skilled adventure Director of Photography and Camera Operator who has extensive knowledge on camera menus, set up, and operation. Managed multiple camera teams in various climates throughout the world.
1/24 – 3/24
A&E — TV — ITV Studios America
1/24 – 3/24
8/23 – 9/23
National Geographic — TV
8/23 – 9/23
6/23 – 8/23
Reelz — TV — Half Moon
6/23 – 8/23
7/23 – 7/23
National Geographic — TV — Lucky 8
7/23 – 7/23
5/23 – 6/23
A&E — TV — Itv
5/23 – 6/23
2/23 – 5/23
The Weather Channel — TV — Dorsey Pictures
2/23 – 5/23
8/22 – 12/22
Reelz — TV — Half Moon
8/22 – 12/22
6/22 – 8/22
USA Network — TV — Original Productions
6/22 – 8/22
9/21 – 3/22
Discovery+ — TV — Warm Springs Productions, LLC Details
9/21 – 3/22
Lead Producer/Director of Photograhpy in the field. Directly in charge of my team ,setting schedules, creating story from beginning to end. In charge of all interviews, pick ups and direct content.
This show requires great patience, outstanding stamina and well-rounded organizational skills. On this show, I document Louisiana Game Wardens as the Director of Photography and Producer. These ladies and gentlemen are constantly on the move in whatever weather Louisiana has to offer including hurricanes and floods. We travel from boats, to trucks, to airplanes, to four wheelers on a day to day basis.
12/21 – 1/22
Director of Photography (DP) (Drone Operator)
–
Deep Water Salvage
The Weather Channel — Digital Details
12/21 – 1/22
One man band. I was in charge of fully producing and developing each story. I was one camera with 8 talent. I was fully in charge of 8 go pros, time lapses, b-roll, and my main camera a Canon XF705
5/21 – 7/21
A&E — TV — ITV Studios America
5/21 – 7/21
4/21 – 5/21
A&E — TV Details
4/21 – 5/21
Mainly focused on construction process/reality/ b-roll.
1/21 – 3/21
National Geographic — TV — Pilgrim Studios
1/21 – 3/21
10/20 – 11/20
Discovery+ — TV — Warm Springs Productions, LLC
10/20 – 11/20
7/20 – 10/20
National Geographic — TV — Pilgrim Studios
7/20 – 10/20
5/20 – 6/20
A&E — TV — Big Fish Entertainment
5/20 – 6/20
2/20 – 3/20
National Geographic — TV — Pilgrim Studios
2/20 – 3/20
9/19 – 9/19
Prime Video — TV — Amazon Studios Details
9/19 – 9/19
Underwater Camera Operator, Zone Crew Camera Operator
7/19 – 9/19
National Geographic — TV
7/19 – 9/19
2/19 – 7/19
A&E — TV — Big Fish Entertainment
2/19 – 7/19
1/19 – 3/19
National Geographic — TV — Pilgrim Studios Details
1/19 – 3/19
In charge of producing a story for the whole season of one boat. In charge of six cameras including A camera for reality and story, Go Pros and specialty shots. One man band Producer, Camera Operator and Audio Tech.
9/18 – 12/18
Director of Photography (DP) (Panasonic Eva1, Sony A7SII, Mavic 2 Pro)
–
Curse of Akakor (Season 1)
Facebook — TV — Facebook Watch Details
9/18 – 12/18
I was was in charge of my own crew/ gear with with multiply shooters in the deepest parts of Peru and Brazil. Responsibilities included hiking several miles a day to get to locations, protecting the camera equipment while shooting in torrential downpours. Setting up and packing up camp daily. Downloading footage and Aerial Photography.
4/18 – 9/18
TLC — TV — Megalomedia Details
4/18 – 9/18
Build camera for operation. Follow story as a single Camera Operator, getting inserts, detail shots and coverage.
4/18 – 6/18
CNBC — TV — Original Productions Details
4/18 – 6/18
Camera Operator. TV show documented with Canon C300 Mark II's, Car rigs mounted and shot with Go Pro Hero 5's.
1/18 – 1/18
Director of Photography (DP) (Sony PMW300, Panasonic GH5, Canon 5D)
–
Making Alaska (Pilot)
TV — Discovery Studios Details
1/18 – 1/18
Director of Photography in charge of selecting, and preparing all of the gear for principle photography. Hiring my own camera team. In charge of the lighting for sets and interviews.TV show pilot documented with Sony PMW300s, and Panasonic GH5. Time-lapses shot with kessler slider and Canon 5D MarkIII. Vehicle/ Airplane rigs mounted and shot with Go Pro Hero 5's.
2/17 – 11/17
Camera Operator (Canon C300, Canon 305, Canon 5d Markiii, Go Pro Hero 5)
–
Alaska: The Last Frontier (Season 7)
Discovery — TV — Discovery Studios Details
2/17 – 11/17
Camera Operator for seasons 4, 5, 6 and 7. TV show documented with Canon XF305's, Vehicle rigs mounted and shot with Go Pro Hero 5's. Time Lapses captured with Kessler Slider and Canon 5D Mark III's.
Director of Photography in charge of selecting, and preparing all of the gear for principle photography. Hiring my own camera team. In charge of the lighting for sets and interviews.TV show pilot documented with Canon C300 Mark II's, Time-lapses shot with kessler slider and Canon 5D MarkIII. Vehicle rigs mounted and shot with Go Pro Hero 5's. Underwater footage shot with Canon 5D Mark III.
9/16 – 9/16
Director of Photography (DP) (Red Weapon)
Spain Tourism — Advertising Details
9/16 – 9/16
I was in charge our fully selecting all of the gear I wanted, lights and camera crew. We shot this commercial using Red Weapons.
6/16 – 6/16
Director of Photography (DP) (Sony FS7)
–
IBM
Orlando, FL — Digital — Adrenaline Films
6/16 – 6/16
Camera Operator for seasons 4, 5, 6 and 7. TV show documented with Canon XF305's, Vehicle rigs mounted and shot with Go Pro Hero 5's. Time Lapses captured with Kessler Slider and Canon 5D Mark III's.
2/16 – 2/16
Camera Operator (Sony HDC 1500)
–
It Works
Live/Special Event — LMG Productions
2/16 – 2/16
2/15 – 2/15
Internet — Live/Special Event — LMG Productions
2/15 – 2/15
2/15 – 2/15
EA Sports — Digital — Electronic Arts (EA SPORTS)
2/15 – 2/15
2/15 – 2/15
Live/Special Event — LMG Productions
2/15 – 2/15
2/15 – 2/15
TV — MLB Productions
2/15 – 2/15
3/14 – 1/15
Assistant Camera (AC) (Canon C300, Canon 305, Canon 5d Markiii, Go Pro Hero 3+)
–
Alaska: The Last Frontier (Season 4)
Discovery — TV — Discovery Studios Details
3/14 – 1/15
In charge of 6 different camera operators gear and equipment. Also took stills and shot B-Roll.
10/13 – 3/14
Assistant Camera (AC) (Sony PMW 300, Canon C300, Canon 5D Mark III)
–
Kodiak: The Rock (Season 1)
Discovery — TV — Discovery Studios Details
10/13 – 3/14
I was in charge of keeping track of all of the gear, and maintaining the gear. I assisted all of the Camera Operators with anything they needed. I photographed many of the events and photographed all of the hero shots.
2/14 – 2/14
NASCAR Television — TV — JR MotorSports Details
2/14 – 2/14
I was in charge of shooting coverage of Dale Earnhart Jr his team and other cars for use with all of Nascar 2014 season.
2/14 – 2/14
Live/Special Event — LMG Productions
2/14 – 2/14
1/14 – 1/14
Assistant Camera (AC) (Red Epic, Arri Alexa)
–
NFL Game Changers
NFL Network — TV — NFL Films Details
1/14 – 1/14
Focus Puller and In charge of 2 Red Epic Cameras and 1 Arri Alexa, preston wireless focus.
10/13 – 10/13
TV — Sci-Fi Network
10/13 – 10/13
1/13 – 7/13
Assistant Camera (AC) (Sony EX3, Canon 5D, Sony F5, Go Pro Hero 3)
–
Lost Survivors (Season 1)
Travel — TV — Tremendous! Entertainment Details
1/13 – 7/13
I shot all the photography for the show, along with a majority of the time lapses and B-Roll
6/13 – 6/13
Director of Photography (DP) (Red Epic, Canon 5d MarkIII, Go Pro Hero 3)
–
Last Minute Stars - Stepping Stone
Music Video — Adrenaline Films Details
6/13 – 6/13
I was in charge of drawing out all the lighting diagrams and camera plots. I was also the Camera Operator using multi cameras.
5/13 – 5/13
TruTV — Adrenaline Films Details
5/13 – 5/13
My camera was the man camera in the court room. My Camera Feed was the same feed that went out to HLN, CNN, and many other news stations across the United States.
3/13 – 3/13
History — TV Details
3/13 – 3/13
I was one of two Camera Operators on the show. We did reality TV style shooting and also set up lights for the interviews.
2/13 – 2/13
Camera Operator (Sony HDW-800HD)
–
Nascar Media Day
NASCAR Television — Digital — NASCAR Media Group Details
2/13 – 2/13
I was in charge of setting up my own lights and shots for my interviews with the hosts and drivers.
I was the lead Assistant Camera for a 10 camera shoot. I was also the focus puller for the Phantom Slow Motion Shots. I was in charge of prepping all the cameras. Also help setting up the lights for the interviews
.
10/12 – 10/12
NBC — TV Details
10/12 – 10/12
I was one of the many shooters who shot reality TV style shooting.
10/12 – 10/12
Internet — Digital — Universal Studios Florida Production Group Details
10/12 – 10/12
I was in charge of lighting my set, as multiply cast members, and news stations from around the United States interacted with Penn and Teller.
10/12 – 10/12
Universal Studios Florida Production Group Details
10/12 – 10/12
I was hired on as a Camera Operator for a web based commercial for the reveal of Halloween Horror Nights.
9/12 – 9/12
Director of Photography (DP) (Canon 5D MarkII, Go Pro Hero 2)
Spike TV — Advertising — “Spike TV “ OP Services, LLC Details
9/12 – 9/12
I was in charge of going on the scouts, deciding which lights I wanted to use. I was then in charge of lighting my sets and finding my own camera angles.
8/12 – 8/12
The CW — TV Details
8/12 – 8/12
I was one of many Camera Operators hired on the light my own sets for interviews and shoot reality TV style shooting.
5/12 – 5/12
Discovery — TV — Indigo Films Details
5/12 – 5/12
I was in charge of shooting B-roll for the show that was based in Cape Canaveral, FL. I also lit and shot multiply interviews with guests for the show.
5/12 – 5/12
Director of Photography (DP) (Panasonic HDX900 )
–
Defending Casey
Film (Feature-length) — HLN Productions Details
5/12 – 5/12
I was in charge of lighting multiply interviews and shooting them. I interviewed the defending team for Casey Anthony.
4/12 – 4/12
Director of Photography (DP) (Canon 5d MarkII)
Abode CS6 — Advertising — Adobe Details
4/12 – 4/12
I was hired as Director of Photography to suggest another camera operator to shoot two camera side by side. One as a wide and one as a tight. I lit and shot all the interviews.
2/12 – 2/12
TruTV Details
2/12 – 2/12
I was in charge of the man camera inside of the court room. My camera fed many news stations around the country their footage.
6/11 – 6/11
Camera Operator (Red One, Canon 5D MarkII)
Haloween Horror Nights 2011 — Advertising — Universal Studios Florida Production Group Details
6/11 – 6/11
I was hired on as the third Camera Operator to do pick up shots.
6/11 – 6/11
Film (Feature-length) — HLN Productions Details
6/11 – 6/11
I shot multiply interviews with multiply guests. Using an Arri lighting kit.
5/11 – 5/11
Camera Operator (Panasonic HDX900 )
Direct TV — Advertising — Universal Studios Florida Production Group Details
5/11 – 5/11
I was hired on as a second Camera Operator, to do second coverage of select shots.
12/10 – 12/10
Internet — TV — ESPN
12/10 – 12/10
11/10 – 11/10
TV — ESPN3
11/10 – 11/10
11/10 – 11/10
TV — ESPN3
11/10 – 11/10
11/10 – 11/10
ESPN3.com — Digital — ESPN3
11/10 – 11/10
10/10 – 10/10
TV — ESPN
10/10 – 10/10
10/10 – 10/10
TV — ESPN
10/10 – 10/10
9/10 – 9/10
Internet — TV — Disney/ESPN
9/10 – 9/10
9/10 – 9/10
TV — ESPN
9/10 – 9/10
7/10 – 7/10
ESPN — TV — ESPN
7/10 – 7/10
7/10 – 7/10
Live/Special Event — ESPN
7/10 – 7/10
6/10 – 6/10
ESPN — TV — ESPN
6/10 – 6/10
6/10 – 6/10
ESPN — TV — ESPN
6/10 – 6/10
5/10 – 5/10
ESPN — TV — ESPN
5/10 – 5/10
4/10 – 4/10
ESPN — TV — ESPN
4/10 – 4/10
4/10 – 4/10
ESPN — TV — ESPN
4/10 – 4/10
4/10 – 4/10
ESPN — TV — MLB Productions
4/10 – 4/10
4/10 – 4/10
ESPN — TV — ESPN
4/10 – 4/10
Class of '09
Full Sail
Bachelors in Science and Film